Category Archives: Young Adult Fiction

Jacob Have I Loved: Young Adult Fiction is For Adults, Too

Katherine Paterson is probably (?) best known for Bridge to Terebitha, but I recommend you to Jacob Jacob I Loved, too. Particularly if you have some sense that your life is fated and you have no choice but to Do What You Are Doing. Here’s a book – for young people, for old people, for people-people – that brings to attention the way we choose, or might be able to choose, or choose despite our constraints, the kind of person we want to be and the life we want to live.

In this case we follow twin sisters where one, Caroline, is spectacularly precious and adored, and the other, Sara Louise, who – well, let’s admit that the limited narration might open questions about its reliability – isn’t. And how Sara finds around her evidence of a narrative of who she thinks she is and what she can become, ever believing this to be true and letting this story limit what she will let herself imagine for her life or for her capabilities. And so the book through the (eventual) shifting of this self narration shows the young adult reader the power of the story we tell about ourselves. That to be who we want to become a big part of it is is declaring who we think we can and could be.

It runs up, of course, against the usual ‘choice amid constraints’ without ignoring these – Sara Louise, in choosing her future, has to make sacrifices of family and future that her parents may have wanted, choices that come with economic repercussions, and significantly, force her to see the ways she has externalized her own sense of limitation. So yes, we can’t choose to be anything we want, or can’t choose anything without consequence, but, the book says, we have more choices than we imagine.

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Filed under Fiction, Prize Winner, Young Adult Fiction

Harry Potter 1-7: The Emotional Labour of Hermione Granger (and why I cry at Quidditch matches)

So I only did a super fast search of Google Scholar, but I am stunned that no one has written a Master’s thesis on the emotional labour of Hermione Granger. It’s not that she’s constantly doing Harry and Ron’s homework, or cooking for them, or (often invisibly) smoothing their path by working fancy charms and spells to literally make their tasks easier – though of course she is doing all of those things), it’s that she is also and forever explaining Feelings to Harry and Ron. Throughout all seven books (and yes! I am done all seven!) Hermione is counted on to translate emotional reactions or to help Harry and Ron anticipate the way feelings will intersect with action because the two of them appear entirely incapable of navigating an emotional landscape more rugged than a freshly paved parking lot.  Continue reading →

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Filed under Fiction, Popular Posts, Young Adult Fiction

The Hate U Give: Super. No clickbait. Just super.

I like to walk around the big chain bookstore, with its carefully crafted display tables and candles and blankets, and not buy books (or anything). Instead I have my library app open and as I see a book that looks interesting I order it up. A few weeks or months later the book arrives at the library and I feel this smug satisfaction of *free books* and the delight of having forgotten I’d ordered it in the first place, so it’s like a double present. Continue reading →

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Filed under American literature, Fiction, Young Adult Fiction

The Marrow Thieves: How Should I End Blog Posts?

Cherie Dimaline’s The Marrow Thieves is a YA (maybe?), dystopic, post-climate-apocalyptic, fantasy novel that follows an Indigenous family as they establish familial and romantic ties while also trying to escape the clutches of predatory, murderous, white ‘Recruiters’ bent on capturing them and taking them off to ‘Schools’ to drain them of their literal marrow (and kill them) because their marrow combats the dreamlessness that has turned all white people into dream-zombies. *Breath* That is to say… it is a lot.

It makes its thematic concerns abundantly clear and accessible (presumably this is why it is understood as young adult fiction?): colonialism, settler-indigenous relations (past, present and possible-future), ecocriticism and trauma. There’s scope to discuss how/when children become adults, the intersection of history and story and the purpose of spiritual life and dreams. It feels like if you were teaching a literature/politics course you could not have ordered up a better novel to open conversations (or I guess if you’re a producer of the 2018 Canada Reads competition…). It is also bursting with similies. Like a water barrell overflowing in a rainstorm with similies.

As a story I didn’t love it. It was a quest narrative that didn’t articulate it’s quest until reaching the climax, as a consequence the reader is left adrift wondering if there might be a point to all the wandering (though I suppose there’s an argument to be made that the reader’s feeling of waywardness is intentionally mirroring that of the characters, but I don’t buy it). The characters themselves read a bit jumbled: there are a lot of them in the family and not enough attention is paid to individualizing each, so there is little emotional investment for the reader on what happens to any one of them. That said, the few characters that do receive a backstory are compelling, if not entirely complicated. There’s also a question of setting. They are forever walking north (like months and months) but never seem to get anywhere (again with the wayward wandering). And I did find the writing strayed into the cliche and the Literary Devices.

As a novel to spurr conversation I think it has merit. There’s ample opportunity to talk about the legacy and continued experience of colonialism, the continued profit off Indigenous bodies, the history of residential schools and the present of incarceration and child welfare agencie, the experience of Metis people within and against the state, and the representation of indigenous people as eco-warriors.

I never know how to end these posts. I feel like I’m always tempted to be like “read it” or “don’t read it,” and in this case I don’t know what to tell you, and maybe you don’t want me to tell you anyway, and so… END.

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Filed under Bestseller, Canadian Literature, Fiction, Young Adult Fiction