Category Archives: New York Times Notable

The Beauty of Your Face: In which I yearn to believe in something. anything.

Sahar Mustafah’s The Beauty of Your Face is excellent. It opens with a school shooter attacking a Muslim school for girls and then whips back in time to follow the childhood of the school’s principal, Palestinian American, Afaf Raman as she grows up with a missing sister and ostracized for her race and religion, and then finds herself a community and purpose through Islam and teaching. [how’s that for a run-on sentence, mom]

Part of what makes the book so good, like Louise Penny, are the descriptions of food. I wanted to eat every time I was reading.

I jest (sort of). No. What made it so compelling for me was the sense of purpose faith brings to Afaf, and the ways the discovery and commitment to this faith changes her relationships with her family, as well as her understanding of herself. As a devote atheist I am genuinely mystified by those who believe in God, even while I recognize, at least in this book, what that belief – at its best – offers. Which is not to say Afaf’s experience of Islam is uncomplicated, or her belief blind and unquestioning. Indeed, in the most obvious way her very life is at stake in her commitment. More, that the novel offers faith as something earned and difficult, but also as security, comfort and community. It was enough to make this heretical Unitarian soul yearn for the days of open churches so I might go and sing with other people the atheist song of a biological life and a radical enjoyment of the present moment and the people in it as all you can count on. Alas. Perhaps next year.

Until then, I commend you to The Beauty of Your Face for its exquisite writing, engrossing plot and nuanced portrait of a family. That sounds like a gross back-cover endorsement. But really – it’s very good.

Leave a comment

Filed under Fiction, New York Times Notable, Prize Winner

The Children’s Bible: Also for atheists

Lydia Millet’s The Children’s Bible hits a little close. The novel follows a rag-tag group of children after environmental catastrophes – flood! – destroy their homes. Having to keep themselves, and their drug-stupor parents, alive they hole up and quarantine themselves, scratching out a new existence after society collapses.

Though it may be painful to read because of its indictment of our collective inaction on global warming, and the profound arrogance of having children amid such certain devastation, it is nevertheless, very, very good.

I grew up in the United and Anglican churches before quitting God and becoming a Unitarian (I feel compelled to offer that not all Unitarians are atheists. #joinus). But even if I hadn’t spent formative years hearing Biblical stories, the Biblical references and adaptations are drawn from the biggest and brightest of stories (Eden, Noah’s ark, the 10 commandments, the birth of Jesus, Revelations, etc) so anyone who has watched The Simpsons should have enough of a command of the allusions to appreciate the plot. That said, Millet does well to make these moments smooth and uses well timed diction to remind the reader that a Biblical Moment is happening.

Aside from mirroring these Biblical scenes I’m not sure the ‘point’ of having the plot follow that of the Bible. I guess because we are in End Times now? Or maybe to remind us that there is no God, or if there is, it’s a God who has opted for a non-interventionist approach, and it falls to us to make change. Okay, yeah, that seems a plausible reason.

The best part of the book is its argument for art and literature. It’s suggestion that we bundles of molecules, we who are destined to reunite with the water and mountains (poisoned though they may be by our garbage) find purpose and solace in writing. And of course reading.

After writing out my Christmas cards most of which began and ended with WHAT A YEAR, I’m very happy to recommend this book as a sort of 2020 solace. Like it admits and takes as its premise that everything is shit, and that there is no ‘but’ to that sentence. So you may as well read.

1 Comment

Filed under Bestseller, Erin's Favourite Books, Fiction, New York Times Notable, Prize Winner

The Gone Dead: All it needs is a vampire

You know how some books would just be better with a vampire? Like all those remakes they did of 19th century novels they did with zombies (Pride and Prejudice AND ZOMBIES) but only from the beginning the author thought, yeah, this would be better with a vampire.

Actually I’m not totally sure Chanelle Benz’s The Gone Dead would be better with a vampire. I mean it’s really, really good to begin with, so… Right, here’s the plot: daughter, Billie, returns to childhood home after its bequeathed to her. On returning she begins to remember and question the circumstances of her father’s death (he died in the backyard when she was a child, and she was the only witness). Enter a cast of childhood friends, family, rivals and lovers. And the most adorable professor researching her father and his poetry. (Adorable for his representation of just how silly academia is when it comes to Life and Death). All trying to help or hinder her quest to remember and understand.

So I guess I only want a vampire because the book already has the claustrophobic atmosphere of the Mississippi Delta coupled with a murder mystery and the tangle of remembered/misremembered/invented stories that recall something of a fable. And that all point to something Gothic and clawing, but I’m just messing. Obviously this book doesn’t need an actual vampire. There’s enough danger without literal fangs: the Klan, the racist police, the well-intentioned by ultimately destructive white friends. And poetry.

Leave a comment

Filed under American literature, Book I'll Forget I Read, Fiction, New York Times Notable, Prize Winner

Behind the Beautiful Forevers: Non-fiction? What?

So I haven’t read a non-fiction, non-parenting book in years. Actual years. (Which makes me feel a little sheepish for the grief I give people who don’t read a single novel in a year, or the scorn I (privately?) feel for those who shrug novels off as ‘just made up’. Not sheepish enough to change my view, obviously, as these non-novel people are clearly Bad). But I kept seeing Katherine Boo’s Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai Undercity on best-of lists, and, more promisingly, described as ‘novelistic.’ So off I went and read it. Continue reading

Leave a comment

Filed under Bestseller, New York Times Notable, Non-fiction, Prize Winner