The Picture of Dorian Gray: I lost count of the ‘terrible,’ ‘horrible,’ and ‘frightful.’ And loved it.

Your probably know something of the premise of Oscar Wilde’s The Picture of Dorian Gray from pop culture (I’m pretty sure there’s a Simpsons Halloween episode that recounts it): handsome young man sells his soul to remain ever-young while having the portrait painted of him grow old in his stead. Liberated from the physical evidence of sin (the theory being that sin shows up in the eyes and face), Dorian descends the vice ladder into gambling, ruining female reputations by being seen with unmarried women, whoring, opium and eventually murder. Along the way he is urged on by the devilish, morally questionable, and aphorism spouting Henry Wotton (honestly, I can’t think of a single thing Wotton says that hasn’t been transcribed onto a ‘literary tote bag’ or ‘literary magnet’ at some point or another. Even while he’s viciously sexist and excessively proud).

It is a delicious and delightful novel that plays at once at the thought experiment would-you-rather questions of youth or goodness, beauty or morality, while also asking the reader to question the assumptions we make about other based on what we see in their visage (oh how 19th century writing meddles with the diction of my thought). All the while written with a sort of playful Horror and Terror and Fright at the ‘scandals’ Dorian embroils himself in. (No surprise the book was banned and caused Outrage – to think that the assumptions of a 19th century morality might be something you intentionally and explicitly question…).

Mostly it is a book about art, and the possibility of art creating the eternal for the artist. And in the case of this book, it’s hard not to be persuaded that Wilde the man – for all his complexity – is most certainly dead, while the artist lives on in the work. In that way it’s a hair on the side of self-indulgence, but done so with knowledge and humour. That is to say, the writing is all too conscious of the hubris of wishing art into eternity.

The only part I found tedious was in a long section just after Dorian discovers the painting holds the evidence of his sins. It’s a near endless accounting for the way he burns through his wealth on gems and art and music and how he spreads the influence of his epicurean philosophy among his peers. It was… exhausting. Probably the point.

I listened to this one as an audio book and highly recommend it in this form. Free from my library and brilliantly narrated. Though I wonder what Wilde might think about the mutilation of the form from immersive reading to listening-whilst-driving/cooking/cleaning/being-a-fucking-do-everything-for-everyone-all-the-time-woman. Probably he wouldn’t care, because for the most part women are decorative. Ha. But seriously. Good.

Advertisements

Leave a comment

Filed under British literature, Fiction

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s