Category Archives: Worst Books

Reading in Newfoundland; or, How to Hit a Moose

Fear not. We didn’t hit a moose. But I also didn’t get as much reading done as I intended because my time as a passenger was spent on moose patrol, rather than reading. What? Oh, yeah, I was on holiday in Newfoundland for eleven days. Saw some whales, dolphins, puffins, no big deal. No moose spotted (happily), though we learned that in Gros Morne (where we spent the latter half of the trip) there are five moose per square kilometer. Symbols of Canadiana don’t come much more dense (ha ha).

In retrospect, with such a quintessential ‘Canadian’ vacation planned (though many of the Newfoundlanders we talked with disputed the ‘Canadianness’ of Newfoundland) I probably should have selected Canadian or Newfoundland-based novels. As it was, I took along several of your summer recommendations (thanks):

Annihilation, Jeff VanderMeer

Post-apocalyptic fantasy finds a group of four ‘explorers’, defined by their roles (the psychologist, the anthropologist, the linguist…), sent into a [anthropomorphic][animated][alien] landscape/environment to gather data. They encounter a range of challenges that are at once metaphoric and practical. With a nightmarish, oppressive atmosphere, the book asks the reader to consider the environment/natural world as both hero and antagonist to our present and our future. 3/5

Euphoria, Lily King

Following the anthropologist theme, Euphoria is based on the life of Margaret Mead with Mead fictionalized as Nell, her husband as Fen and their collaborator as Bankson. In addition to being one of the best love stories I’ve read in recent memory, the book is a thoughtful and nuanced exploration of ideas of ethnocentrism, positivism and colonialism. Principally narrated by Bankson, the retrospective time frame infuses the novel not only with urgency and threat, but with an assurance of the importance of the narrated events: for it is only in retrospect, the novel argues, we recognize and signify small choices, taken-for-granted actions and chance encounters with power. 4.5/5

Bleeding Edge, Thomas Pynchon

Gawd, N. Gawd. What a mess of terrible boredom. Maybe I’d have liked this one if I knew anything about the early years of the Internet. Or New York. Or business ventures. Who am I kidding, the point of fiction is that you ought not need to know anything about the subject to be captivated and moved by it (see Euphoria above!). The novel was altogether too interested in its own clever turns of narrative direction and layered sentences to present anything like compelling character or plot. I was marginally interested in the thematic concern of American greed and self-centered ambition, but only barely. 1/5 #worstbooks

The other books recommended still to come: I’m nearly done part one of My Struggle (Karl Ove Knausgaard) (It is So. Good.) and have the Pope and Mussolini and Snow Boy Bird from the library, and am on the waitlist for Station Eleven. All this to say: stay tuned.

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Filed under Fiction, Prize Winner, Reader Request, Worst Books

The Truth According to Us: Why Second Novels Suck

The summer of 2008 was a magical book summer for me (stay tuned for my next post on ‘what I’m reading this summer and what you should read’). I read a series of incredible novels, in some cases staying up all night to finish them. Such was the case with Annie Barrow’s first novel, The Gurnsey Literary and Potato Peel Pie Society (a title that belies the brilliance of the story and makes it difficult to recommend to others because of the constant fumbling about for the proper order of words). I devoured it; I cried in earnest at the ending; I recommended it to others.

So imagine my delight in seeing Annie Barrow’s has a new novel: The Truth According to Us. I signed up for an Advance Review Copy and put aside other books on my to-read list to read it. I filled the bath, poured my wine. Veritably rubbing my hands with excitement.  I anticipated an immersive world full of rich characters and affecting themes. I hoped for the terrific realist American fiction focused on small town life that one finds in Songs in Ordinary Times or Empire Falls or anything by my beloved favourite, Anne Tyler.

Instead I got an interminably dull plot, with unbelievable, unsympathetic, uncomplicated characters, set in the necessarily arid and characteristically tired moment of Depression era, midwestern America. If I had only one word to describe this novel it would be “dust.”  The supposed point of conflict centers around a high-class woman, Layla, who is sent to Macedonia, the outpost of the midwest, to write the chronicle of the town. Layla boards with the once-wealthy-now-rocked-by-scandal-and-poverty Romeyn family and finds herself “embroiled” (I use quotes as embroiled suggests some level of urgency or intrigue, which are decidedly lacking from this plot) in their history. There’s some attempt to raise questions about truth-telling and historiography. The gist? History (capital H) is shaped by those telling it.

This book was the first time in recent memory I’ve properly considered a) throwing a book at a wall b) buying an e-reader (this 400+ tomb -dustdustdust- was my unfortunate and only travel companion on a cross-country trip – I even considered buying a magazine to save myself the horror of being stuck with this thing on the plane).

So what went wrong? You might be expecting some grand theory on the fate of second books (as my click-bait title suggested). Instead I pose this: The Gurnsey Literary and Potato Peel Pie Society was co-authored. A collaboration between Barrows and Mary Ann Shaffer. It was brilliant. This second, solo effort? Not so much.

Here’s hoping for better luck with my summer reading list. Which brings me to: what do you want me to read this summer? I promise to read the first three suggestions, and consider all others. (note: I put this call out last summer and read all that was recommended!)

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Filed under American literature, Book I'll Forget I Read, Fiction, Worst Books

The Girl on the Train: Over-hyped, misogynistic nonsense

I admit I bought in to the hype around The Girl on the Train. I heard about it three times in two days and couldn’t resist the summer blockbuster appeal. I bought in to the point of buying the book (something I rarely do what with the existence of libraries and the scarcity of free money), though I got it for $10 as a ‘Heather’s Pick’ at Chapters (my local and fantastic bookshop was sold out and I had to have it Right Now). I’m embarrassed by the whole thing. (Would I be as embarrassed if it had been a better book? Or if J. hadn’t warned me that it wasn’t as great as people were saying?). Continue reading

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We Are Not Ourselves: Why You Shouldn’t Read Book Reviews

The only book assigned to me in high school that I didn’t finish reading was Samuel Richardson’s Pamela. I made it far enough to write a term essay and also to know I didn’t need to finish reading it (to be fair, Pamela was published as a serial and Richardson probably wanted to finish the thing eons before he did, but popularity being popularity, the guy couldn’t say ‘no’ to churning out another excruciating letter).

I may not be in school anymore (!), but the guilt I feel in not finishing a book remains a combination of panic that I’ll be found out and a sort of bafflement that this terrible book had been assigned in the first place. Sure no one “assigned” Matthew Thomas’ We Are Not Ourselves, but they may as well have: the book reviews proclaimed its excellence and compared it with the genius of Franzen.

And this is why you shouldn’t bother with book reviews. As I committed another day’s worth of reading to this interminable and ponderous novel I kept reminding myself how well it was received elsewhere. Kept urging myself to find in the insufferable level of detail something akin to beauty or marvel. Kept assuring myself that this book had been awarded prizes and so had to be of some quality. The fault was mine, I thought, for being an impatient reader. Well, no more. 250 pages into an infinite waste of time, I stopped. I’d figured out where the plot was going (to give it it’s airing: an Irish-American family lives its life: the mother wants a bigger house, the father has early onset Alzheimer’s and the son is an undefined, ill-described mess of wanting to hit someone) and I didn’t care enough to force myself through the purchase of the overly expensive house, the unravelling of the Alzheimer’s mind and the (one can only assume) eventual character development of the son.

It’s very possible I’m wrong. That in my impatience for excruciating detail and an absence of conflict I’ve missed a gem of a novel. That said, I’d in no way encourage you to read this one. But then, this is a book review, and you’ve already stopped reading it.

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Filed under American literature, Book I'll Forget I Read, Fiction, Prize Winner, Worst Books