Tom Rachman’s The Imperfectionists is either a series of tightly connected short stories, or a novel with very distinct voices and plots in each chapter, but whatever its exact form, it follows the staff of a declining international newspaper through the decline and inevitable fall of their paper (and the industry). Continue reading
Tag Archives: Short Stories
Gah. Once again I accidentally read a short story collection and it was terrific. I may have to (finally) admit there’s nothing inherently evil about the form.
This particular collection, written by Phil Klay, and much ballyhooed by the New York Times, is pretty great. Focusing on the American role in the Iraq war, each story offers a slightly different perspective on the experience of war, from a solider returning home to a chaplain on the front lines.
I read it over the holidays and so now don’t remember as much as I wish I did, but I remember enough to suggest you read it. Uhhh – what specific thing can I say? Sorry. Not much. Next time I won’t wait three weeks to write about it…
I still don’t like short stories. And Elizabeth Strout’s Anything is Possible is a short story collection. It helped that characters appeared in multiple stories, and that Lucy Barton shows up in lots of them. Helped because my memory is terrible and I don’t like getting to know a set of characters only to have them change 25 pages later.
All of the stories are brilliantly written with believable and raw characters. And an overarching tone of menace and melancholy (put that on your book jacket).
That’s all I have to say because it’s three days later and I’ve forgotten all of the stories in their particulars. It’s not the fault of Strout, but of the genre. I dislike Black Mirror for the same reason. Probably people who are better equipped for the world would just love the collection and be able to tell you specific moments as justification. But not me. So you’ll have to take my overarching feeling as proof. Flimsy though that may be.
(Also – what’s the name for the thing you use to steer a ship? Like does it have a particular name? I looked at once for 15 minutes and couldn’t place the name for it, getting increasingly worried that I am losing my mind.)
Heroes of the Frontier: Preview of Dave Eggers’ New Novel (That should have been a short story; Or scrapped)
I am a Dave Eggers completist. I think because I really, really loved A Heartbreaking Work of Staggering Genius I keep reading everything he writes hoping to recapture the joy of that first read (why did I love AHWOSG so much? Probably because it was the first thing I’d read like it. A like every first encounter aren’t we all always trying to get back to recapture that moment of intoxicating newness?).
But with Heroes of the Frontier the fierce loyalty of fresh love has faded to embarrassment to be (seen as) still attached to the overly confident novel, unaware of its lackluster performance and reliant on the coattails of previous success. But I want to love Eggers, and so I read for kernels to warrant continued affection: Eggers writes good comedy. Josie, a former-dentist, has quasi-kidnapped her children and taken them into the wilds of Alaska so that she can find meaning. Some funny scenes ensue. Some smart writing.
But given the sole source of conflict in the novel is Josie’s uncertainty about whether her life has, or could have, or ever had, meaning (and whether children might be what we all pin our hopes on for meaning, but find never live up to those expectations), Eggers has a challenge in maintaining interest. There’s only so much hand wringing, soul searching while drinking wine and staring at the stars that one reader can tolerate. (Especially when it’s a reprieve, almost entirely, of the hand wringing of Your Fathers, Where Are They?) Which is to say the psychological conflict and drama doesn’t have enough complexity or resonance to do much but bore. Loathe as I am to suggest that short stories might have any merit at all, I have to say I think this 300 page beast of different campsites and highway driving could be suitably pared down to a couple of nights in a tent and the same realization: we make meaning in what we do and who we do it with, and it’s never going to come from money or things or external validation (alas).
The book hits shelves later in July. If you, like me, can’t resist Eggers (like you can’t resist Atwood), you know you’ll read it anyway, so go, read it, and let me know if I’ve gotten it all wrong. If you can resist the siren call, then go see the movie for A Hologram for the King and let that be your Eggers fix. Plus Tom Hanks. And let me know whether the movie is any good.