Category Archives: Fiction

February 24, 2025 · 3:02 am

Long Island: Bets on the ending

Put Colm Tóibín’s Long Island in your library cart and you won’t be disappointed when it (eventually) makes it to you (I say eventually because inevitably it will have a wait list as everyone wants to read this one).

*many spoilers ahead*

It’s probably because I’d just finished the Elizabeth Strout, but the style of this one read as similar. Direct, descriptive of character’s thoughts, weighted moments that are not Literary – just excellent, and the interweaving of characters from previous works. Pressed I’d say I liked Strout better, but it would be hard pressed.

Long Island opens with a knock at the door. Eilis opens it to learn that her husband, Tony, has been having an affair. The woman he’s been sleeping with is pregnant, and her husband is at the door to explain that when the baby is born he will be dropping it off with Tony. And for some reason Tony thinks Eilis should go along with this plan. All of Tony’s family seems to think the same. Eilis is not so keen.

So off she goes (home?) to Ireland, bringing her grown children with her. With the unanswered question of whether she’ll return, and if she does return, if she’ll stay with Tony. She makes it seem like it’s his choice – like if he takes in the baby she won’t, and if he doesn’t, she will – but the reader knows (even if Eilis doesn’t) that this will always be her choice. Tony is not a choice maker.

Complications abound when she returns to Ireland. Her mother’s ailing health. Her former flame, Jim Farrel – now engaged to her best friend (but secretly!). Her adult children and what they want and expect from her.

How she can make a choice when so many people Expect So Much of her. What choices are hers, in the end. Well, that is the ending, and it’s a cliff hanger, so buckle up your book club and let everyone have their say.

For me? I want Eilis and Jim together on Long Island. And I want it to be a world where what Eilis wants she can choose. Want, we know, isn’t always get.

Delightful, great writing, absorbing (make it past the first 30 pages) and heart-full. Romance? I don’t know I’d call it that – stop slinging around genre words like you need them. Just read it, ok?

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February 16, 2025 · 2:38 pm

Pineapple Street: Not good, and hard to put down

What is the name for the genre of book that is not good, but you don’t want to stop reading, and you feel the whole time as if you are already watching the movie adaptation of the thing? Or the kind where the writing is verging on good and interesting, but is mostly just descriptive in the most obvious sorts of ways? Or where the characters change, but that change is at once extremely obvious from the outset and also simultaneously not convincing when it happens (like the crucial event(s) that force the change are just so predictably ridiculous)? Or where the way to hook the reader is through descriptions of how the ultra wealthy live – of their tablescapes (a word I didn’t know existed), their vacations, their clothes and their houses? Where you read the thing quickly and when it’s over feel faintly irritated with yourself for having given over the time to a book that is so clearly not good but is – nevertheless – hard to put down?

Jenny Jackson‘s Pineapple Street embodies this whatever-genre it is. It is – as was the case for me yesterday – an ideal book for a snowstorm where time vanishes in shovelling, sledding and fort building – and further funnels away in reading a book that when it ends you find yourself flummoxed that you didn’t just return it to the library. Perfect for an airplane, a beach, a doctor’s office where you expect to wait forever.

Oh sorry, did you want to know what it’s about? I’ve already given more time to this book then I’d like, so quickly: ultra rich family lives in Brooklyn Heights (which I’ve since gathered is a fancy neighbourhood in New York) and the millennial children lightly struggle with the Torturous Burden of being born extremely wealthy and the Guilt of not deserving such privilege. The end.

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February 3, 2025 · 1:32 pm

Onyx Storm: Extremely Silly

I don’t have much to say on Rebecca Yarros’ Onyx Storm other than it is an extremely silly, while also delightfully distracting dragon romance. Should you find yourself in need of temporary reprieve from the nonsense of every day life you could do worse than the nonsense of Xaden and Violet.

A few observations: I thought this was the final book in the series for some reason and so was – as I now understand many readers were – surprised (and annoyed) when the ending was a cliffhanger (AND to learn the next instalment hasn’t yet been written: how am I to live with such uncertainty. How.). So if you’re expecting some kind of resolution… don’t bother. Wait til book four is out and read them both then. Assuming, I guess, that book four is it.

Also: It had been a minute since I read book 2 and honestly? I could remember very little from the plot of book 2 and so spent the first 100 odd pages of Onyx Storm trying to remember who was who, and what the geography was, and what exactly was going on. Could it have benefited from a tiny recap? Maybe. So if you’re like me and not Deeply Steeped in the dragon romance world, you might consider reading a teeny summary of book 2 before you embark on 3.

Also: Xaden’s jaw is entirely too tense. So. Many. Descriptions. of his jaw ticking. And his tongue flicking. Like time for a quick trip to thesaurus.

As I – blush – preordered this one and now have a copy I will absolutely never read again, let me know if you want my copy and I’ll send it your way. And you will also, I’m sure, both enjoy it and find yourself deeply embarrassed by your enjoyment.

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February 3, 2025 · 1:22 pm

Poor Deer: Unsettling and Excellent

For months (years?) my mum has been reminding me to get Poor Deer from the library. I’ve ordered it twice, failed to pick it up once, and finally – finally – read it. And it was worth the wait and don’t make my same mistake: go get it!

Though maybe not. Depends on your tolerance for the weird and disturbing, I guess. As Claire Oshetsky’s Poor Deer follows four-year old Margaret during and after a terrible accident in which her neighbour dies. Margaret tries to explain what happened, but her mother silences her attempt and ever after Margaret stays silent on her role in the tragic death.

Told from Margaret’s young child perspective (well, written as confession by the adult Margaret but through her younger perspective) the reader is offered the view of how peculiar it is to a young child to be told that a friend has ‘gone to a better place,’ and to then… look for her because she must just be away for a little while. How confusing it is to be young (and old) in the face of death, and how much more confusing when adults both refuse to hear the child’s experience and feelings and to infuse the experience with obfuscation and euphemism.

The creepier parts are when Poor Deer begins to follow-haunt Margaret. A constant physical reminder of her guilt that relents for some periods of her life and returns demanding retribution.

The heartbreaking parts are the many occasions when adults fail her. Well meaning neighbours, teachers, an aunt – who very late finds a way to offer the consolation that was needed decades earlier. That in these adult efforts to protect the child they mistake kind words for kindness. What Margaret needs – what all children need – is truth from the adults around them, and the trust from these adults that they can handle these truths. What crushes Margaret is not the guilt, but the inability to speak her crime and have it heard.

And so enter the written confession. The insistence that the truth be heard – however many versions Poor Deer offers. Asking the reader to hold all the possible outcomes at once and to listen.

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