David Chariandry’s Brother follows two brothers – Michael and Francis – and their experiences growing up in Toronto as young, black men. The story weaves two time lines: the present in which Michael and his mother grieve the death of Francis, and the years and then weeks leading up to his death. The effect of the woven time is to have the reader at once certain of the outcome and effect, and unsure about the cause. That’s not true. The cause of Francis’s death is as much about context and systematic racism (through education, housing, transit and policing) as it is about the single act that kills him. The reader feels certain – well before knowing what exactly killed him – that if Francis was born white he wouldn’t have died.
It’s an exquisitely written novel. Quotidian scenes speak for whole years; individual examples gesture to shared experiences. With precise language and sharp detail, the writing evokes setting and atmosphere without straying into distracting description or belabored scene-setting.
While it is a novel principally interested in masculinity, in its characterization of their mother the story proves capacious in its exploration of the intersection of gender and class and race.
I’ve made it sound like a bleak read. And in some ways it is, and that’s a good reason to read it, too. But through the distress and grief and anger there are also scenes and moments of connection, community and great care. And other alliterative ‘c’ words. Not that a story needs to balance sadness with hope. Just that this novel does. And I hope you read it.
It has been… weeks. And weeks. Months, maybe. But I did it. I cracked my reader’s block, which is a real thing, I’ve come to understand. Thanks to the many of you who wrote with suggestions and sympathy for my vexed state. Ideas on how to break reader’s block included: read non-fiction, read a graphic novel, re-read an old favourite, read something short, read articles. While I appreciated all the advice, I ended up just… taking it slow. I read a few pages at a time and stopped putting pressure on myself to be reading. And worrying about why I wasn’t (had I broken my empathy?).
The book I eventually finished, Wayne Johnston’s Last Snow, First Light isn’t one you’d think would break reader’s block. It’s what you might call a slow burn. A mix of character study, realist drama and story-of-place there is – over the 400 odd pages – something of a mystery to be unraveled: what happened to Ned Vatcher’s parents, who disappear during a snow storm never to be seen again. But it’s mostly about the characters: the increasing weirdness of Ned as he gets richer and lonelier, the journey of Fielding (who some readers will recall from The Colony of Unrequited Dreams and The Navigator of New York – though tbh I’d forgotten almost all of both books. Barely a glimmer of The Colony except that Smallwood stamps around Newfoundland) to reconcile with her past by way of truth-telling and sharing, the re-defining of family from genetic bond to affiliative relations.
It’s a book that invites going slowly, and so suited my reader’s block recovery. With careful and scene-setting writing, the reader is on a leisurely pace to unravel the mystery, certainly not of the page-turning, heart-palpitating variety (and this reader could be contented whether or not it is ever solved (though Ned can’t be).
Well suited to a winter curl-up and a book club (I guess you could talk about the role of religion, the exploration of ‘family,’ and how much it is possible to drink without dying), I’m happy to recommend this one for a good read, if not a zippy one.
I recently had a middle of the night worry that an author of a book I didn’t like might stumble across one of my I-didn’t-like-it reviews. Don’t worry. I fell quickly back to sleep. But the thought lingered. I like writing a good scathing review as much as the next blogger, but was I being fair to the novelist? Was I just having fun being a little too mean? Continue reading
There are books you read because you want to, books you read because they’re recommended, books you read because you’re required, books you read out of curiosity and books you read because you should. For me, Tracy Lindberg’s Birdie is a novel I was required to read for book club and a book I thought I should read because Lindberg brings voice in fiction to the narrative of murdered and missing indigenous women. While I’m glad I read it, I didn’t enjoy the novel, or think it was particularly well written. Continue reading