You know how some books would just be better with a vampire? Like all those remakes they did of 19th century novels they did with zombies (Pride and Prejudice AND ZOMBIES) but only from the beginning the author thought, yeah, this would be better with a vampire.
Actually I’m not totally sure Chanelle Benz’s The Gone Dead would be better with a vampire. I mean it’s really, really good to begin with, so… Right, here’s the plot: daughter, Billie, returns to childhood home after its bequeathed to her. On returning she begins to remember and question the circumstances of her father’s death (he died in the backyard when she was a child, and she was the only witness). Enter a cast of childhood friends, family, rivals and lovers. And the most adorable professor researching her father and his poetry. (Adorable for his representation of just how silly academia is when it comes to Life and Death). All trying to help or hinder her quest to remember and understand.
So I guess I only want a vampire because the book already has the claustrophobic atmosphere of the Mississippi Delta coupled with a murder mystery and the tangle of remembered/misremembered/invented stories that recall something of a fable. And that all point to something Gothic and clawing, but I’m just messing. Obviously this book doesn’t need an actual vampire. There’s enough danger without literal fangs: the Klan, the racist police, the well-intentioned by ultimately destructive white friends. And poetry.
So I have an Instagram account where I post pictures of my kids and follow my friends from grad school. I sort of thought of it as a virtual photo album not fully realizing it’s a whole world of commerce and connection and posturing. Okay, so I do know that I sometimes make my kids do extra cute things for the likes, but I didn’t realize you could monetize that and I know, I know, Luddite, etc. Tbh (to be honest – for you, mum), I don’t know how to use a filter, or how people add the sparkling things like lips and hearts, and I don’t really care to learn. Except if maybe it would make me millions of dollars like the ‘influencers’ in Jennifer Weiner’s Big Summer do. Maybe I could be a mom influencer? I have many ideas for cute snacks that I… never execute.
But really, this book is both a total waste of your time to read because it’s silly and hilariously over-the-top, and also the exact sort of summer candy that will make your beach vacation a blast because of course you are going on a beach vacation because you are fancy and can do just that.
The novel starts out as a somewhat serious exploration of female friendship, online culture and body acceptance. It then takes a radical pivot (in the sense I didn’t see it coming at all) to murder mystery and romance. (Like the kind of romance where you squirm a little because there are A Lot of Details and you weren’t prepared for that kind of reading right now.) And the rest of the novel is something of a whodunnit mixed with a splashy polished fancy rich things catalogue. Like it was almost impossible to stop thinking about how the book was setting itself up to be adapted for HBO.
SOOOO. What? Do you read it? I don’t know. It’s so silly. Even while it’s trying to be Serious and Important with its themes of bullying and fat acceptance. But maybe silly is exactly what we all need right now. Maybe. You tell me! You never do, but still. Maybe if I was a better #influencer you would…
If you’ve ever found yourself confined to a space – think airplane, waiting room, pandemic hideout, room-room – you’re familiar with how important high quality fiction can be for taking you out of that space, even while you remain physically rooted. I find myself in the unique (for me) experience of spending a little over a week in a smallish room that takes me six small steps to walk across. In my initial packing for this trip my suitcase was almost entirely dedicated to thick and heavy mystery novels. When S. pointed out that I might rather some of the real estate be given over to snacks and clean clothes, I scoffed. Wasn’t he aware that a new novel was worth several days of sink laundered underwear? Well. He persuaded me to put all these books on my tablet and – for the week – suspend my hatred of reading on screens. It’s too soon to tell who was right, but having removed the books and filling it instead with a yoga mat, I am *still* washing underwear in my sink, and so we were both (probably) wrong #marriagehacks
Anyway. So far – three days in – I’ve read a book (and refreshed my news feeds about ten million times): The Silent Wife by A.S.A Harrison (which now I’m thinking her first name must be part of the mystery?). It was okay? I feel like my sense of what is good writing has been completely obscured by my assessment of whether or not the book is sufficiently distracting. In this case it did well enough in that I read it in a day. Otherwise it’s pretty bland: rich white woman kills her husband in order to remain rich. I think the book tries to be interesting by layering on the rich white lady’s own complex psychology, but mostly it reads like a glossy magazine where everyone drinks expensive wine and has more than one couch.
The effort to be interesting piques with the back and forth narration between ‘her’ and ‘him,’ I suppose an effort to show how the murder is really a miscommunication – like had they been able to have full and honest conversations with one another then he might not have left and she might not have killed him (it’s not a spoiler btw to say she kills him – as much comes out on the first few pages). And what a warning for all of us in relationships (and aren’t we all in some kind of relationship) of the perils of avoidance, denial, deception and on and on. Like it’s so easy to just be honest. Or like honesty never got anyone in trouble.
Anyway. I’d hardly recommend it, but I wouldn’t scoff if you said you were planning to read it. A perfectly acceptable book for captivating your interest if you are stuck somewhere. Which isn’t the high bar I’d usually set for a novel, but then, here we are.
There’s something so strange about reading a book about a public health crisis that is not a book about Covid19 (oh man! when do you think the first Covid19 novel will come out? And better question, the first good Covid19 novel?), but that’s what I just finished. Liz Moore’s Long Bright River explores the opioid epidemic through the lens of a police officer, Mickey, and her addicted sister, Kasey.
I picked the book because all the reviews I read were like ‘thriller!’, ‘page turner!’, ‘Can’t put down!’ and given my ability to focus right now (limited) and to read (limited), I figured these qualities would keep me engaged long enough to actually read something. And it worked! The book is all of those things, if not very good.
Mostly not good because the characters lack depth and the plot twists are very obvious and very Plot Twisty and it’s written as though it anticipates its adaptation (which spoiler, it has already been picked up for TV adaptation). But! If you are worried you will never be able to focus and read again, you could do much worse. The book is so earnestly trying (and sure, failing) to be a critique of the monolithic portrait of ‘junkies’ and addicts. And there’s something in there about gender and policing that isn’t totally ridiculous. So while it misses the mark on almost every front, it might get points for trying. And for somehow still managing to make you want to keep reading.
If you’re in the greater Guelph area and want to pick it up, I’m happy to leave it on my porch for someone – just send me a note: email@example.com