Hari Kunzru’s White Tears starts out as a conventional realist novel. Uber rich Carter and scholarship kid Seth meet up in college and bond over a love of music and sound. Together they make music, buy records and come of age. Seth, our narrator, loves Carter both for the person he is and for the world he invites him in to: one where making and accessing music is possible because budget doesn’t (seem) to matter. At this point the reader thinks the book is about male friendship, income inequality and coming of age as Gen Z. A lot of spoilers follow. Continue reading
Category Archives: Fiction
Gah. Once again I accidentally read a short story collection and it was terrific. I may have to (finally) admit there’s nothing inherently evil about the form.
This particular collection, written by Phil Klay, and much ballyhooed by the New York Times, is pretty great. Focusing on the American role in the Iraq war, each story offers a slightly different perspective on the experience of war, from a solider returning home to a chaplain on the front lines.
I read it over the holidays and so now don’t remember as much as I wish I did, but I remember enough to suggest you read it. Uhhh – what specific thing can I say? Sorry. Not much. Next time I won’t wait three weeks to write about it…
It will come as a surprise to no one that I was President of my high school Latin club. It was the kind of club that included an annual inter-institutional, three-day Roman based extravaganza of geekhood: chariot races, tug-of-war, academic competitions, barely-concealed-drinking, dramatic readings and theatrical performances. It was a haven for the weird and quirky before Glee and Geekculture made such things popular, or at least tolerable. I don’t know what high school is like now, but I know that for me, high school was only made tolerable by S., J., J., and Latin club (and who are we kidding, the library). One year, at this ‘Classics Conference,’ we staged a fashion show in which we assembled period costumes (hand sewn, of course) for the characters from the Odyssey and then wore them on stage for an audience; we had never been as proud or as celebrated. I played the role of Circe, dressed in seductive red, and if I could find a photo I promise I would never show it to you.
This is all a long wind up to let you know that I was very excited when my copy of Circe arrived at the library. You’ll remember that I adored Madeline Miller’s first novel, Song of Achilles and so the combination of enthusiasm for the myth, the character and the novel and I was… excited.
And get this: Circe lives up to even these expectations. It has at its core questions about mortality (and we all know how I love to think about mortality), morality and what makes for a good life. These questions are woven through with ideas of gender, sexuality, and how women becoming fully themselves. One danger the novel brushes against, and ultimately (I think) avoids, is in supposing that it is through the maternal experience that this self-assurance is (pardon the pun) born.
To say more: the novel follows our titular character through her formative experiences in her father’s home, through banishment to an island and the many and varied characters she encounters there, through to her ventures from the island – and the causes for these departures – to her final conclusion. Along the way she does have a child, and this experience is – accurately (I think) – transformative. But where the novel succeeds (again, in my view) is in allowing that this singular experience of becoming a mother is not, in its self, sufficient for total transformation. Rather it is the collective experiences of developing her witchcraft; discovering her sexuality; mastering her body and its limits; reconciling herself with regret, consequence and guilt; and in the climactic moments – revealing to herself her strength and depth of character. All of these moments unfold slowly and in ways that subtly but progressively deepen and change her character.
Lest you worry this is nothing but an exhaustive character study, there are moments of intrigue, of romance, of suspense, of magic. But above all, there is beautiful – really – writing. Some of seascapes and landscapes, sure, but really writing that gets you to think differently about humanity and its capacity. I can think of few better ways to begin 2019 then with this novel that asks readers what makes our mortal lives worth living.
So if you loved The Time Travellers Wife, you’ll probably enjoy Thea Lim’s An Ocean of Minutes, which is probably the last thing Lim wants me to write, and I’m sorry for saying it. Because they’re very different books. This one is beautifully written, with complex characters and a compelling plot: our protagonists are separated in time when Polly jumps to the future in a gamble to save her lover, Frank, from dying of a pandemic flu. The post-apocalypse future of life after the flu is as disturbing as it is resonant.
But the overarching romance of their relationship, the way the mechanics of time and time travel play in to their relationship, the urgency of their reunion, and the gender politics of a woman waiting – forever waiting – to be reunited with her man – echo strongly with the best-known time travel novel.
That said, whether you’ve read Time Travellers or not, or have no opinions about time travel, I’d recommend this read. It’s not like The Best thing I’ve read, but it’s a solid bet and you could do worse for first books for 2019.
[SPOILER FOLLOWS] Continue reading