Kamila Shamsie’s Home Fire is great. It’s a contemporary retelling of Antigone, which for those of you not up on your Greek mythology is told in the Sophocles play by the same name and is about a bunch of battles and Antigone – sister, daughter, all round righteous lady – defying the king’s order by insisting the her brother’s dead body be buried. A bunch of spoilers follow, so if you’re going to read it (and you should) you might want to stop reading here. Continue reading
Tag Archives: British literature
Home Fire: I was once boss of Greek mythology.
Filed under Booker Prize, British literature, Fiction
Autumn: It’s okay to have feelings. I hope.
Ali Smith writes very, very good novels, and very good ones and then this one. Autumn is, in my fanciful hierarchy of good, very, very, very good. Mark that as three ‘very’s’. It has gorgeous writing and a lyrical tone and pacing that wraps you up and whisks you away without you realizing it. Eventually you look up and realize you’ve been reading for an hour and it’s time to X whatever chore your life demands you do instead of reading. Continue reading
Filed under British literature, Fiction, Prize Winner
The Casual Vacancy: Just because you wrote Harry Potter doesn’t mean you should get to publish nonsense
I know I’m a few years behind the tide on hating J.K. Rowling’s The Casual Vacancy, so forgive the belated review: it’s a boring book and you shouldn’t read it.
Set it Pagford, a quaint British town (think the Vicar of Dibley), the story follows a ragtag cast of characters after the death of town councillor Barry somebody-I-don’t-remember-because-I-don’t-care. The book tries to make itself relevant and interesting by including cyber bullying, drug use, domestic abuse and racism. It succeeds only in being interesting by virtue of how terrible it is. And how difficult it is to remember who any of the characters are because they are all so boring and yawn.
I suspect the editor of the first draft wanted to put the whole thing in a fire, but felt compelled by the sheer force of the Rowling name to let it see the public eye. I jest (only a little). It’s not punishing to read, but it certainly belies the substance of the book to call this a ‘compelling’ read (as do some reviews) or a (ha!) page-turner. With nary a plot detail to compel, nor a character developed enough to be of the slightest interest (Rowling is surely the master of characters defined by a single character trait and stubbornly resistant to any change through circumstance or reflection) it’s a book you read out of a sense of inertia and a quiet fascination with how someone who wrote Harry Potter could also write this terrible thing.
What, if anything, could I say this book is about? Small town politics? Teenage relationships and the lack of parental engagement with youth? Hardly. I do think it’s trying to be about the social mores of our contemporary moment, but reads as an afterschool special that forgot that in order to make a reader care about an issue you first have to provide a compelling… something.
I have to admit I’m pleased it was so bad. Coming off the glory of A Little Life I was pretty sure whatever I read was going to pale in comparison. The Casual Vacancy did not disappoint in this respect. With my palate cleansed I feel ready for another terrific read: suggestions?
Filed under Book I'll Forget I Read, British literature, Fiction, Worst Books