Category Archives: Fiction

Hateship, Friendship, Courtship, Loveship, Marriage: Too many ships; so much brilliance

                                    So it’s something of an admission to confess I’d never read a full collection of Alice Munro’s stories before now. The thing is – as faithful readers will know – I dislike short stories, even (or maybe especially?) short stories by brilliant authors. Before this collection I’d read one of Munro’s stories (“Boys and Girls”) for a class I taught, and really enjoyed it, but all the same resisted reading a full collection because, as with all short story collections, I feel (violently) opposed to the brief introduction to characters, which must inevitably end too early. I appreciate the short story as a compressed form, one which achieves great thematic feats in a short space, and yet all the same, I can’t help feel cheated by what I’ll never find out about characters (this from someone who writes her own – shoddy – short stories).

In any case, this collection (poorly named, I think – far too many ships) almost makes up for the failings of the form by introducing brilliant characters and having some long (novella length?) stories. I even took the new e-reader into the tub because I couldn’t wait to finish a story (new splash bag for the reader comes this week, have no fear).

I will say that amid the triumph of rendering nuanced and hopelessly believable characters in heart-breaking situations, I loved the collection, but didn’t always like it. I felt that after another hopeless ending where things don’t quite work out, or people aren’t reunited, or are miserable, or find their lives are not the lives they ought to be, that I could do with an ending where things work out. And maybe Munro’s talent is in capturing the reality of lives – the impossibility, the failure, the absence, the missed connections – and perhaps I ought to turn to another author if I want to read stories were things feel resolved, but all the same, I wouldn’t have minded a couple of stories to pick me up along the way, to restore some faint sense of hope in humanity. L. suggested that I might read one Munro story a month rather than a whole collection at once, and perhaps she’s right (but there’s no time for that kind of spacing in a year of 100 books…). Maybe I can only handle a confrontation with what is true in small, once a month doses. A complaint about me then, I suppose. Me and my desire – my commitment? my faith? my hope? – for a happy ending needs monthly dosing with Munro. Maybe all of us need monthly Munro to help us find out about others and to remind us that we are, all of us, after all, always in some kind of ‘ship,’ always colliding with others. 

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Filed under 100 Books of 2011, Erin's Favourite Books, Fiction, Prize Winner, Short Stories

The Diviners: Thanks, Margaret Laurence

     There are some things that enrich my life beyond all expectation or proportion: baths, bike rides, sex, and let me say it now: Margaret Laurence. I’ve long suspected she might be my favourite author (despite my discomfort with A Jest of God, I loved the book; The Stone Angel is near perfect in its characterization of Hagar), but on (re)reading The Diviners I’m ready to settle the matter: Margaret Laurence is my favourite.

I don’t mean to suggest she’s the best author out there (let’s leave conversations of ‘best’ to another day), but when reading her books I feel uncanny feelings. I feel like maybe my fears and hopes and expectations for life have been somehow borrowed from a Laurence novel; put another way, I wonder whether Laurence doesn’t anticipate and – perfectly – describe my feelings through her beautiful and flawed protagonists.

You’re thinking, yes, but in A Jest of God, Rachel is nothing but a simpering pathetic woman who longs for sexual realization, freedom and above all the “strength of conviction,” and in The Diviners Morag seems to embody this very strength (often describing her own strength, vivid in her eyes, and making difficult decisions that no doubt call upon this certain kind of strength). I do wonder though whether Morag’s strength isn’t a kind of yearning too, a recognition of “what means ‘strength of conviction’” and a realization that she doesn’t quite have it (though Christie does, and Jules, too). Maybe I most identify with and admire this yearning, and this imitable belief that you might – but haven’t yet – take what you believe you deserve, or brave enough to be the person you believe yourself to be. Admire yes, but find heart-breaking, too. The recognition that sometimes/often women do not find the strength of their conviction, do not find their strength at all. So when I find myself crying (sobbing) at the end of another Laurence novel, I say thanks to Laurence: thanks for recognizing in me (and presumably in countless others) the yearning and the nascent strength and for giving us characters who both do and do not meet their own expectations.

(If you haven’t yet read anything by Laurence I demand that you go out and do so now. Even if you are not a young woman. Or an artist. Or a mother or father. Or a… She’ll still shine a light into your soul, heart, mind  , a light into you. Read. Oh, read.)

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Filed under 100 Books of 2011, Canadian Literature, Erin's Favourite Books, Fiction, Prize Winner

Going Bovine: Okay

              And why shouldn’t there be a book about a teenager who gets Mad Cow Disease, has an angel send him on a mission to save the world, finds a Norse-God/garden gnome and has sex on the set of Girls Gone Wild? Indeed Libba Bray’s Going Bovine is as surprising its enjoyability as it is plot events.

I didn’t like the book for the first thirty of so pages. Too hip. Too pushy in its short sentences, curses and angst. But somewhere around the diagnosis I bought in and rooted for Cameron while he undertook his epic adventure. I could still do without some of the scenes where the “real meaning” of events is so heavy-handed I wonder whether the young adults of the intentional audience might in fact be infants incapable of deciphering a symbol (i.e. the church/mall of happiness ensures your happiness by insisting you buy things and consume. their happiness is… hollow).

I felt uncomfortable in the scene when Cameron loses his virginity to a drunk teenager. You can’t consent when drunk. Even in a novel. Especially in a novel.

I did like the ending. I appreciated the collapse of the disparate symbols and images into one mass of symbolic mayhem. I liked the attempt at offering young people digestible philosophy (you must make your life meaningful, you can make your life meaningful). I liked the conclusion of Cameron’s quest. So if you feel like an unpredictable, often inexplicable, series of adventures across the US along with a sick protagonist who changes in measurable (and predictable) ways, by all means, Go Bovine.

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Filed under 100 Books of 2011, Fiction, Young Adult Fiction

The Ministry of Special Cases: What I Didn’t Know About Argentina

    Nathan Englander’s The Ministry of Special Cases introduced me to the history of the disappeared in Argentina in the 1970s. Until reading the book I knew nothing at all about the country or its history, and yet I can’t help feeling I should have known this history, horrific and terrifying as it is.

The novel introduces the military junta, the kidnappings and the murders so slowly and with such hesitance – we first follow a mother, father and son, and then, after the son, Pato, is disappeared, just Lillian and Kaddish – that it isn’t until Kaddish interrogates a navigator on one of the death planes that the full force of the crimes are made clear to the reader. The comic character of Kaddish, forever incapable of doing anything right, likewise contributes to sense of understated violence. Indeed, in very few scenes does the reader encounter descriptions of the imprisonment of the disappeared or the circumstances of their eventual death. With one exception the point of view of the disappeared is never described, an effective way as any, I suppose, to communicate the force of their removal from the world and their families.

Kaddish and Lillian’s kafka-esque search for information regarding Pato’s whereabouts and the frustrating futility of all their searches are difficult to read. The occasional Kaddish-failure makes these scenes – inexplicably – humouros: a dark humour not often encountered. The poignancy of the novel comes from the fracture between Lilianne and Kaddish and the ultimate decision each reader must make whether to believe with Lillian or to believe with Kaddish, and to know that never knowing might be the most painful part of all.

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Filed under 100 Books of 2011, Fiction, Prize Winner