Category Archives: Prize Winner

April 24, 2026 · 6:55 pm

The Guardian and the Thief

Who knew a book so heartbreaking could be so suspenseful. Maybe there are lots of examples? Well here is one: Megha Majumdar’s The Guardian and the Thief. Set in the near-future of India where the climate catastrophe has brought famine and social/political unrest we follow two families as they try – in their unique ways – to escape the conditions that keep them hungry and suffering.

A terrific book for any course wanting to consider ‘social determinants of health’ the book sets up in stark terms (somehow without being annoying about it) the way class intersects with bodies – where they can go, what they can expect, and how they will thrive or fail.

For this reader it was a sort of awe at the way Majumdar manipulates sympathy – vacillating between Ma and Boomba, but then also for Ma and Boomba amid an environment where they are set up to make – in their various ways – chillingly choices about who and what to prioritize, and at what cost. And while it is meant to be the near future, it feels urgent and present in ways that were/are unsettling and uncomfortable: what are we willing to look away from to prioritize our immediate family, ourselves? What will we hoard – if not food, then land, or transportation, or access – and how much do we need to imagine ourselves safe (and from what, or whom) and for how long?

Over the course of one week we are kept in suspense and agony for what they can each control and what is wrested from them. And beautiful writing that lets the reader slip inside the story and align, betray, align again with characters without noticing that the story is being spun.

Go, go and enjoy, while being prepared to be asked to reckon with what you might give up and what you might take so as to save who you claim as your own.

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April 4, 2026 · 12:51 am

A Marriage At Sea: A True Story of Love, Obsession and Shipwreck; or, what is wrong with me

There must be something funny in my subconscious that it just keeps picking books about marriage, or divorce, or the complications of marriage or or – but it’s not that I’m seeking these books out. More that the ones that find might right now are… all of a theme. Call it the universe helping me work through it all.

Anyway, Sophie Elmhirt’s non-fiction A Marriage At Sea: A True Story of Love, Obsession and Shipwreck follows Maurice and Marilyn on their ill-fated sailing trip from one place to another (exact locations are used in the book, but dear reader, this writer does not care enough to look them up).

Before they set out on the journey we figure out the married couple are odd. Odd as individuals; odd as a couple. They decide to sell their house, built a boat over a few years and dedicate their lives to living at sea. Odd as it is to imagine doing such a thing yourself, odder still (to this reader anyway) that fate or fortune would bring together two people so similarly devoted.

But so goes the world, and so goes Maurice and Marilyn off to sea. ONLY TO BE SHIPWRECKED (it’s not a spoiler, it’s in the title) when a whale bashes up their boat. Honestly many reviews make much of this whale (maybe for the improbability of it?) but the whale did not feature heavily in my read of it, so much as the absolute nuttiness of them having set out without a radio (for the purity!) and working flares (just…. oops).

Of course we know the whole time that things must work out mostly okay because they survive to tell the tale (or at least that was my comfortable read of it until A. suggested that perhaps it was written posthumously based on journal entires and so I spent the rest of the book in gasping suspense worried they’d be eaten by a shark, or let’s be honest, starve/die of dyhydration/exposure etc).

I’ll give you the same gift of suspense and not tell you for sure, except to say that by and large the best parts of the book were not about shipwreck or (possible) survival, but instead were about how these two managed not to eat one another alive (and I don’t mean literally) in the torment of being alone at sea.

I’ve heard – though I am an unreliable narrator on this point – that marriage can be tough and requires Some Work to make it through. One can only guess the kind of fortitude being married while dying at sea requires. Actually, you don’t need to guess. You can read this gripping and engaging book and be reminded – and don’t we all need the reminder right now – of how much hope and love alone can accomplish.

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March 16, 2026 · 1:23 pm

Flesh: Weird and great

It’s hard to describe the narrative style of David Szalay’s Flesh, except maybe to say it’s unsettling? Other reviews describe it as ‘sparse,’ which I guess is a nod to the matter-of-fact descriptions and the abrupt changes to our protagonist, István’s, life. Like between two paragraphs he murders a man (accidentally?) and then in the gap between chapters goes to prison or war or or or.

I happened to enjoy the (somewhat jarring) jumps in time and the oddity of István as a protagonist (like he seems primarily motivated by whatever holds his attention in the moment, and achingly insecure), but I can see how another reader might find the narration hard to settle in to or missing something (though not the Booker jury who awarded it the 2025 prize).

There’s probably an undergraduate essay or thesis to be made of the representation of women in the novel – from the opening older woman (a gasp, 40 something) who first seduces István and then teaches him how to be an attentive lover until he (problematically) falls in love with her to the rich woman he chauffeurs around before (series of spoilers and events) marrying her and settling into a life of wealth and leisure (though it’s a stretch to say he settles in because isn’t he always a bit at odds with it all). Women then are tempting and distracting and absorbing – and (understandably because the book is about István) represented as in service to István’s character development.

Anyway, I liked it though I’m not sure I’d recommend it? Like maybe you have to be in the right mood for something kinda weird and different. If you’ve read it, let me know what you think.

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February 13, 2026 · 1:52 am

The Correspondent: The courage to connect

I know I’m late in praising Virginia Evans’ The Correspondent. It’s on a million best-of lists and many of you have recommended it to me. What can I say. I was busy reading romantacy novels and separating from my soon-to-be-ex-husband (whee!). Fun fun.

But actually go get The Correspondent. It is fun (or at least in its formal elements) and helpful. Epistolary (that is to say, written in letters) the novel follows the aging life of Sybil through her correspondence with all manner of people.

A book in praise of human connection – not just the letter writing kind of connection, actually this is only a tiny part of it – more a book about how bravely reaching out to someone (sometimes a stranger, or a famous stranger, or a family member, or a friend, or a salesperson, or anyone) to tell them you’re thinking of them or what you like about something they did or what they’ve done to hurt you or what you admire about them or what you are reading or really anything (write about anything, Sybil says) is courage and connection and what we all need most.

The courage to connect at a time of intense loneliness for so many. The courage to say oh hey, yes, me? I was thinking of you and am just writing to say as much. And then the shock – the shock that never tires – of having this desire for connection reciprocated.

What Evans does best (I think) (and truest to my experience) is to have Sybil instruct young people in this art of courageous connection. She promises them that sometimes people will not write back (and this may be for many reasons and the arrogance of assuming it is you) and that is fine. The joy is in casting the line and that in knowing that sometimes – enough, actually – there is response, and sometimes – enough, actually – there is reciprocation and deep connection.

That these lines can – enough, actually – become thick connections that can hold us over years, through the hardest things, through the most joyous.

Sybil teaches these young people (and through them the reader) of the arrogance of assuming we can Go It Alone, or the cowardice of expecting others to come find us. We find one another when we bravely say ‘oh hey’ and then write back.

It’s a book about many other things – grief (of dead children or lost marriages or lost time), friendship, motherhood, guilt, romance, aging bodies, and trust – but for me (for me the reader right now) it was most of all this message of courage and connection. Certainly when I the individual human have needed it most, but no less, no less, when we the world most urgently do.

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