Category Archives: American literature

Home: Slow and beautiful

I have tried a couple of times to read Marilynne Robinson’s Gilead but each time gave up with boredom (despite it being routinely included on best-of-all-time lists). So what made me think I’d fine the second book set in the town of Gilead and focused on religion to be more captivating, I’m not sure. But I was! More captivated that is. Still not going to run away with any prizes for being enthralling or Utterly Engrossing, but definitely a winner here in the slow burn of character development and theme.

The book follows Jack and Glory, siblings returned home to care for their dying father – a retired minister. I guess Jack didn’t really come home to care for him, or Glory either, both sort of find their lives falling apart and return home, conveniently to care for the dying dad. For Jack it’s a return after a long exile/absence and for his father this is something of a chance to redeem Jack (who’s soul he has been Very Worried About).

Unfolding over many scenes of making tea, or standing in a garden, or rocking on a porch bench, Glory and Jack reconnect and cautiously share and build trust. It asks readers to figure out where the limit of familial bond might be, how we carry/negotiate/give up/fail/rebuild familial expectations, and when – if ever – we might be allowed to start our lives again when they Go Wrong.

If you are tired, sleepy, exhausted, even a bit likely to doze, I’d say make this a Morning Book as you will almost certainly fall asleep within a paragraph as the lyrical writing and slowwww pace are very… lulling. But if you’ve got your 8 hours and a cup of coffee, you could do much worse for a book to read and contemplate What It All Means.

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Filed under American literature, Book I'll Forget I Read, Fiction, National Book Award, Orange Prize, Prize Winner

I Have Some Questions for You: So great.

In 2019 I told you that Rebecca Makkai’s The Great Believers was the one book you should read that year (still true), and while I’m not yet prepared to say I Have Some Questions for You is the best thing you’ll read this year, it’s certainly in the running.

Following Brodie Kane, a podcast producer, as she returns to her high school boarding school to both teach a class and investigate the murder of her former school roommate, the book has the distinct feel of a true crime podcast (I’m sure someone has done a comparison to Serial. And… they have), but one that artfully and consciously plays with the ‘just asking questions’ element of exploring a closed murder case, the retrieval of lost memories, the unearthing of new evidence, the exploration of how changes mores of sex and race influence how crimes are investigated and prosecuted, the risks to the families of victims, the exploitation of trauma, and on.

And while all of that makes for great reading – and the murder mystery element itself is captivating – it’s the sections peppered throughout about the all too frequent ways violence against women is normalized, make routine, made mundane and forgettable that utterly gut punches.

The careful way Makkai has Brodie explore the pendulum of #metoo stories through an accusation made against Brodie’s ex-husband is nuanced and challenging not simply in how Brodie reacts, but in how Brodie reacts to the reactions, how so much of what gets told – and believed – is in the interpretation.

And that, I guess, is the heart of the book. How an innocent person can spend years in prison for a crime they obviously didn’t commit because of a story that gets told and believed. How narratives we tell ourselves about our teenage lives get made real and real and real, until we meet that story retold through another perspective as an adult and are forced to consider whether we might have believed a fiction. How everyone we know and everything with think is necessarily a story and that the real failure – of individuals and institutions – is in not recognizing the way this story is made, made up, and reified.

It’s really good.

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Filed under American literature, Fiction, New York Times Notable, Prize Winner

State of Terror: Such Fun and Why Not Now

Guys you need something fun. You need something that makes fun of Trump and has little dashes of totally unreasonable and ill founded hope and goodness. Louise Penny can be counted on for these qualities, and when the novel is co-authored with Hillary Clinton… well, it’s just fun.

State of Terror follows the barely fictionalized Secretary of State for the President just following President Dunn (the Trump stand in) as she tries to thwart a nuclear attack on the United States. It attempts to Seriously Grapple with the ethics of preemptive strikes, of torture, of the relative moral standing of the US in the world, and while it does dabble in those themes, it does it in the most gentle of ways. With mere seconds on the bomb left to tick down the anxiety never ratchets far: we know we are in safe hands.

And with a cameo from Inspector Gamache and plenty of descriptions of delicious food, we know that the primary pen here must be Penny, but with plot credit going to the presidential nominee.

I paid so many dollars in late fines for this one (it was a ‘quick read’ and while it *is* a quick read, my life is a hellish landscape of email and toddler snacks) and it was worth it. Even more so because Guelph is doing away with late fines in 2022 and so I may as well give them all my $ now.

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Filed under American literature, Bestseller, Canadian Literature, Fiction, Mystery

Crossroads: Dear, God

You’re thinking, Erin, you haven’t read much in October. And you’re wrong! I read Empire of Pain at a neat 550 and then chased it with Jonathan Franzen’s newest, Crossroads, at 600, and so find myself owing the library A LOT in late fines because I – ridiculously, ambitiously, foolishly – persisted in keeping four other novels waiting on my nightstand that were CLEARLY NOT GOING TO BE READ in their two week loan window, but what, dear reader, do I have to offer the world if not my unrealistic and ill-founded font of never ending hope? (It’s true, I can also offer pie).

And was Franzen’s book ‘worth’ the investment of three weeks and $9.00 in late fines? I don’t know, maybe? Probably? I mean, if it was just straight up library free, then sure. But should you pay for it? Which isn’t that the same as saying should it exist at all because what are books if not to be marketed and BOY DO I DIGRESS tonight.

Right right. So it’s a big, fat American family novel in keeping with Freedom, Purity and The Corrections. This one follows each of the members of the Hildebrandt family (with the notable exception of the youngest, Judson, who is – I gather – too innocent/good/pure to warrant his own narrative voice yet) as they abandon/give up/stray from/wander/fall apart [pick your verb] the good/straight/normal/predictable [pick your adjective] path/journey/role/life [and noun] and instead demonstrate the thousands of ways everyone is failing to live up to any kind of normalized ideal and is instead holding it together on appearance and self proclamation.

The God part of the book was tricky for me as a reader. Dedicated atheist etc, I approach novels assuming the same and what Crossroads pitches isn’t that there is a God necessarily, or that God is the answer, but instead explores how religion functions for individuals and communities in America, and how belief – in this case in God – functions as some kind of anchor, even while the ‘institution’ surrounding that belief is corrupt and decaying.

Set in the 1970s the simplicity in plot where catastrophes can take place because cellphones don’t exist was also charming. And where the yearning for something steady or someone to whom an answer could be demanded is equally resonant.

So yeah. The writing has some really great moments, the characters (particularly Perry) are terrific, and on the whole it’s reasonably interesting. But no, I wouldn’t give up your holidays to read it. Instead, pick a bleak month like early November and have at it.

And sure, ask me why I keep reading Jonathan Franzen novels when every time I end up being like “shrug.” I DON’T KNOW. Dupe for the marketing? Probably. No straight answers tonight, folks.

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Filed under American literature, Fiction