Category Archives: Fiction

The Invisible Life of Addie Le Rue: Improbable, Excessive Adjectives and Many Smoky Eyes

People on Goodreads really like V.E. Schwab’s The Invisible Life of Addie Le Rue and so do all the readers that kept it on the bestseller list for ages. I do not. Heretic!

Sure it has some of the vibes of The Time Travellers Wife (which against my better judgement I loved) and a little bit of The Shadow of the Wind in that the devil features alongside used bookshops, but despite these cousins in delightful bath reads, this one is a dud.

Following Addie Le Rue after she makes an ill-advised deal with the devil for “freedom” but finds herself cursed to live forever without ever being remembered by anyone (making it impossible to do all sorts of practical things like earn money or have an apartment or write things down – all these petty annoyances catalogued over hundreds of dull pages), the novel is something of a romance when Addie meets the also-cursed Henry and falls in love (Henry’s curse is for anyone who meets him to fall in love with him – which doesn’t sound so bad if you ask me). Then we have to spend several hundred pages attentive to whether Addie will find a way to convince the devil who BY THE WAY has become her lover over the past three hundred years (which doesn’t seem nearly long enough for the eternal being of the dark, but quibbles) to let Henry go.

No, the most annoying part? Like all these sorts of epics – let’s call The Hundred Year Old Man syndrome – Addie finds herself in altogether too many improbable historically significant moments and meeting altogether too many historically significant people. I mean she’s only three hundred years old. There aren’t that many wars and revolutions and discoveries and Moments in 300 years and yet she finds herself in the middle of all of them. Literally hanging out at the cafes with Voltaire and then watching Franz Ferdinand get shot – though strangely quiet all through the Depression.

I know this is not a book premised on being believable, and surely there has to be a way to keep a reader engaged through 300 borning years of history that are otherwise just her waiting for her annual date with the devil and for her eventual meeting with Henry. But – stick with me – let me suggest then that this would be much better rewritten as a short story, or maybe a 200 page novel with a couple of choice historical scenes. As it is… bloated and boring.

And this reader wanted to like it for its faintly feminist whisper at the outset of a 17th century woman not wanting to marry and have children. But the of course, we couldn’t have this be a Good Romance without having her give it all up three hundred years later for a man – with bewitching green eyes and rumpled bedsheets. GROSS. (not that I have anything against green eyes, per se, but you get what I mean).

Oh – final point of complaint. It is the kind of writing that finds the only way to describe something is to describe it with three adjectives – always. Like the air is always moist, dank and dreary. And Henry is always charming, witty and kind. Enough!

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Filed under Bestseller, Fiction, Worst Books

Real Life: It’s (not) fine.

Brandon Taylor’s Real Life follows Wallace as he tries to decide whether to stay – in life, in his graduate program, in relationships – and while he wanders grief for his dead father. A grief that lurks but that Wallace insists – over and over – is fine. It’s all fine. And while I’m still not sure what Wallace wants (out of life, out of his sexual/friendship/relationship with Miller, from his friends) or that Wallace knows.

What Wallace does know is that being a gay, black man (the first black graduate student in something like thirty years in his program) is an exercise in indignities – the small and the grotesque – and that each time he waits for his white friends to Do Something and they Do Not he is never surprised, but again disappointed.

Taking place over the course of a weekend, the narrative packs in so much in the compressed time, a case study of ‘show don’t tell’ where we learn so much from the small and subtle moments, and come to want for Wallace anything other than where he is, but like him, can also hardly imagine what else he will do.

It is beautiful, wrenching writing. And maybe a little bit hopeful in the way it imagines that maybe friendship and connection can improve (not just improve something for Wallace, but just as a thing-itself improve).

And yet novels have no obligation to be uplifting (this is not a kid’s climate change book that ends with how you can help the planet! in! five! easy! steps!). It isn’t fine. None of it is fine. Except maybe the novel itself, which is excellent.

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Filed under Fiction, National Book Award, New York Times Notable, Prize Winner

Lucy By the Sea (and My Name is Lucy Barton)

I had brunch with S. recently where she reminded me of the amazing-ness of Elizabeth Strout. So I promptly ordered My Name is Lucy Barton and Lucy by the Sea. In no small part because of my own L. Minor hiccup about 2/3rds into My Name is Lucy Barton when I realized I’d already read it, but no matter, it was a good refresher before Lucy takes to the sea.

And off she goes at the start of the pandemic and the book is so beautiful. It captures painfully and brilliantly the uncertainty of March and April 2020 for rich people living in North America. The dread and loss and fear. Reading it knowing how the course of the pandemic runs (and runs) it takes an extra sort of writerly magic to find a way to suspend that knowledge for the reader – to bring right back the ways time folded and expanded, compressed and ballooned.

I did find some of the writing grating – don’t get me wrong: extremely beautiful – but also the short sentences and declaration of feelings or thoughts just a bit much. Maybe only because I read the two so closely together that Lucy became a claustrophobic mind to occupy (though again it’s probably a credit to Strout that we so fully occupy Lucy’s perspective).

Anyway, it’s a fast, beautiful read, if you’re ready to revisit those days.

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Filed under Fiction, New York Times Notable, Prize Winner

The Librarianist: Some laugh out loud moments and some gem lines amid a lot of other words

Patrick de Witt’s The Librarianist comes out as one of those literary fiction books that you know a book club you’re in is going to suggest reading, or will be on one of those tables at the front of the book store. And that will be fine. It won’t knock your socks off, but there are enough truly laugh out loud moments (de Witt’s The SistersBrothers remains one of the funniest books – no qualifier, just the funniest) and bright writing that it’s worth it.

At its heart its a novel (as the title suggests) about one character – a librarian, Bob Comet – and how that character in the last chapter (get it? librarian? chapter?) of his life changes how he sees himself and interacts with the world. That question – can a person change, to what degree can they change, do they only change in our expectations of them – circles the book but lands squarely on Bob.

Tied up with these questions of how we each see ourselves are those of aging and death, as Bob (in his early 70s) reviews his life and his decisions against his own expectations (one thing I liked about Bob was how very little he seemed to care about what other people expected of him) for what he could and should have done. For those Unitarians in the audience there’s a definite thread of individual journey amid community, with community

Warm and gentle – like any library I’ve ever visited – The Librarianist doesn’t ask too much of its reader, but delivers in beautiful writing, sweet moments and some really funny scenes.

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Filed under Canadian Literature, Fiction