Tag Archives: book-review

Silver Elite: Romantasy for Your Broken Attention Span

If you are concerned that you can no longer read a full book because your attention has been fragmented and blown apart by social media and the internet, you are not alone. The feeling that sitting and slowly absorbing a dense novel might be a kind of torture – or an impossibility akin to a couch to marathon pace – is shared. And you can make arguments about whether long form reading needs to be privileged over something like long form listening or watching (though if my experience is any guide, I don’t bring focused attention to those tasks either – I long form listen while I’m also running or cleaning, and I haven’t watched a full length movie without scrolling at the same time in years). But for me there is something particular about the long, deep read – distinct from audiobooks (and I know some of you will want to fight me on the hierarchy of physical book v audiobook – ‘it’s all a story!’ whatever whatever). Something to the mindfulness that requires (invites? encourages?) doing nothing but reading.

So if that’s a hard(er) experience for you than it used to be let me offer that you are not alone. And that for some, the answer to the challenge of concentration has been romantasy. The portmanteau genre bridging romance and fantasy first came to my attention with Fourth Wing (which I read but can’t find the review) and at the time I thought “this is ridiculous,” and also “I cannot put this down.” Is it the erotica? Maybe. Or the relentless plot pace of Something Is Always About To Happen That Is Very Dramatic? Maybe. It certainly isn’t the quality of the writing or the character development.

The same is absolutely true of Dani Francis’ Silver Elite a sort of hunger games meets fifty shades of grey meets harry potter (in that there are elements of near-children battling while at school while also having explicit sex). Though to my credit (*she said with some defensiveness*) I came to this book through the recommendation of the New York Times and so had some vague sense that it would be #literary and #worthy

If you are okay to free yourself from ideas that reading need be an entirely intellectual exercise – or that you need focused thematic development for something to be good – you might just find true enjoyment in Silver Elite. There’s a bit of work to get oriented to the world building and some gymnastics to sort out the character hierarchy, but once you’re through that it’s just a fun romp through plot and romance. A bodily exercise of enjoyment rather than a brain one.

And the strangest thing will happen. You’ll be standing in line, or waiting between meetings, or finished putting the kids to bed and instead of reaching for your phone to scroll as if there might be an answer to the abyss at the bottom of the feed, you instead want to reach for your book. And you start to read promising yourself just a few pages before you get on to doing X or Y and that beautiful, magical feeling of two hours disappearing happens and you return to this world reminded of what it is to be focused, absorbed and transported.

Now for suggestions for books that do the same without requiring me to blush deeply while reading it in public. Or better still, the things I need to do to finally, at last and fully break my phone addiction. Yes, I’m open to throwing it down a well and never using the internet again.

Leave a comment

Filed under Bestseller, Fiction

Wild Dark Shore: Eco-parenting-elegy

I’m trying to remember the name of the book I reviewed here that was about the near future, climate catastrophe, parenting, and some biblical themes. I really liked it. The bible part is what did it: A Children’s Bible.

Why am I trying to remember that one? Because Charlotte McConaghy’s Wild Dark Shore reminded me of it – similar theme of how to parent amid the climate collapse, of how to not only explain to our children the destruction and loss, but to prepare them for the present and future of suffering and inequality and grief.

Wild Dark Shore manages to keep you reading what might otherwise be too overwhelming an indictment of our inaction and paralysis of the scale of the problem by placing the themes amid a gentle mystery and a (albeit somewhat implausible) romance.

The mystery: a woman washes up on the shores of Shearwater island – a remote island where there is one family who are there to protect Earth’s last seed banks until the seeds can be moved to a safer location (the sea levels are rising, permafrost melting and the seed bank is no longer safe) (if such a location even exists). As she recovers and we learn why she is there, she begins to uncover suspicious things and witness strange behaviours from the family. What, the reader wonders along with her, happened here.

From there plenty of implausible plot points follow – and I enjoyed and liked the book too much to take much issue with them – but there is a host of things that just… didn’t seem likely (at all), but I allowed because the writing was beautiful and, perhaps, because I wanted them to be possible (the romance not the least of them).

But what the book does best (at least, I think) is make palpable the choices that climate catastrophe have forced on those parts of the world already most impacted and will – are – forcing on the privileged like me through the pressing decisions around the seeds, but also – and most evocatively – in the choices about what to do with/for/by our children. What sacrifices ought we have made already or should we be making to the future (and no, this isn’t an argument for effective altruism, more a practical question of what can one generation reasonably do to better the outcomes for the next).

The climactic scene – while perhaps too on the nose and overly layered with Symbol – brings this question to a head and the reader is left mourning not just the particular loss for the family, but through this synecdoche our greater loss as a planet.

Anyway. It’s not a perfect book by any stretch, but it will make you feel something about our planet and our connection to it – and that is no small feat.

Leave a comment

Filed under Fiction

The Wedding People: What fun.

Alison Espach set my vacation off to the best possible reading start with The Wedding People. Such a good start, in fact, that I found myself unable to really get going with book number two because it wasn’t the same great romp. So promise me if you have a plane ride, a long weekend, a sick-day where you are well enough to read a novel but not nearly well enough to work on a report you’ll grab this one.

Oh sure, it’s not brilliantly written (though it is not at all badly written), and it oozes with privilege (despite the nod to the adjunct salary and the lack of benefits that come with being an adjunct it is still very much a book that derives some of the joy of reading from the opportunity to read about how rich people throw a wedding), but if you can – if you can – park these critiques and settle in for the rom-com ride you shall not be disappointed.

What the book does best – amid the laugh out loud funny moments of dialogue and situational humour – is remind the reader that where happiness and love come from (first and always) is within and not (as so many rom-coms promise) from the perfect other person. It’s not an overly complex idea or nuanced theme, but the book presents it carefully and warmly in ways that let the reader knowingly agree in a way that doesn’t feel like reading a motivational poster in a home decor shop – live! laugh! love! – but instead like several years of therapy: ah, yes, love comes from within. Which is to say, it’s an explicit theme (like I think our protagonist, Phoebe, says it directly at one point lol) but it’s not hammered and, more importantly, we feel like Phoebe earns the revelation through actual character development and introspection.

So enjoy, enjoy.

Leave a comment

Filed under Bestseller, Book Club, Fiction

The Burgess Boys: If You Don’t Like Elizabeth Strout I Don’t Want To Hear About It

For years if someone liked a food I found disgusting I’d explain to them why they were wrong and how whatever it was was gross. Turns out this is neither a polite, nor particularly well received exchange. You’re meant to just say ‘oh’ and privately think the other person is wrong and their food choices disgusting. Is it different for book (and movies and TV)? Probably it’s meant to be the same. But my face clearly outwardly flinches when someone tells me how much they enjoyed a book that is objectively bad . (And this from the reader who unashamedly told her boss about the glories of Fourth Wing.)

All this to say I love Elizabeth Strout and at the park the other night was explaining to some other parent (who, to be fair, definitely didn’t care about the book I was reading and definitely didn’t want to be listening to me *at length* describing how great it is, but was trapped both by my enthusiasm and No Clear Exit) and she told me she just didn’t care for Olive Kitteridge. The moment was worse – surely worse – then some partisan political exchange. I looked at her with utter disbelief. What is wrong with this woman, I thought, and thankfully didn’t say. But surely my face and eyes did because I am me and I cannot control my face.

All this to say. I loved The Burgess Boys as I have loved everything else Elizabeth Strout and I do not want to hear about it if you didn’t.

I’ve said before that books find me (all of us) at odd times. Or maybe we read into them whatever it is we need in that time. With The Burgess Boys when the young nephew of Bob Burgess is arrested and detained for throwing a pig’s head into a mosque, and then is surprised by the scale of reaction and consequence and the rest of the book follows how this one decision reverberates through a family I thought ah. Ah.

Which is all to say had I read it another time, or in different circumstances, I might have been struck instead by the way Bob’s entire sense of identity is shifted by his brother Jim’s revelation about the death of their father. Or the thread of the novel that is about how we make our own stories and that these stories are all that matter (not any fact you might claim as such). Or the thread of a marriage betrayal. Or that of discovering love when you aren’t expecting it. Or of the gap between celebrity and individual experience. Or.

But we find in great novels what we need in the moment we read them. And in this Strout novel I found consolation, and beauty, and the reminder that whatever we are in – it is already changing. And that these, the stories we tell of ourselves, our mistakes, our worst moments – are ours to make.

Leave a comment

Filed under American literature, Fiction, Prize Winner