The Gone Dead: All it needs is a vampire

You know how some books would just be better with a vampire? Like all those remakes they did of 19th century novels they did with zombies (Pride and Prejudice AND ZOMBIES) but only from the beginning the author thought, yeah, this would be better with a vampire.

Actually I’m not totally sure Chanelle Benz’s The Gone Dead would be better with a vampire. I mean it’s really, really good to begin with, so… Right, here’s the plot: daughter, Billie, returns to childhood home after its bequeathed to her. On returning she begins to remember and question the circumstances of her father’s death (he died in the backyard when she was a child, and she was the only witness). Enter a cast of childhood friends, family, rivals and lovers. And the most adorable professor researching her father and his poetry. (Adorable for his representation of just how silly academia is when it comes to Life and Death). All trying to help or hinder her quest to remember and understand.

So I guess I only want a vampire because the book already has the claustrophobic atmosphere of the Mississippi Delta coupled with a murder mystery and the tangle of remembered/misremembered/invented stories that recall something of a fable. And that all point to something Gothic and clawing, but I’m just messing. Obviously this book doesn’t need an actual vampire. There’s enough danger without literal fangs: the Klan, the racist police, the well-intentioned by ultimately destructive white friends. And poetry.

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Filed under American literature, Book I'll Forget I Read, Fiction, New York Times Notable, Prize Winner

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