North Woods: Do you believe in ghosts.

It’s an odd time to be Canadian and reading a deeply American novel. Is there such a thing as reading patriotically? Even when you’re someone who feels discomfited by nationalism and patriotism? I suppose there must be if my reading of Daniel Mason’s North Woods is to be believed.

The book itself – held apart from reading it in Ontario in 2025 – is beautifully written. The kind of thing where you admire the writing as art and pause at particularly striking descriptions and are moved.

And then the story – or many stories, I guess – is one of all the lives that pass through a particular patch of forest and a house built there in the New England woods. Each chapter offers a new moment in time and new lives led there (sometimes the decedents of previous owners, sometimes newly ‘discovering’ the house and its forest). While each chapter brings a selection of plot and affect (ambition, murder, betrayal, madness, grief) the thematic question of *what endures* persists both bubbling below the surface and explicitly called up in the form of ghosts, found artefacts, bones and hallucinations.

It’s an American novel for its geography, to be sure, but also for this fascination in legacy and ambition – of conquering and taming the land (though the land has something to say about that) and ownership and triumph. So you can know that going into it and read it alongside whatever feels you may have about that nationalist aspiration.

And you can also read it as an ecological narrative of land and nature having a much, much more expansive sense of time and scale. Where the house crumbles, where the sharp focus of one life that we intimately explore in a chapter is literally and figuratively subsumed under layers of dirt, where the trees persistently enclose and crowd out the human. And while their are moments in reading that this expansive sense of time and natural power reads as (unexpectedly, perhaps) claustrophobic, for the most part this reader found it entirely hopeful. Perhaps its the Unitarian in me that believes in that interconnected web of all living things less troubled by the smallness of one life and more optimistic in the eventual and inevitable dissolution of the one life into the natural whole. Or perhaps this is what the book best offers: you are small, your time is small, and yet all still vivid and worthy.

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Filed under American literature, Fiction, New York Times Notable, Prize Winner

The Club: Driving book

Ellery Lloyd’s The Club is equal parts forgettable murder mystery and entirely engrossing distraction. Very fancy private club for the richest celebrities – there’s blackmail, murder attempts, hidden identities, adoptions gone wrong. All the best things you might hope from a soap opera among the rich and famous. I can’t say the book does much to explore deep themes (maybe you could stretch at something about women’s autonomy or objectification or power), and probably that is fine for what it is. A glossy magazine turned novel. A novel destined to be adapted for HBO. So enjoy it as an audiobook, or on a beach, or on a rainy Saturday morning (while your kids tear your house apart and the book lets you absolutely ignore the chaos: a true gift).

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Filed under Book I'll Forget I Read, Fiction, Mystery

All Fours: I don’t know what to tell you. It’s either very good or I can’t tell because of all 18+ content

My mum was not wrong when she told me Miranda July’s All Fours was ‘very graphic’ and ‘shocking.’ She was kind enough to suggest that someone of my generation might not be as scandalized, but honestly? It was pretty graphic – pushing the bounds of vulgar. I guess to see where the line is between vulgar and beautiful?

And maybe someone of my generation was even more scandalized because boy does it make menopause look like A Ride I Would Rather Not Take.

So backing up: unnamed protagonist heads out on a road trip she doesn’t really want to take because she wants to prove to herself (and her husband and friends) that she is the kind of person who wants to take a road trip. She makes it half an hour outside the city before camping out in a motel for three weeks.

I have to admire her resolve to abandon any pretence with herself. She knows she’s not going to leave the motel – having fallen (in the weirdest possible way) totally in love with this random man, Davey, that she locks eyes with in a gas station parking lot. A series of further weirdness follows including a 20K redecoration of the motel room orchestrated by Davey’s wife. A scene with a tampon that will live forever etched in my mind.

And then suddenly it got pretty boring. She gets back from her road trip and is very sad about no-more Davey, and very sad about getting old and eventually dying, and being in perimenopause, and boy did I lose interest. Not that I was hooked for the vulgarity, but more for the weirdness, the out of place and timeness. And back in LA and in her regular life it was just… not as compelling. And drawn out with the angst.

Anyway, she ends up in a functional open marriage with her genderless child living on the profits of her art, so you know, really leaning in to the typical reader’s experience.

All that said there are some spectacular scenes of dancing. For those of you persuaded dancing is a spiritual activity – and I know there are plenty of you – the novel has some very moving scenes of the connection dance allows. Said by one extremely bad and energetic dancer.

Oh it does have extraordinary good writing.

Should you read it? I don’t know? Maybe? Probably so you can be hip and pretend like you weren’t floored by the scene X Y and Z – all extreme and all intense. Actually that’s a good enough reason – read it because rare to find a book that makes you feel this much, even (especially?) when that feeling is surprise, disgust, desire, lust, shock – all from reading! Books, man. They are something else.

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Filed under Fiction, National Book Award

Listen for the Lie: Such a fun audiobook

If I had read Amy Tinera’s Listen for the Lie instead of listening to it as an audiobook I’m not sure I’d have liked it so much. As it was, the audio version had the podcast-within-the-novel fully narrated with ridiculous podcast theme music and I got utterly absorbed in a novel that was a true-crime podcast that was also a mystery novel. Like look forward to my commute kind of fun.

Oh don’t get me wrong. The book is ridiculous. Lots of clenched jaws and amnesia and cellphones going missing at just the right moment to make the plot plausible and men rescuing women who don’t need rescuing but like it all the same. Very, very silly.

And if you can put aside (as all true crime podcasts ask you to do) that there’s a murder motivating the romp through investigations and red herrings and sordid backstories and *gasp* revelations then you can just have a great little read.

In sum: middling to poor writing, barely any complexity to characters, and an all out absorbing plot especially so when in audio. Cue it up for your next long car trip and you won’t be sorry.

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Filed under Fiction, Mystery