Susan Choi’s Trust Exercise is formally fun in that it plays around with narration and point of view, with authorial perspective, with time in ways that are surprising, and so, sort-of engaging. The trouble is, the plot and character aren’t compelling enough to stand behind the formal play, and so this reader was left debating whether it was worth marching on through another teenage dramatic scene (literally – the protagonists are teenagers in a drama program at a fancy arts high school; and figuratively – they are also in love and thwarted by pride and ego) in order to get to the next quirky formal element.
I decided two thirds of the way in that, no, it was not. So I can’t tell you if it has a sudden turnaround where all the hours of hand wringing longing for the lost lover is satisfied. I can tell you that there are some strange sex scenes (if that’s your thing), and uncomfortable moments of power imbalance between adults and children, and a pretty good adult recollection of how painful feeling are when you’re a teenager (which, being an adult recalling this period, I must say I am poorly equipped to comment on whether this is an accurate picture of how proper teenagers feel). So I don’t know, if your thing is weird formal elements and a kind of engaging, but not really, romance/gender plot, then… have at it.
Anissa Gray’s first novel (only novel?) The Care and Feeding of Ravenously Hungry Girls was not for me. It bored me. The characters bored me, the plot bored me, the whole thing – so I stopped reading halfway through it. Maybe if I committed more time it would get better, but there is too much to read. Continue reading
In an unplanned but entirely excellent book swap with my friend, S., I traded her Strike Your Heart for Pat Barker’s The Silence of the Girls. I think she got the better deal. Not that The Silence of the Girls is bad, it’s just… obvious. Continue reading
Folks. Do not read The Witch Elm. Tana French is great and writes wonderful mystery novels that are giant and delightful, but this is not one of them. Though most review sites disagree with me, so I’m probably wrong or just irritable.
Toby, our protagonist, is super obnoxious. He’s entirely self-absorbed, petulant and unaware of how spoiled his is by everyone around him. He uses his girlfriend, Melissa, in ways that the novel doesn’t seem to be aware of, making her self-sacrifice some kind of example of how women are meant to be when their partners are down trodden. Melissa is cast against Toby’s cousin, Susanna, who is some Gorgon-like revenge-monster, making the alternative vision of femininity one of calculated destruction. Even while Susanna is a maternal figure, ending up with her husband because she couldn’t figure out another option, and mostly seeming bored by her children (a common trope when trying to be edgy and counter the helicopter parent).
I suppose the book is supposed to be about understanding who we are and what we are capable of when pressed by circumstance or when the culture around us doesn’t take our concerns and experiences seriously. There’s probably something meritorious in the exploration of that theme, but honest to god, the book PLODS through these questions, ever so slowly reeling out the circumstances of the murder, the connections among characters and their pasts, supposedly building suspense and adding character complexity, but really just irritating me as I didn’t see the point to long digressions about how much wine there was to be had. Which isn’t to say I want all books to be pot boilers. Honestly, I appreciated that Toby’s uncle was a genealogist, a cute way of getting the reader to think about how our inheritance, too, shapes who we think we are and what we think we should be like as people. There were other clever approaches to the thematic question, but they all kept getting blocked for me by how utterly boring the whole thing was. This question of are we born lucky. Do we control our fate. How are we constrained by gender and sexuality. What do we owe friendship and experience. How does memory contribute to our sense of self and identity. Such great questions. Just so… dull in execution.