Category Archives: Fiction

How to Read a Book: Just so lovely and get it for Nov 5

When M. suggested Monica Wood’s How to Read a Book and I read the book jacket I worried it was going to be another very annoying book like 100 Year Old Man or Eleanor Oliphant where you are just so annoyed the whole time you’re reading because everything is so cute and sweet and all the cantankerous characters are just misunderstood until they are fixed.

And it was a *teeeeeeny bit too happy an ending (what can I say. I live for the heartbreak.) but throughout there were all sorts of unexpected happenings that were somehow also entirely believable, and there was just such abundance of kindness and generosity and willingness to see people as just trying their best.

We follow three characters – Violet who begins the book in prison, Frank who begins the book in a bookshop, and Harriet who begins the book facilitating a book club in the prison – as their lives intersect in spectacular (and let’s admit it, somewhat predictable) ways.

Throughout we meet some parrots and cats and eat good meals and take many leisurely strolls and no one moves at a pace faster than a retiree and we think about how books and stories can heal and how in all of our lives there is the main story and there is the meanwhile.

So yes. You will almost certainly no matter what want something soft and gentle and heart-filling to take you through November, and let this be the one. Good writing and kind, kind people.

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Filed under Book Club, Fiction, Reader Request

Wellness: Book Club Gold

In the end I didn’t love Nathan Hill’s Wellness (I’m not even sure I liked it): it was bloated, self-important, unselfconscious about the privilege of its themes (like how Hard it Must Be to not be able to move in to your Forever Home on schedule), aggressive in making sure the reader got the themes (your life and its meaning come from the story(ies) you tell yourself about it!) and over-weighted with symbols to reinforce those themes.

But. But! I keep thinking about some of those pressing themes – to what extent you choose anything, to what degree we are all just making choices in reaction to our past or because someone told us something one time that made us sure of some truth, what shreds of identity remain consistent over time and geography and circumstance – in a way that makes me wonder whether a book you don’t like can also be a good one if it helps you reconsider something or see something anew.

If nothing else there is enough in this book for most middle class white lady book clubs to chew on for at least a few hours. Questions of open marriages, of hating your partner but staying married, of whether you too had an Adbusters subscription in the 90s and now find yourself buying bulk paper towels at Costco with nary a thought to the Corporate Giants, of placebos, of the purpose of art, of messages you’d leave your future self, of whether you can love someone for a lifetime, of how we forgive our parents and how we ask our children to forgive us, of the injustices of generational wealth and on.

But I can’t really imagine most book clubs (certainly not mine that has in its four year history only managed to read one book) wading through this 700 page commitment. And so it’s left to S. who suggested this one, and maybe to you, to tell me if this it the bottom of the U-curve and have we started the rise? I think maybe. I think maybe.

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Filed under American literature, Book Club, Fiction, Prize Winner, Reader Request

Long Dark River

Liz Moore’s Long Dark River starts out with such promise. It opens with a captivating premise and mystery. Two sisters (Mickey and Kasey) – one a police officer and one an opioid addict working and living the same streets. Kasey goes missing, there is a serial killer on the loose, and Mickey tries to find Kasey to keep her safe (or at least that’s what we think at the start).

And this plot carries us for the first half of the book and it is wrenching to hold the two parallel lives at once in our minds (what when wrong? how did the sisters end up estranged?). At some points Mickey forces the question of what did Kasey do wrong to end up living the life she is living and not the moral one that Mickey does – and I find this point irritating, for nothing about addiction suggests choice and in the framing of the question there is (at least at first) the idea that there is some kind of moral failing on Kasey’s part. Later in the book this question is – really far too patly and again with some kind of pinning of individual blame – explained in that their mother was in the throws of her own addiction when she was pregnant with Kasey, and so Kasey was born addicted herself. The whole thing makes it as though opioid addiction is an individual failing made by individual choice. And if there’s one thing we took from the utterly brilliant Demon Copperhead it is that this mess is not the fault of the individual user.

I digress. So halfway through when some of the questions about Kasey are resolved, the book turns – instead of to a conclusion that might be complex and nuanced about the sisters and their relationship (which is, I think, what the book is best about) to instead solving the murder mystery element. Like we care who the serial killer is? I guess we’re supposed to care who the serial killer is. And so we have to work our way through the plot structure of a Law and Order episode to chase some red herrings and eventually find the killer. It was all just so bizarrely beside the point to (what this reader saw as) the heart of the story: the relationship between Kasey and Mickey.

So I’m not sure I’d recommend it. I mean I did recommend it to a bunch of people (sorry M.) when I first started reading it because I was so taken with the family dynamic and some of the writing is Not Bad. But by the end I was sort of embarrassed to have suggested it because it becomes some other kind of book. Maybe if you go into it expecting that turn you’ll enjoy it the whole way through. You let me know.

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Filed under Bestseller, Fiction, Mystery

August holiday reading round up: Rabbit Rabbit Rabbit, Fourth Wing, Iron Flame, the Peacock and the Sparrow, The Darkness and one I can’t remember

I took a heap of holiday in August – much of which was taken up with canoeing, camping, splashing, napping and, of course, reading. Dear reader ask me what the book was that I brought on the canoe trip and really loved? I can’t remember! I know I loved it and that my mum recommended it, but it’s been three weeks and I’m back to routines and it’s just vanished. Proof that one should not procrastinate on book reviews.

So onward!

Rabbit, Rabbit, Rabbit: Do Not Go Gentle

Nadine Sander-Green’s Rabbit, Rabbit, Rabbit is good, but I wonder if it shouldn’t have been a short story. Following Millicent as she begins her first ‘real’ job working as a reporter at a tiny, independent paper in the Yukon, the story is one of a casual slide into domestic violence. I heard a woman describe it to me that way, she was telling me how she found herself in an abusive relationship – “a casual slide,” she said, like the way you might ease from one conversation topic to another. And for Millicent there is some of that – where one behaviour or one situation makes her wonder, another where she is uncomfortable, another where is afraid – but by that point she feels so alone and so isolated as to not know what else to do but to keep going, and when she does know to leave, does want to leave, she instead leaves and comes back leaves and comes back leaves and comes back as so many women do. Not for want of courage or of awareness, but for Millicent for some confusion of love and a certainty that there is no where else. The geography of the Yukon is its own powerful character – the winter cold snaps off the page – holding this isolation like the best of pathetic fallacy. What and how the conclusion comes to Millicent I’ll leave you to read because it’s a well-imagined and written ending. But throughout the book there are these threads – like Millicent’s relationship with her mother, or the idea of newspapers in a digital news era – that get picked up and seem to be Significant (and maybe they are and I just didn’t do the interpretive work to parse it) but don’t realize into anything. All in a way that made me wonder if the whole thing could have been tighter in a different form. Anyway, you read it and let me know.

Fourth Wing and Iron Flame: Don’t Judge Me For How Much I Loved These Books

If you wanted to find the exact opposite of the Literary Effort of Rabbit, Rabbit, Rabbit you’d find it in Rebecca Yarros’ Fourth Wing and Iron Flame. Described to me (where?) as a mashup of Harry Potter, Game of Throne and 50 Shades of Grey, the books easily pull you in and suddenly hours later you realize no one has been watching your children and everyone has a sunburn. Truly, there is nothing substantive here. You could probably make an argument that there’s something about who is on the ‘right side’ of history when it comes to war (and whether if you were on the ‘wrong side’ you’d know it or not), something about the authority afforded to those who write that history, something about disability and ability, maybe something about feminist dragons. But what you’re really signing up for is the same promise of anything that just feels good to read/watch: violence, sex, and the little guy triumphing by doing the Right Thing (and the Right Thing is not complicated). They are books you want to read because they take you out of the moment you’re in and remind you of the time decades ago when you read for a few hours at a time without wondering what was happening on your phone. (Not that the only kind of book to do this is… fantasy-romance – just that this one does it particularly well). I will say that having read Iron Flame at a family resort that it’s the kind of book you want to be thoughtful about where you find yourself reading it as you will absolutely blush and wonder just how many synonyms for ‘quivering’ there might be. Turns out: many.

The Peacock and the Sparrow: Stay sharp!

Okay, so we’re on a bit of a trajectory here – from Rabbit, Rabbit, Rabbit that wanted (and was?) to be Serious and Literary, to the absurd, ridiculous and utterly absorbing Fourth Wing to an extremely complicated and equally delightful mystery in The Peacock and the Sparrow. Author I.S. Berry is a former CIA agent and reviews make much of this because the book certainly feels (to this decidedly Not CIA agent reader) to capture the detail of an overseas CIA agent from the kind of drink, to the way an ‘exotic’ job is to our protagonist Just a Job in the way we are all working Just a Job. Set amid the Arab Spring we follow our washed up agent as he hangs on to his job (and his sense of worth and purpose – not necessarily tied to that job) and then finds himself swept up in making change in ways he never intended or imagined. Sort of inspiring to all who might be wondering just what the point of any of it is (surely we’re all wondering that?) to see in the narrative that impact and change are still possible. If not… quite as anticipated. And a fun mystery in that it’s not about a murder, but instead about a revolution (I didn’t quite get that from the description on the back and so kept waiting for a murder investigation to start, so be warned: not a murder mystery). And fun, too, because the breadcrumbs to sort it out are not impossible to follow and you can with a bit of careful reading keep up with the twisty-turns.

The Darkness

Which takes us to our final (remembered) book of vacation Ragnar Jónasson’s The Darkness (which don’t google because even when you try “The Darkness book” will still just take you to Heart of Darkness because the internet is broken – you have to try The Darkness Iceland book). It’s such a weird little book. Our protagonist, Helen, is strange and sad and this reader wondered if she wasn’t always on the brink of some kind of…. something bad. Her panic about retirement – the loneliness, the purposelessness, the claustrophobia of solitude – helps the reader see how much of her narration is untrustworthy. Her sense of isolation from her colleagues we (eventually) understand as self-narrated and self-fulfilled; so, too, her guardedness from those efforts to connect with her. With the backstory of her childhood interwoven we start to see her caution as explainable (and deeply sympathetic) and to see her as a rich and full character. Making the conclusion of the book – and here we have an actual murder mystery! – all the more powerful. I finished it while out with S. and put it down with a “huh.” Just like… rare to get a book (and a murder mystery for that matter) that offers an actually surprising – and satisfying? – ending.

And that one I can’t remember…

I read another one. I can picture it – green on the cover. I returned it like a snap from the library but because the library (only) remembers the last 300 books I borrowed it’s not in the history anymore (seriously – we have a Picture Book Problem in my house) and so it will be forever in that did I read that? void. If you saw me in early August and I was talking about a book I loved maybe you could remind me…

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Filed under Bestseller, Fiction, Mystery