Us Conductors: Beautiful writing, extraordinary narration

You will want to read Sean Michaels’ *Us Conductors* as soon as you can (in April of 2014) both because it is a brilliant novel and because everyone will be talking about it and you’re going to want to be hip and have already read the latest ‘hot’ book. Continue reading

4 Comments

Filed under Canadian Literature, Erin's Favourite Books, Fiction, Giller prize, Historical Fiction, Prize Winner

Quiet – The Power of Introverts in a World that Can’t Stop Talking: Am I an Introvert?

My physiotherapist – an introvert – recommended this book to me. I see her twice a week (mostly) and I love her, so I took on reading non-fiction (gross) so that I could tell her about what I thought in one of our many sessions attempting to fix my [unfixable?] feet. This desire to talk-books is, most often, why I read books recommended: I want to read the thing that is important to the people I care about so that I can share it with them, talk to them about it, compare notes. (The exceptions, of course, are when N. or my mum recommend books. I trust their judgement implicitly. Though I’m stumbling my way through Gravity’s Rainbow right now in ways that make me think N. might be wrong for the first time ever. I suspend judgement.).

Right. Enough on books recommended (though  I do extend the offer again to tell me what I should read and why) and more on Susan Cain’s Quiet: The Power of Introverts in a World that Can’t Stop Talking. I was telling my friend M. that I was reading Cain’s book and that on reading it I’d come to think that I might be an introvert. She laughed at me and told me that anyone who reads as much as I do has to be an introvert. Having finished the book I’m not more certain of “what” I am, though more sure of the circumstances that make me more and less likely to behave as if I am an introvert. Certainly more ideas about how I might approach the idea of introverts in my classrooms (more on that in a minute).

What I liked about Cain’s book is the way she allows that people cannot be reduced to a personality trait. That in particular situations we can behave and act in whatever way the context requires. We might just have a preference or an inclination one way or another. The idea of how introverts and extroverts gain energy – time alone and time with others, respectively – also resonated. Her message that our cultural preference for extroverts has reduced introverted behaviours to shameful or apologetic activities also appealed to me on an instinctual level “you’re right! I shouldn’t have to feel guilty for wanting to stay home and read in the tub on a Friday night!” Though I’m suspicious of the science – or at least her presentation of the science – which was as more anecdotal than it was peer reviewed.

But here’s the thing with such books – people read them (and boy are they reading this one) because it explains something people feel. There’s a difference among people – the people person, the shy one, the whatever – and that such an argument presents a comforting explanation for when things don’t go the way we wanted or anticipated “well of course she didn’t hire me, I’m an introvert.” These sort of pat assurances reduce our sense of ourselves to a predetermined or unimpeachable excuse. Cain does make useful distinctions among introvert, shy and sensitive that were refreshing and nuanced. She, too, takes care to argue that being an introvert provides great benefit. But I’m wary of the explanatory power of such books. That students – or others – will explain away their behaviour – of their lack of acting – because “I’m an introvert.” Like learning styles (no actual evidence for learning styles, btw) the idea of introvert-extrovert can be taken to an extreme where it forgets that there are circumstances wherein reflection is required – and everyone should learn how to do it – just as there are circumstances where being engaged with other people (ew) is required – and everyone should learn how to do it.

All this to say the book was helpful in making sense of some of my partner, S. (an clear Cain introvert)’s behaviours. Just as it was helpful in thinking about incorporating more taught-reflection and taught-introspection into my classes. I’m just wary of grand declarations of who we are that explain away behaviour that really does deserve – an introverted! – consideration.

Leave a comment

Filed under Bestseller, Non-fiction

Eleanor and Park: Why did I like it so much?

In contrast to my experience reading Vernon God Little, here’s my post about Eleanor and Park that has been languishing as a draft (no memory or writing this! evidence that it’s important for me to blog or else I’ll forget it all!)

If novels are supposed to connect us to stories outside and beyond ourselves, they are also supposed to help us illuminate truths about our own experience that we might not properly understand (or have allowed ourselves to think too much about). Rainbow Rowell’s Eleanor and Park did the latter for me. Even while the novel details experiences I definitely did not have — falling/being in love as a teenager, listening to and appreciating music (I do have a distinct memory of being in grade eight and willing myself to listen to the radio thinking that I’d fit in better if I could sing ‘Barbie Girl’ with the rest of the girls in my class), growing up in an abusive household — its exploration of what it is and feels like to doubt yourself, to doubt your worth/love-ability resonated across both characters.

And… that’s where the draft ends. So… in one of the less-awesome posts I’ve ever written (and about one of the more-awesome books I’ve ever read) I’ll leave it at this. With opportunity to revise if I ever manage to get my little book club together (this is meant to be our first book).

Leave a comment

Filed under Fiction, Prize Winner, Young Adult Fiction

Vernon God Little: What we avoid

There’s no question DBC Pierre’s first novel, Vernon God Little, is an excellent piece of fiction. The book takes a school shooting in Texas (is it Texas? Somewhere near Mexico, anyway) and explores the community reaction to the event – spectacle, denial, scapegoating – through the darkly comedic story of Vernon, falsely accused and prosecuted for the crime. The first person narrator of Vernon is masterfully represented in his fixation on shit and young women, as well as use of diction, phrasing, pace and image that moves past conjuring a character to allow the reader to fully accept and inhabit him (if not identify with – a problem to come to). The narration also does well to explore his complicated feelings around the massacre, the (failure) of adults to take responsibility or engage with grief, his expectations of justice and the justice system and his attempts to reform himself and his relationship with others.

Despite the brilliant narration and the timely thematic questions (what is the role of the press in perpetuating/perpetrating crimes? how does collective culture sublimate grief? how do we understand and make sense of the senseless? what are the effects of poverty on access to justice?) I read this book knowing it was great, but feeling at a remove. If literature is great because (and if) it can allow (or require) the reader to adopt different perspectives, to explore experiences unavailable in lived experience AND because it is masterfully constructed in literary technique, Vernon God Little shines in the latter and wavers in the former.

I should say this book sat on my shelf at work for eleven months before I finally read it. And not because I lacked time or opportunity. I tried reading it twice before. It wasn’t until I’d forgotten my book at home and it was a choice between no novel (a gasp of impossibility) or Vernon God Little that I gave it sufficient time (the 60 minutes of my lunch break) to get invested enough to read the whole thing. It wasn’t a novel that grabbed me. Is it that the first person narrator repulsed me a little? Maybe. (and maybe he’s meant to) It’s not that the experiences in the book are too far removed for me to care about – all kinds of my favourite books are those that I love precisely for their ability to take a seemingly distant experience and make it relevant and poignant for me and to let me see my world and relationship to it differently – it seems more the case that Pierre didn’t do enough to make these foreign experiences connected to this reader. There wasn’t opportunity for empathy, or even sympathy, no chance for identification or care.

So I read the book with a respect for the writing, an understanding that it was an important topic and explored with great literary skill. And yet I found myself unmoved and unchanged in its reading. Uninterested in what becomes of Vernon. Is that a problem of this reader or of the book? You read it and tell me what you think.

Leave a comment

Filed under American literature, Book I'll Forget I Read, British literature, Fiction, Prize Winner