Category Archives: Bestseller

Silver Elite: Romantasy for Your Broken Attention Span

If you are concerned that you can no longer read a full book because your attention has been fragmented and blown apart by social media and the internet, you are not alone. The feeling that sitting and slowly absorbing a dense novel might be a kind of torture – or an impossibility akin to a couch to marathon pace – is shared. And you can make arguments about whether long form reading needs to be privileged over something like long form listening or watching (though if my experience is any guide, I don’t bring focused attention to those tasks either – I long form listen while I’m also running or cleaning, and I haven’t watched a full length movie without scrolling at the same time in years). But for me there is something particular about the long, deep read – distinct from audiobooks (and I know some of you will want to fight me on the hierarchy of physical book v audiobook – ‘it’s all a story!’ whatever whatever). Something to the mindfulness that requires (invites? encourages?) doing nothing but reading.

So if that’s a hard(er) experience for you than it used to be let me offer that you are not alone. And that for some, the answer to the challenge of concentration has been romantasy. The portmanteau genre bridging romance and fantasy first came to my attention with Fourth Wing (which I read but can’t find the review) and at the time I thought “this is ridiculous,” and also “I cannot put this down.” Is it the erotica? Maybe. Or the relentless plot pace of Something Is Always About To Happen That Is Very Dramatic? Maybe. It certainly isn’t the quality of the writing or the character development.

The same is absolutely true of Dani Francis’ Silver Elite a sort of hunger games meets fifty shades of grey meets harry potter (in that there are elements of near-children battling while at school while also having explicit sex). Though to my credit (*she said with some defensiveness*) I came to this book through the recommendation of the New York Times and so had some vague sense that it would be #literary and #worthy

If you are okay to free yourself from ideas that reading need be an entirely intellectual exercise – or that you need focused thematic development for something to be good – you might just find true enjoyment in Silver Elite. There’s a bit of work to get oriented to the world building and some gymnastics to sort out the character hierarchy, but once you’re through that it’s just a fun romp through plot and romance. A bodily exercise of enjoyment rather than a brain one.

And the strangest thing will happen. You’ll be standing in line, or waiting between meetings, or finished putting the kids to bed and instead of reaching for your phone to scroll as if there might be an answer to the abyss at the bottom of the feed, you instead want to reach for your book. And you start to read promising yourself just a few pages before you get on to doing X or Y and that beautiful, magical feeling of two hours disappearing happens and you return to this world reminded of what it is to be focused, absorbed and transported.

Now for suggestions for books that do the same without requiring me to blush deeply while reading it in public. Or better still, the things I need to do to finally, at last and fully break my phone addiction. Yes, I’m open to throwing it down a well and never using the internet again.

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Filed under Bestseller, Fiction

The Wedding People: What fun.

Alison Espach set my vacation off to the best possible reading start with The Wedding People. Such a good start, in fact, that I found myself unable to really get going with book number two because it wasn’t the same great romp. So promise me if you have a plane ride, a long weekend, a sick-day where you are well enough to read a novel but not nearly well enough to work on a report you’ll grab this one.

Oh sure, it’s not brilliantly written (though it is not at all badly written), and it oozes with privilege (despite the nod to the adjunct salary and the lack of benefits that come with being an adjunct it is still very much a book that derives some of the joy of reading from the opportunity to read about how rich people throw a wedding), but if you can – if you can – park these critiques and settle in for the rom-com ride you shall not be disappointed.

What the book does best – amid the laugh out loud funny moments of dialogue and situational humour – is remind the reader that where happiness and love come from (first and always) is within and not (as so many rom-coms promise) from the perfect other person. It’s not an overly complex idea or nuanced theme, but the book presents it carefully and warmly in ways that let the reader knowingly agree in a way that doesn’t feel like reading a motivational poster in a home decor shop – live! laugh! love! – but instead like several years of therapy: ah, yes, love comes from within. Which is to say, it’s an explicit theme (like I think our protagonist, Phoebe, says it directly at one point lol) but it’s not hammered and, more importantly, we feel like Phoebe earns the revelation through actual character development and introspection.

So enjoy, enjoy.

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Filed under Bestseller, Book Club, Fiction

The Life Cycle of the Common Octopus: Not Memorable, but Also Fine

I read Emma Knight’s The Life Cycle of the Common Octopus in nearly one sitting, which is a good thing because the characters are so pleasant as to be extremely forgettable, and the plot – which couched as mystery/romance/wealthy-people-doing-rich-things should have been captivating – was slow to engage.

(On the forgettable characters: the first 20 odd pages were almost impossible for me to sort out as characters get introduced every six sentences, each with something (apparently) unique for the reader to try to latch on to, but let me tell you, just telling me a character is ‘quirky’ does not a memorable character make. So either make yourself a little chart or trust me that it really doesn’t matter if you know who Fergus or Charlie are because they are both unimportant and underdeveloped).

Our protagonist, Pen, is tackling a few things: what happened that ruptured her parents’ marriage? Is sex really all that people say it is (and when should you have it? with who? for what reason?)? what ties families together if not only blood?

Mostly these questions turn out to have fairly straightforward and boring answers: parents marriage: infidelity (isn’t it always); sex: it depends and whatever you want to do or not do is great as long as you’re consenting and choosing; family: family can be about blood relationships, but that is always an insufficient condition for Family, and family doesn’t have to be about blood relationships. There’s a vehn diagram in there for chosen family for sure.

The fun parts are descriptions of the big Scottish estate where most of the plot unfolds. Lots of misty walks through overgrown gardens.

And the best part for me were the moments where friendship is (lightly) explored. Pen’s best friend Alice is with her and has been her best friend since forever. This kind of friendship is held up as some kind of unassailable fortress of knowing-and-being-known. As if the sheer length of time they have been friends is proof of the power of that trust. And here I quibble. I do dearly love the friends I have been friends with for a long, long time (I see you S. and C. and J. and J.) and yes, there’s something to be said for a person who has chosen you to be around for years and years (something quite different from a sibling who often has no choice or a partner who chooses you for a different kind of love and usually well after your identity has solidified). But Pen and Alice seem to think that length of friendship alone is sufficient justification for depth. And maybe that’s true? I don’t know, I’m not sure it is, but perhaps the real complaint is that the book makes no effort to complicate or question this – instead just: Old Friends Always Friends.

Anyway, I wouldn’t bother with this one, but you do you.

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Filed under Bestseller, Book I'll Forget I Read, Fiction

Long Dark River

Liz Moore’s Long Dark River starts out with such promise. It opens with a captivating premise and mystery. Two sisters (Mickey and Kasey) – one a police officer and one an opioid addict working and living the same streets. Kasey goes missing, there is a serial killer on the loose, and Mickey tries to find Kasey to keep her safe (or at least that’s what we think at the start).

And this plot carries us for the first half of the book and it is wrenching to hold the two parallel lives at once in our minds (what when wrong? how did the sisters end up estranged?). At some points Mickey forces the question of what did Kasey do wrong to end up living the life she is living and not the moral one that Mickey does – and I find this point irritating, for nothing about addiction suggests choice and in the framing of the question there is (at least at first) the idea that there is some kind of moral failing on Kasey’s part. Later in the book this question is – really far too patly and again with some kind of pinning of individual blame – explained in that their mother was in the throws of her own addiction when she was pregnant with Kasey, and so Kasey was born addicted herself. The whole thing makes it as though opioid addiction is an individual failing made by individual choice. And if there’s one thing we took from the utterly brilliant Demon Copperhead it is that this mess is not the fault of the individual user.

I digress. So halfway through when some of the questions about Kasey are resolved, the book turns – instead of to a conclusion that might be complex and nuanced about the sisters and their relationship (which is, I think, what the book is best about) to instead solving the murder mystery element. Like we care who the serial killer is? I guess we’re supposed to care who the serial killer is. And so we have to work our way through the plot structure of a Law and Order episode to chase some red herrings and eventually find the killer. It was all just so bizarrely beside the point to (what this reader saw as) the heart of the story: the relationship between Kasey and Mickey.

So I’m not sure I’d recommend it. I mean I did recommend it to a bunch of people (sorry M.) when I first started reading it because I was so taken with the family dynamic and some of the writing is Not Bad. But by the end I was sort of embarrassed to have suggested it because it becomes some other kind of book. Maybe if you go into it expecting that turn you’ll enjoy it the whole way through. You let me know.

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Filed under Bestseller, Fiction, Mystery