Category Archives: Young Adult Fiction

The Knife of Never Letting Go: This is Why I Blog

      I blog because of my (absent) memory. My ability to read a book, enjoy a book and immediately forget the plot is honed and practiced. Case and point: I finished reading The Knife of Never Letting Go last week. IknowI liked it because I messaged S. who recommended it to me to say I liked it, but do you think when I sat down to write this review I could remember what I liked about it or why I enjoyed it? Nope. Zip. I couldn’t even recall the plot without turning to wikipedia for a reminder. It’s a sorry state of affairs up in my brain.

What I do remember liking – on jogging my memory by way of Wikipedia – is a plot that is neither so implausible as to be entirely fantastic nor so realistic as to be realism. The integration of fantasy elements succeeds in defamiliarizing the real in such a way as to encourage the reader to ask questions about social interactions, use of the environment and those truths we believe to be “self-evident.” The thrust of the plot has our protagonist – Todd Hewitt – drastically reconsidering all he felt to be true about his community’s history, politics and way of life. He’s made to question authority figures, familial trust and received wisdom as he repeatedly encounters evidence that those he trusted lied to him. It’s a masterful plot in paralleling what any young person must encounter as they realize that adults lie and that promises made to children (you can be anything you want to be) are in not mendacious they are at least false.

His companion, Viola, is a charmer too, and I’d like to see her narrative point of view introduced in later books to balance out her character and make her less of an accessory and more of an actor in her own right. Personal preference, maybe.

I liked the fight sense, the quest narrative and the climax. Less settled with the conclusion of the text and the requirement for later installments. I’m a firm believer that a book – even one in a series – should be a selfcontained unit.

So there you go. I’ll likely read the next in the series, but I can’t say it was a memorable read (though admittedly this is more my fault than that of the text…).

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Filed under Book I'll Forget I Read, Fiction, Young Adult Fiction

Jacob Have I Loved: Worry-love

    This book gets me. It gets how I experienced love as a young person – love as packaged out in parcels of worry. Those who were loved the most (I thought) were the most worried about, the most needy. Louise (or Wheeze) comes to believe that to feel not-worried-over is to not be loved, and so she never accepts help because she never accepts that she could be loved – and so worthy of worry (or she never accepts that she could be worried-over, and so worthy of love). The greatest challenge for her in the book is to find a way to worry about herself and to make a decision that is worthy of her own esteem. This conflict sets up a rich narrative that does not condescend to a simplistic narrative of simple resolution, but demands the reader accept (along with Louise) disappointment, betrayal, and how her fear of her own greatness, or fear of her own worth, limit and fail her.

I let the title get the better of me in this one. I kept waiting for Louise to fall in love with some man named Jacob. I blame my insubstantial Biblical training for missing the Biblical reference, or at the very least, noting the Jacob/Esau parallels of Louise and Caroline’s relationship. (this from a girl who puts East of Eden in her top five of all time…) Or maybe I blame my expectation after reading the rest of the YAF category that all YAF is just a shoddy pretense for a romantic relationship that will either doom or redeem the protagonist.

So it was with not a little disappointment that I found Jacob I Have Loved ended with this same predictable and uncomplicated resolution: Louise falls in love and in doing so substitutes her dreams of being a doctor for satisfaction with being a mother. Barf. What a let down from the tremendous independence she gains over the course of the novel. Okay, okay, you’re saying that choosing to be a mother is its own kind of (rewarding) choice (as Louise’s mother so definitely points out to Louise!), but unlike every other choice Louise makes, this one – to be a mum and not a doctor – occurs without self-reflection or cause. It just sort of… happens in the gap between paragraphs. Suddenly the warmth of a breastfeeding baby is all she needs and the radical power of her independence is subsumed in some kind of wet dream of motherhood.

I shouldn’t end with that paragraph – if only so that you don’t think me a child-hating, baby-eating monster – because I really did love this book. I loved Louise’s anger, her frustrating and her exhaustion with trying to negotiate relationships that are not obvious, or easy, or welcoming to her. I loved her determination and her awareness of her own failings. I love that she worries about other people, and recognizes in this worry a kind of love. And I loved that she allowed herself the imperfections that made her fail or fuck up, and that these imperfections are (eventually) understood as okay.

I do wish she’d become a doctor. Just saying.

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Filed under 100 Books of 2011, Erin's Favourite Books, Fiction, Prize Winner, Young Adult Fiction

Be More Chill: Women with low self-esteem!

                   So here’s the premise: teenage boy is awkward, nerdy, uncool. He hears about a pill, a “squip,” that is a microcomputer that will give him instructions on how to be cool (or “more chill”). He gets a squip, becomes cool, and eventually the squip fails – its technology isn’t perfect yet.

You might have been thinking – wait, wait, as YAF shouldn’t this book have ended with the boy realizing he’s better off as himself, without the aid of a microcomputer telling him exactly what to say? No. No, that’s not the moral: the moral is wait to buy yourself the exact piece of technology that will make imperfect-you more perfect so that you might have money, friends, and sex.

And the sex part? Apparently young women lack self-esteem to such an extraordinary degree that not only do they cut themselves while purging while gossiping about their slutty ex-best-friend, but they are also willing and committed to having sex with any man who might be interested. The only exception to this rule the young woman that our hero is in love with – and it turns out she’s “weird,” and hence “frigid.”

This book shouldn’t be read by anyone, let alone a young adult trying to sort out how they might learn to be okay with their awkward weirdness, because the message? You’re not okay, and it’s not likely you’ll be okay unless you buy something really expensive and/or have sex with an self-loathing young woman. The book, as a result, both deeply disturbing and depressing. Maybe that’s how it is with kids these days? Nah. I think instead Vizzini might try being less chill, and instead he might try to be more responsible.

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Filed under 100 Books of 2011, Fiction, Young Adult Fiction

Leviathan: WW1 caused by Germans

       Steampunk! It’s a genre distinction I’d never heard named before, or if I had, I’d never connected it with those novels that imagine the past and the future melded together, or imagined the past as if the future had already happened, a future the present doesn’t know about yet. A sort of past-future? Maybe because “steampunk” doesn’t really describe or evoke those webbed chronologies? Whatever. The name for the genre far less exciting than the genre itself, which is, to put it simply, terrific. Terrific for me anyway, one who adores all things historical (all of it, you understand? if it happened in the past, I adore it.) but who also admires, appreciates, nay, celebrates, those bastardized histories that don’t feel any more allegiance to “fact” than necessary to be historical (okay, a tautology if there ever was one – stuff it). And so I get really excited when I read a history that is historical in all the ways that matter, but includes – get this! – battles between aircrafts made of whales and other organic business and cyborgesque monster machines made of metal.

Leviathan is the first in Scott Westerfeld’s trilogy narrating some of the events of WW1, particularly those that pertain to the (fictional) son, Alex, of the assassinated Archduke Franz Ferdinand and his team of allies, whom include a cross-dressing fourteen year old girl-pilot who you just *know* is going to end up madly in love with Alex, because it wouldn’t be a fun story if she didn’t (how/when will he discover she’s really a woman? When will she recognize the tingles she feels when he’s near as hormonal reactions and not a rash?). Add in stellar descriptions of battles between organic and metal, headstrong and meddling adults, and descriptions of journeys that require eating over fires (!) and you have yourself a winner of YAF.

Also a winner in the category “wars of the 20th century,” if you ask me. Of those books I’ve read in the category, this one does (by far) the most entertaining and soothing job of introducing senseless destruction and death. It also does a fine job drawing out the sometimes opaque causes of World War One, and concludes, as do so many eighth grade history teachers, that while no one can be blamed, the Germans can probably be blamed. So let’s blame the Germans! and keep reading this terrifically entertaining, smart, and well paced series. In January.

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Filed under 100 Books of 2011, Young Adult Fiction