Category Archives: New York Times Notable

Lucy By the Sea (and My Name is Lucy Barton)

I had brunch with S. recently where she reminded me of the amazing-ness of Elizabeth Strout. So I promptly ordered My Name is Lucy Barton and Lucy by the Sea. In no small part because of my own L. Minor hiccup about 2/3rds into My Name is Lucy Barton when I realized I’d already read it, but no matter, it was a good refresher before Lucy takes to the sea.

And off she goes at the start of the pandemic and the book is so beautiful. It captures painfully and brilliantly the uncertainty of March and April 2020 for rich people living in North America. The dread and loss and fear. Reading it knowing how the course of the pandemic runs (and runs) it takes an extra sort of writerly magic to find a way to suspend that knowledge for the reader – to bring right back the ways time folded and expanded, compressed and ballooned.

I did find some of the writing grating – don’t get me wrong: extremely beautiful – but also the short sentences and declaration of feelings or thoughts just a bit much. Maybe only because I read the two so closely together that Lucy became a claustrophobic mind to occupy (though again it’s probably a credit to Strout that we so fully occupy Lucy’s perspective).

Anyway, it’s a fast, beautiful read, if you’re ready to revisit those days.

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Filed under Fiction, New York Times Notable, Prize Winner

I Have Some Questions for You: So great.

In 2019 I told you that Rebecca Makkai’s The Great Believers was the one book you should read that year (still true), and while I’m not yet prepared to say I Have Some Questions for You is the best thing you’ll read this year, it’s certainly in the running.

Following Brodie Kane, a podcast producer, as she returns to her high school boarding school to both teach a class and investigate the murder of her former school roommate, the book has the distinct feel of a true crime podcast (I’m sure someone has done a comparison to Serial. And… they have), but one that artfully and consciously plays with the ‘just asking questions’ element of exploring a closed murder case, the retrieval of lost memories, the unearthing of new evidence, the exploration of how changes mores of sex and race influence how crimes are investigated and prosecuted, the risks to the families of victims, the exploitation of trauma, and on.

And while all of that makes for great reading – and the murder mystery element itself is captivating – it’s the sections peppered throughout about the all too frequent ways violence against women is normalized, make routine, made mundane and forgettable that utterly gut punches.

The careful way Makkai has Brodie explore the pendulum of #metoo stories through an accusation made against Brodie’s ex-husband is nuanced and challenging not simply in how Brodie reacts, but in how Brodie reacts to the reactions, how so much of what gets told – and believed – is in the interpretation.

And that, I guess, is the heart of the book. How an innocent person can spend years in prison for a crime they obviously didn’t commit because of a story that gets told and believed. How narratives we tell ourselves about our teenage lives get made real and real and real, until we meet that story retold through another perspective as an adult and are forced to consider whether we might have believed a fiction. How everyone we know and everything with think is necessarily a story and that the real failure – of individuals and institutions – is in not recognizing the way this story is made, made up, and reified.

It’s really good.

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Filed under American literature, Fiction, New York Times Notable, Prize Winner

David Copperfield and Demon Copperfield: Truly Genius

Ahhhhhhhhh.

I know generative AI is all like ‘I can write a thing in the style of so-and-so’ but with due respect to the robots, you cannot write like THIS. Jesus but Barbara Kingslover Hit It Out Of The Park with Demon Copperfield.

I’d heard it was good – well reviewed and on all the lists from last year, plus some personal recommendations – but felt held back by having not read David Copperfield. Some told me you didn’t have to have read David to appreciate Demon, but I thought I’d better check out the original just in case. And well. Guys. Did you know Dickens was a pretty good writer? Like I know you ‘know’ but maybe you’re like me and you haven’t actually read anything by him (or if you did it was a 100 years ago and a blur of high school English) and so you don’t really know. I mean don’t go out and drop what you’re doing, but I’m here to report: Charles Dickens was no slouch. But then, I cheated. I listened to it on audiobook (double speed and it still took 40 hours) and so maybe I’m a fan because of the British accent reading it to me and the aid of different voices. But probably it’s just a good one.

Anyway. So David Copperfield if you missed it: not an orphan from the outset, but an orphan, spends some time hungry, doing child labour, exploited, left for lost by institutions that should have – could have – protected him. Demon Copperfield? Same plot a few centuries later and this time it’s opioids and underfunded schools and exploitative companies and willful neglect that take center stage for judgement. [As an aside, if you don’t to read David Copperfield, then please, please, read Empire of Pain before you read this one – as it contextualizes (and layers the outrage) in incredibly helpful ways.]

Even while both books brilliantly attack institutions for the unmitigated failure (and not just passive failure, but active harm) of the young and the poor, they simultaneously argue for the profound – life changing – impact of individuals on one another. What harm, what hope might be possible in how we show up (or don’t) for one another.

So sure, all the institutions you can think of are (probably) failing, but they’ve been failing for centuries! Optimistic spin! AND as it always was and is also now true – we aren’t helpless in the face of it. While Demon and David both narrate exceptions – characters who are themselves exceptional and find themselves surrounded by others who – despite the structural failures that crumble – are kind. Kindness and caring are very small in the face of it all, and what we really need is revolution. And still. This reader clings to that tiny thing. Being kind, showing up, despite it all, holding hope.

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Filed under Bestseller, Book Club, Erin's Favourite Books, Fiction, New York Times Notable, Prize Winner

Tomorrow and tomorrow and tomorrow: high school math and Mum and I disagree

I have this memory of being in Mr. Lowe’s OAC (yes, OAC) Calculus class. I got back another test where I had managed a 70 something after a thousand hours of studying and fretting and worrying and fretting. And feeling like #why. At the time the why was this vision that if I didn’t take OAC Calculus I wouldn’t be able to take Psychology courses at University and become a therapist*. Then I discovered a University that would let me in to their Psych program without Calculus. I digress. I’m sitting in this class and I get the 70 and I’m just Done With Calculus (despite Mr. Lowe spending hours of his own time helping me, and my friends J. and J. spending hours of their time helping me). So I go to the office to call my mum (or maybe it was a pay phone) and ask her – crying in this memory – can I please drop Calculus, I don’t think I’ll need it to be a therapist and it’s making me miserable. I don’t know if my mum remembers the call, or knows how I’d spun out the different versions of my life that hinge(d) on her Yes or No to Calculus. But she supported me and said, of course, do what you want to do. And so I dropped Calculus. Like right after I hung up I walked over to the counselling office and dropped it. Probably for Latin. Very useful. (actually) (as useful as Calculus?) (what do you want from me)*

WHY THE LONG RAMBLE, ERIN.

Well, Gabrielle Zevin’s Tomorrow, and Tomorrow and Tomorrow, in addition to being (or maybe mostly being) a book about friendship and its boundaries, and a book that intentionally or not tries to capture the mood of A Little Life (credit to mum for pointing out this parallel which is Spot On), is also a book about women in math.

Our protagonists, Sam and Sadie, spend the book falling into their friendship and then creating wildly successful video games together. Their lives are peppered with the accidents of circumstance and the mistakes of choice that make for any life, and their friendship is one of the accumulation of small moments layered on a true connection. The book is mostly about this friendship – how they come to be friends, how they betray one another (or think they’ve betrayed one another), how other people interrupt and intersect with their friendship, and what the boundaries of love in a friendship fall. It is a beautiful story on this thread – even if, again credit to mum, Sadie’s grudge against Sam midway through the book stretches the boundaries of plausibility.

And it is also a book about what Sadie has to experience and respond to because she is a woman who is very good at math, and one who loves video games, and one who wants to make those games in an industry and institutions full of men. I’d forgotten I read this book, truthfully, but then remembered when reading a list today of top books of last year, and was like oh right, that one. And then found myself tonight listening to a podcast about how boys are struggling in school and how this is impacting men’s outcomes in a bunch of domains. And truly – I’m a mother of a self-described boy and am not dismissing the (surprising to me) information about the widening gap in gendered achievement in schools. But was also like Come On. I suppose I can accept two things at the same time: women are doing better at school/university across a wide range of metrics AND the programs that men dominate are still the ones preferentially valued. The glut of women in universities is hardly yielded Power to the extremely well educated, and extremely underpaid teachers at my daughter’s daycare.

So maybe that’s the thing I liked best about Tomorrow and Tomorrow and Tomorrow: its careful exploration of how Sadie navigates computer science programs, video game making/marketing and Silicon Valley. The way she finds herself used, abused and manipulated by men with power and then ‘lucky’ to find the good ones. The way efforts at ‘wokeness’ risk violence, and the tension between what we know about our friends as individuals and the way we let their individual identities influence our perception of their actions (like: did he do that because he’s my friend, or did he do that because he’s a man?).

And there’s more someone else would read into this book about race and class and orphan-hood and disability. There’s a heap to think through and plenty to enjoy. It reads quickly, is absorbing, and in the end – I think – satisfying.

But for me? I couldn’t stop thinking about Mr. Lowe. And what we tell ourselves about math.

*I did not become a therapist. But Latin probably got me the degree.

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Filed under Bestseller, Fiction, New York Times Notable, Prize Winner