So I have an Instagram account where I post pictures of my kids and follow my friends from grad school. I sort of thought of it as a virtual photo album not fully realizing it’s a whole world of commerce and connection and posturing. Okay, so I do know that I sometimes make my kids do extra cute things for the likes, but I didn’t realize you could monetize that and I know, I know, Luddite, etc. Tbh (to be honest – for you, mum), I don’t know how to use a filter, or how people add the sparkling things like lips and hearts, and I don’t really care to learn. Except if maybe it would make me millions of dollars like the ‘influencers’ in Jennifer Weiner’s Big Summer do. Maybe I could be a mom influencer? I have many ideas for cute snacks that I… never execute.
But really, this book is both a total waste of your time to read because it’s silly and hilariously over-the-top, and also the exact sort of summer candy that will make your beach vacation a blast because of course you are going on a beach vacation because you are fancy and can do just that.
The novel starts out as a somewhat serious exploration of female friendship, online culture and body acceptance. It then takes a radical pivot (in the sense I didn’t see it coming at all) to murder mystery and romance. (Like the kind of romance where you squirm a little because there are A Lot of Details and you weren’t prepared for that kind of reading right now.) And the rest of the novel is something of a whodunnit mixed with a splashy polished fancy rich things catalogue. Like it was almost impossible to stop thinking about how the book was setting itself up to be adapted for HBO.
SOOOO. What? Do you read it? I don’t know. It’s so silly. Even while it’s trying to be Serious and Important with its themes of bullying and fat acceptance. But maybe silly is exactly what we all need right now. Maybe. You tell me! You never do, but still. Maybe if I was a better #influencer you would…
Mum: FTW means “for the win.”
Everyone else: Struggling to read and concentrate? Yeah, me too. But not so with this super absorbing, super ridiculous murder mystery by Jo Nesbo. Having not read anything by them before, I didn’t realize I was dropping into book five of an established series, though I figured it out quickly (because I am So Smart) with references to past cases and dead partners, but WHATEVER, the narrative doesn’t at all depend on knowing these past instalments. I would say, though, that after I finished it and decided to read some more that I felt I knew a sufficient amount about our protagonist detective, Harry, that I didn’t want to read the first four novels, but would instead carry on with the series with book six. Which HAPPY DAY my library carries in electronic format. (Which SAD DAY means that reading on my screen equals I’m 6000x more likely to end up shopping on Amazon which is what I spend Way Too Much Time doing every day anyway.)
Anyway, on to the substance of the book. I don’t really know what to tell you without telling you important details. I guess it’s important to know that Harry is a super smart detective with a troubled past and personal struggles aka: the ideal and archetypal Man Detective. That the plot is twisty and turny enough to be surprising and fun, but not so twisty and turny that you can’t figure out what’s what and form some (obviously wrong) theories about what is happening. And while there is the requisite and troubling number of naked dead women, the book balances this out – a little? – by not making the murders super sexual and including a token male victim.
So anyway. Go ahead and enjoy a distracting read. I even stayed up to finish this one. Which would be more impressive if I wasn’t beset with insomnia of Epic Proportions, BUT WHATEVER.
Filed under Fiction, Mystery
Everyone is reading Where the Crawdads Sing. Like over a hundred person waiting list at the library so I decided to buy it kind of everyone. And I’m glad I did. It was a perfect cottage read, even with a couple of flaws that prevent it from being great or an unqualified go-read-it-now.
Set in the lagoon-swamp of the Carolina coast, the novel opens with a dead body (always an exciting hook) and then moves decades back in time to follow Kya, or ‘Marsh Girl,’ an abandoned child who raises herself amid the wilderness. Pulling at all the appeal that comes with person-versus-nature stories, Kya, must finds ways to both maintain her physical life through trading food and scraping up materials, as well as develop some kind of emotional-social life through relationship with animals and the natural sphere, while also courting – as much as she can – connections with people in the neighbouring town. Even while she always – and deeply – fears that everyone will always leave her. The propulsion of the plot is both in rooting for Kya and some kind of resolution to her absolute loneliness, but more in the understanding of her connection to the dead body, Chase Something-Maybe-Andrews(?) and an explanation of the crime.
Where the novel does incredibly well is in the vivid description of setting and place. Kya’s lagoon and her connection to the natural world is at once detailed and lively – the reader readily accepts along with Kya the magic of the land and its tenuous preservation amid efforts to develop it. No surprise, perhaps, as author Delia Owens was first a non-fiction nature and science writer. It also does well in the characterization of Kya, who we come to know intimately – in part because we feel through the third person limited narration, paired with her total isolation, that we are the only ones to truly know her.
*MAJOR SPOILERS AHEAD* Continue reading
I couldn’t remember the title of this book when I sat down to write, so I popped into google the things I could remember: novel, nineteenth century, crofter, bloody, murder, Scotland. And pop! Google knew exactly the title because there aren’t many novels set in the 1880s Scotland about a murderous crofter. (Probably there’s just this one.) Google also wanted me to know that Graeme Macrae Burnet is the author. You probably wanted to know, too. Continue reading