Tag Archives: book-reviews

The Ministry of Time: Such a great premise and yet

Kaliane Bradley’s Ministry of Time promises to be such a great read from the plot description. It’s the near future and things are Not Good politically or environmentally, but Britain has discovered time travel. The appointed Ministry of Time is responsible for bringing back a sampling of historical figures as an experiment to see how they handle the journey through time (like does it destroy their bodies or minds?). Each figure is assigned a ‘bridge’ – a contemporary person who will be their translator for the present and who will live with them for the year helping them understand all the intervening years and discoveries since their historical time (as well as their own sense of self and identity displaced by centuries). Our protagonist is one such bridge, paired with a British naval officer from the lost Franklin expedition. Their romance is at once inevitable and a slow burn.

There are attempts to make the book political – with nods to contemporary crises of refugees, climate wars and deteriorating democracy. But most of this gets lost in the weave of trying to literally understand what is happening in the plot of the novel where the story gets muddled with explanation of time travel (or failed explanations), too much cloak and dagger spy missions where the reader is (I guess) meant to understand in the limited narration way of our protagonist but is – at least I was – just confused about what is going on and why. It culminates in a climax where I remain entirely unsure what happened in terms of basic plot points, nevermind if it was a satisfying ending for the affective threads that had been – at least at first – so carefully stitched.

So sure – if you happen to be very focused and willing to take notes and maybe to just give up on the idea that there’s understandable world building to be had then maybe it’s enjoyable? At the very least it’s an enjoyable first 70 pages as you’re absorbed in the novelty of the plot. And then it’s just… not.

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Filed under Book I'll Forget I Read, Fiction, Worst Books

North Woods: Do you believe in ghosts.

It’s an odd time to be Canadian and reading a deeply American novel. Is there such a thing as reading patriotically? Even when you’re someone who feels discomfited by nationalism and patriotism? I suppose there must be if my reading of Daniel Mason’s North Woods is to be believed.

The book itself – held apart from reading it in Ontario in 2025 – is beautifully written. The kind of thing where you admire the writing as art and pause at particularly striking descriptions and are moved.

And then the story – or many stories, I guess – is one of all the lives that pass through a particular patch of forest and a house built there in the New England woods. Each chapter offers a new moment in time and new lives led there (sometimes the decedents of previous owners, sometimes newly ‘discovering’ the house and its forest). While each chapter brings a selection of plot and affect (ambition, murder, betrayal, madness, grief) the thematic question of *what endures* persists both bubbling below the surface and explicitly called up in the form of ghosts, found artefacts, bones and hallucinations.

It’s an American novel for its geography, to be sure, but also for this fascination in legacy and ambition – of conquering and taming the land (though the land has something to say about that) and ownership and triumph. So you can know that going into it and read it alongside whatever feels you may have about that nationalist aspiration.

And you can also read it as an ecological narrative of land and nature having a much, much more expansive sense of time and scale. Where the house crumbles, where the sharp focus of one life that we intimately explore in a chapter is literally and figuratively subsumed under layers of dirt, where the trees persistently enclose and crowd out the human. And while their are moments in reading that this expansive sense of time and natural power reads as (unexpectedly, perhaps) claustrophobic, for the most part this reader found it entirely hopeful. Perhaps its the Unitarian in me that believes in that interconnected web of all living things less troubled by the smallness of one life and more optimistic in the eventual and inevitable dissolution of the one life into the natural whole. Or perhaps this is what the book best offers: you are small, your time is small, and yet all still vivid and worthy.

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Filed under American literature, Fiction, New York Times Notable, Prize Winner

The Rachel Incident: Friendship (and bodies)

I’ve never been a casual friend. Ask them and they’ll tell you I am a friend of intensity. If you are wondering what a friend of intensity is, I recommend you to Caroline O’Donoghue’s The Rachel Incident where you’ll follow Rachel and James (and then another James) through a period of Great Friendship Intensity. When Rachel and James meet it isn’t immediately obvious they will be lifelong friends, but then it happens they live together and the interweaving of lives takes over.

I think the heart of this book wants to be about reproductive rights (in Ireland, or wherever, maybe), power in relationships, secrecy and sexual identity, and bodies. But while the thematic heart might want to be that – maybe to be Big and Important – I think in the end this is a book about friendship. About how friendships may form through routine and proximity, but are made lasting through crisis or vulnerability or revelation. That you can maintain a not-so-intense friendship for decades just by playing on the same trivia team, but all it takes is one night of heart opening to make the person BFF (and yes, I’m aware this is the argument Brene Brown and her adherents are forever reminding me). Of course in The Rachel Incident this theory is tested by betrayal, by distance, by loss – and continues to make the argument that when you know someone and let yourself be known, these can all be overcome.

In the end it’s not a book that really sticks with me, and I didn’t find myself much moved by any of it, but it did remind me of all my forever friends and how they came to be that through the outrageous courage of saying here I am as all of me. Or sometimes through my relentless refusal to leave them alone. Perhaps there could be a rewrite of this one where vulnerability is replaced with persistence. Either way – it’s a gentle, light and engaging read, if not entirely memorable.

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Filed under Book I'll Forget I Read, Fiction

Tell Me Everything: Elizabeth Strout is Not a Unitarian. But could be.

I’ve told so many people recently to read Elizabeth Strout’s Tell Me Everything and I’m desperately anxious that other people won’t love it as much as I did, so if you hated it, or even felt kind of ambivalent about it, just let’s pretend neither of us read it and never talk about it together.

In the universe of Olive Kitteridge and Lucy Barton this one is a close look at Bob Burgess who cannot see himself clearly. A book about Bob, but a book about how every life – those we know and more those we don’t – has a story (and in that story, matters). And how we try to figure out what a life means (in one heartbreaking and also sideways funny scene Lucy asks Bob exactly that – what does it mean) even when this is a question as pointless as it is pressing.

How Bob saves and doesn’t save – and eats the sins – of all those around him. How he sacrifices what he barely realizes he wants in aid of those around him, knowing, somehow the right thing to do quickly and with exhaustion.

The writing, as always, is this hard-to-explain balance of direct – telling you exactly what a character is thinking, or meaning, or what a thematic moment is “about” – and the evocative – letting a gesture carry the weight of all the possible explanations: Lucy wears odd socks. LUCY WEARS ODD SOCKS.

Take Bob’s wife, Margaret, the Unitarian minister, who only in nearly losing her job realizes the humility with which she must approach the pulpit. And in nearly losing Bob realizes what he needs of her as partner. I loved Margaret for her fullness (all of the characters in these books are full) and the scene that describes her nightgown – which may be the same scene or one adjacent where Bob speculates she is a narcissist – that does this brilliant work of both telling us exactly what is happening and lets it unfold in the scene itself.

(So many Unitarian threads beyond Margaret (meaning in community; community to support individual journey; life is meaningful for the impact we have on others; etc etc and on) I just googled whether Strout is a Unitarian: she is not.)

I’m not sure whether to tell you to start with this one if you’ve not read Strout before, but maybe it doesn’t matter – grab any one of the books and enjoy a universe where the small moments are worthy and your story is, too.

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Filed under American literature, Fiction, Prize Winner