Tag Archives: canadian literature

I’m Thinking of Ending Things: I read a book in a day!

I read a book in a day! I read a book in a day! Granted I’m on holiday, and there are no distractions and all the coffee, and this was a particularly compelling book. But putting those points aside, it’s still worth celebrating: I read a book in a day! It’s been so long.

ANYWAY. You’d likely read this one in a couple of sittings, too. Iain Reid’s I’m Thinking of Ending Things gets described on the book jacket as ‘cerebral thriller’ and ‘dark twisting suspense’ and ‘horror.’ I’m not sure what a ‘cerebral’ thriller is – I guess there’s very little actual blood in this book? or most of the suspense is achieved by confusing narration and an aggressive present tense. I was feeling edgy while I was reading it. Doesn’t help that, S., on learning it was a ‘thriller’ decided to make whooshing whistling noises and occasional leaps from behind doors. #charming

The book has two ‘modes’ I’d say: one, the hyper-present tense description of a road trip with our unnamed female narrator and her boyfriend Jake, to visit Jake’s parents; two, these stilted strange conversations between the two characters (and then the characters and the parents and some other assorted supporting roles) that stray between the philosophical and the menacing. Most of the questioning centres around whether and how we can navigate the world alone – that is, what is lost/gained by eschewing relationships, or not being able to be in relation-to: what do we need from one another? what are the limits of self-sufficiency? Sometimes these questions are explored head-on in a bizzare-wouldn’t-likely-happen car conversations between the two, and then the questions also get explored in these strange little stories the two tell one another from childhood where extended metaphors are meant to do some kind of instruction on the same theme.

At its best there is a propulsive uncertainty about what will happen to our protagonist. At its worst I didn’t care enough about her – or the snow storm (which read as if someone had said ‘don’t forget setting! and pathetic fallacy!’) or her headaches or the Caller – to be invested in whether everything works out or whether things will be… ended.

Anyway. I’m curious if you’ve read it, what you make of the ending. And if you haven’t, I’m not convinced I’d recommend it. Unless you like ‘cerebral thrillers’ which – if the cover is to be believed – this is of that genre. Not like it was bad, just that there were too many things that irritated me. But still. I read a book in a day!

Advertisements

Leave a comment

Filed under Canadian Literature, Fiction, Mystery

Failed Attempts at Can Lit; or, Books I Started But Didn’t Finish in the Last Two Weeks

I started, and gave substantial effort (enough that I feel okay reviewing them), to two Can lit novels in the last couple of weeks. Both are books that I ought to have really liked but didn’t. I’ll take the blame. It’s summer. There are patios. And BBQs. (And work, family and responsibilities. Whatever.) Continue reading

Leave a comment

Filed under Bestseller, Canadian Literature, Fiction, Historical Fiction, Worst Books

Brother: You don’t win prizes for bad writing. (Most of the time)

David Chariandry’s Brother follows two brothers – Michael and Francis – and their experiences growing up in Toronto as young, black men. The story weaves two time lines: the present in which Michael and his mother grieve the death of Francis, and the years and then weeks leading up to his death. The effect of the woven time is to have the reader at once certain of the outcome and effect, and unsure about the cause. That’s not true. The cause of Francis’s death is as much about context and systematic racism (through education, housing, transit and policing) as it is about the single act that kills him. The reader feels certain – well before knowing what exactly killed him – that if Francis was born white he wouldn’t have died.

It’s an exquisitely written novel. Quotidian scenes speak for whole years; individual examples gesture to shared experiences. With precise language and sharp detail, the writing evokes setting and atmosphere without straying into distracting description or belabored scene-setting.

While it is a novel principally interested in masculinity, in its characterization of their mother the story proves capacious in its exploration of the intersection of gender and class and race.

I’ve made it sound like a bleak read. And in some ways it is, and that’s a good reason to read it, too. But through the distress and grief and anger there are also scenes and moments of connection, community and great care. And other alliterative ‘c’ words. Not that a story needs to balance sadness with hope. Just that this novel does. And I hope you read it.

Leave a comment

Filed under Canadian Literature, Fiction, Giller prize, Prize Winner

Last Snow, First Light: I read a book! I read a book!

It has been… weeks. And weeks. Months, maybe. But I did it. I cracked my reader’s block, which is a real thing, I’ve come to understand. Thanks to the many of you who wrote with suggestions and sympathy for my vexed state. Ideas on how to break reader’s block included: read non-fiction, read a graphic novel, re-read an old favourite, read something short, read articles. While I appreciated all the advice, I ended up just… taking it slow. I read a few pages at a time and stopped putting pressure on myself to be reading. And worrying about why I wasn’t (had I broken my empathy?).

The book I eventually finished, Wayne Johnston’s Last Snow, First Light isn’t one you’d think would break reader’s block. It’s what you might call a slow burn. A mix of character study, realist drama and story-of-place there is – over the 400 odd pages – something of a mystery to be unraveled: what happened to Ned Vatcher’s parents, who disappear during a snow storm never to be seen again. But it’s mostly about the characters: the increasing weirdness of Ned as he gets richer and lonelier, the journey of Fielding (who some readers will recall from The Colony of Unrequited Dreams and The Navigator of New York – though tbh I’d forgotten almost all of both books. Barely a glimmer of The Colony except that Smallwood stamps around Newfoundland) to reconcile with her past by way of truth-telling and sharing, the re-defining of family from genetic bond to affiliative relations.

It’s a book that invites going slowly, and so suited my reader’s block recovery. With careful and scene-setting writing, the reader is on a leisurely pace to unravel the mystery, certainly not of the page-turning, heart-palpitating variety (and this reader could be contented whether or not it is ever solved (though Ned can’t be).

Well suited to a winter curl-up and a book club (I guess you could talk about the role of religion, the exploration of ‘family,’ and how much it is possible to drink without dying), I’m happy to recommend this one for a good read, if not a zippy one.

 

2 Comments

Filed under Book Club, Canadian Literature, Fiction, Mystery