Buckeye: Neighbours making neighbourhoods

Truly as I sat down to write this I got a text from a neighbour and friend who is looking after my garden while I’m away and took out my garbage bins and generally is great for helping give care. These are neighbours who also – thank god – send their children unaccompanied to the park with mine and cultivate the kind of interdependent independence that childhood thrives on – a kind of freedom that parents using GPS tracking watches and hyper-surveillance of children find suspect.

It’s a weird, and very small thread of Patrick Ryan’s Buckeye to attach to, but I was – am – so glad for the way the kids in this book grow up free to roam on bikes and until the streetlights come on and with many, many other children such that they create and cultivate micro communities of relationships. And glad that my kids have tiny opportunities for this, too.

Okay, that’s not really what this book is about and is more about when it is about – following the generation of youth who fight in and live after WWII the book explores how their childhood is shaped by their damaged or absent veteran fathers, then by their own experience fighting, and then watching their own children conscripted for Vietnam. Of course I knew this was a generation that moved through these global conflicts – but following it through the microcosm of two families – two deeply and surprisingly intertwined families – made the permeation of those conflicts into the character of individuals and their world more tangible.

It is also a book about how the mores of the time shaped sexuality and its expression, gender roles, race (ish – this is a rather lightly treated theme and pretty reduced to extremes and headlines) and (barely) class.

These pieces of ‘the times’ also inform how the characters make or don’t make their choices.

[Aside: I got distracted and called away from finishing this post and here it is a month later and I’m doing my best to recall what else I wanted to say about the book But]

One choice – or the same choice made over and over again – centers the book. How a choice for (or against) fidelity to a spouse cascades across a life; how a choice for (or against) the truth (and what exactly is the truth – is it not lying or is it proactive honesty?) explodes relationships and alters lives; how (beyond the individual) choices of global politics made (again and again) find new and familiar patterns.

I enjoyed the book, but if my, now several weeks later impression, holds, its not one that will shatter or shake you. Just a pleasant one for a cottage or a beach or – as the waning days of summer arrive – to read in half hour snippets before collapsing to sleep. Like a well told story of the realist variety where the writing is good but not distractingly good, where the characters are interesting and have an arc but are not people you spend any time outside the book thinking about, and where the plot is one you could describe over the table at a trivia night and everyone would agree that sounds interesting but is not, in the end, that interesting. It is a fine book.

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Filed under American literature, Book I'll Forget I Read, Fiction, Prize Winner

The Audition: Pretty weird

Katie Kitamura’s The Audition reminded me a bit of Elizabeth Strout in style – declarative, descriptive sentences with little flash or flair – and a bit of Sally Rooney in the weird plot presented as just normal things.

In this case there are two versions of the plot with two different connections among the same characters all exploring the same themes: living with the consequences of our choices, finding (and becoming) the person we want to be amid the person we think we are supposed to be; how and why we perform particular roles in our lives and relationships – and to what effect.

Exploring these themes through two mirrored – and yet significantly differently – plots offers the reader a way to see how their own lives might fracture and follow very different trajectories based on one choice.

And while that one (or several) choices might lend to a different outcome the persistent qualities of ‘character’ – that is the values, beliefs, qualities – are both consistent and reasonably changed by circumstance – asking the question of whether we are who we are because of some intrinsic character trait or because of circumstance (leaning heavily on circumstance).

In the end I found the form interesting and the writing weird enough to be engaging. But I wasn’t particularly moved or changed by the reading and don’t see myself finding it memorable. So maybe read it for the experiment in form and character? Or not.

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Filed under Fiction, New York Times Notable, Prize Winner

The Favorites: Get it on audiobook!

I have no idea if Layne Fargo’s The Favorites would be any good as a book-book that you read, but it is a delight as an audiobook. With a cast of character voices to bring distinction to the… cast of characters that open each chapter, the audio version is particularly delightful.

Following skating dance partners through their years competing for Olympic glory the book is mostly one of romance and plot-ty moments around competition and the lengths the Russians will go to sabtoage the Americans or maybe its someone else but who cares because it’s all plot and delightful.

There are some moments where the book tries to be More Serious about the economics of figure skating or gender dynamics of figure skating/dance or the influence of media on sport/celebrity, but these moments feel like they are trying very hard to be serious amid a book that does it best just being fun and silly.

Anyway, it’s a great choice if you have a long car ride coming or several drawers that need organizing and a good audiobook to keep you entertained along the way.

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Filed under Book I'll Forget I Read, Fiction

The Drowned: Skip it

Sean O’Brien won the Booker and now any book you pick up of his is like “this guy won the Booker,” and so you think you’re going to be getting an absolute gem. And sure, The Drowned was well written in that its atmospheric and well paced and writing that is good enough not to be noticed, but also it was about too many things and with characters that (I guess because it’s part of a series?) have too little and too much character development going on.

Ostensibly about the disappearance of a woman, Dee, under suspicious circumstances – the husband Armitage reports her as having ‘run off’ the book is more about the relationship between Stafford, the detective, and the others in his life (girlfriend, boss, partner) but without knowing Stafford from other books I was a little lost for why I ought to care about him.

And also a little unsure about the Irish politics (like the Catholics are bad?) and the time period – when are we? Why is everyone smoking so much?

Anyway, all this to say I wouldn’t throw it out a train window, but I also wouldn’t seek it out, and will absolutely for sure forget I read it.

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Filed under Book I'll Forget I Read, Fiction, Mystery