Category Archives: Fiction

Lucy By the Sea (and My Name is Lucy Barton)

I had brunch with S. recently where she reminded me of the amazing-ness of Elizabeth Strout. So I promptly ordered My Name is Lucy Barton and Lucy by the Sea. In no small part because of my own L. Minor hiccup about 2/3rds into My Name is Lucy Barton when I realized I’d already read it, but no matter, it was a good refresher before Lucy takes to the sea.

And off she goes at the start of the pandemic and the book is so beautiful. It captures painfully and brilliantly the uncertainty of March and April 2020 for rich people living in North America. The dread and loss and fear. Reading it knowing how the course of the pandemic runs (and runs) it takes an extra sort of writerly magic to find a way to suspend that knowledge for the reader – to bring right back the ways time folded and expanded, compressed and ballooned.

I did find some of the writing grating – don’t get me wrong: extremely beautiful – but also the short sentences and declaration of feelings or thoughts just a bit much. Maybe only because I read the two so closely together that Lucy became a claustrophobic mind to occupy (though again it’s probably a credit to Strout that we so fully occupy Lucy’s perspective).

Anyway, it’s a fast, beautiful read, if you’re ready to revisit those days.

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Filed under Fiction, New York Times Notable, Prize Winner

The Librarianist: Some laugh out loud moments and some gem lines amid a lot of other words

Patrick de Witt’s The Librarianist comes out as one of those literary fiction books that you know a book club you’re in is going to suggest reading, or will be on one of those tables at the front of the book store. And that will be fine. It won’t knock your socks off, but there are enough truly laugh out loud moments (de Witt’s The SistersBrothers remains one of the funniest books – no qualifier, just the funniest) and bright writing that it’s worth it.

At its heart its a novel (as the title suggests) about one character – a librarian, Bob Comet – and how that character in the last chapter (get it? librarian? chapter?) of his life changes how he sees himself and interacts with the world. That question – can a person change, to what degree can they change, do they only change in our expectations of them – circles the book but lands squarely on Bob.

Tied up with these questions of how we each see ourselves are those of aging and death, as Bob (in his early 70s) reviews his life and his decisions against his own expectations (one thing I liked about Bob was how very little he seemed to care about what other people expected of him) for what he could and should have done. For those Unitarians in the audience there’s a definite thread of individual journey amid community, with community

Warm and gentle – like any library I’ve ever visited – The Librarianist doesn’t ask too much of its reader, but delivers in beautiful writing, sweet moments and some really funny scenes.

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Filed under Canadian Literature, Fiction

I Have Some Questions for You: So great.

In 2019 I told you that Rebecca Makkai’s The Great Believers was the one book you should read that year (still true), and while I’m not yet prepared to say I Have Some Questions for You is the best thing you’ll read this year, it’s certainly in the running.

Following Brodie Kane, a podcast producer, as she returns to her high school boarding school to both teach a class and investigate the murder of her former school roommate, the book has the distinct feel of a true crime podcast (I’m sure someone has done a comparison to Serial. And… they have), but one that artfully and consciously plays with the ‘just asking questions’ element of exploring a closed murder case, the retrieval of lost memories, the unearthing of new evidence, the exploration of how changes mores of sex and race influence how crimes are investigated and prosecuted, the risks to the families of victims, the exploitation of trauma, and on.

And while all of that makes for great reading – and the murder mystery element itself is captivating – it’s the sections peppered throughout about the all too frequent ways violence against women is normalized, make routine, made mundane and forgettable that utterly gut punches.

The careful way Makkai has Brodie explore the pendulum of #metoo stories through an accusation made against Brodie’s ex-husband is nuanced and challenging not simply in how Brodie reacts, but in how Brodie reacts to the reactions, how so much of what gets told – and believed – is in the interpretation.

And that, I guess, is the heart of the book. How an innocent person can spend years in prison for a crime they obviously didn’t commit because of a story that gets told and believed. How narratives we tell ourselves about our teenage lives get made real and real and real, until we meet that story retold through another perspective as an adult and are forced to consider whether we might have believed a fiction. How everyone we know and everything with think is necessarily a story and that the real failure – of individuals and institutions – is in not recognizing the way this story is made, made up, and reified.

It’s really good.

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Filed under American literature, Fiction, New York Times Notable, Prize Winner

The Last Thing He Told Me: A Forgettable Title, for a Memorable Book

It is an extremely good feeling when a person you love loves a book that you love. Orders of magnitude better feeling when a person you love who does not normally (ever) read books (1) reads a book and (2) loves a book and (3) that book turns out to be one you don’t mind/enjoy (I want so much to go so far as to say love, but… #integrity).

I get that this is what it means to share passions and that this is so much of what does underpin close relationships – I do. But so many of my recent friend additions have been ones where the first point of connection is being Adults With Small Dependents And Too Many Responsibilities, and not The! Joy! Of! Reading! (though to the credit of K. and K. this *is one of our shared connections, and I’m grateful for it).

Enter Laura Dave’s The Last Thing He Told Me. Our ill-named book club (famous for never picking, never-mind reading a book) decided we’d had enough mockery, and so we’d read a book. Problem: C. who refuses to read (anything? that can’t be true. But made up things where you might feel something). So we gave her the power to choose the book, and she did. And she loved it! (though, she – like me – couldn’t remember the name of it two weeks after reading it, so maybe something to take back to the focus group: get a better title).

I won’t tell you it’s the best book you’ve ever read, but it is a romp. The sort of thing you can immediately see being turned into a miniseries (oh wait, it has been already?) starring someone and someone and extra tall wine glasses. It follows Hannah and her step-daughter Bailey in the days after Hannah’s husband/Bailey’s father, Owen, goes missing – oh he leaves behind some notes, some cash, and is wanted in connection with a collapsing ponzi scheme (though maybe all ponzi schemes are collapsing? anyway).

While tripping along the thriller-suspense-can’t-put-it-down-just-one-more-chapter-I-swear lane, the book stumbles into some interesting thematic questions about what it means to be a parent – like literally in the sense of the limits of biology, but of course more in the sense of what responsibilities, what sacrifices, what ways of thinking-being are required. It makes a reasonably good case that ‘parent’ is to be – the verb, I mean – and has almost nothing to do with the noun.

And if you’re not into books with parenting themes there’s still lots of quasi-car chase scenes to keep you entertained, and modestly interesting other threads about identity and starting over. Perfect book for a beach or airplane.

But mostly? It’s a lot of fun. And so much more fun when your not-a-book-club people read it with you. Thanks, C.

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Filed under Book Club, Book I'll Forget I Read, Fiction, Mystery