Tag Archives: gender

Curiosities: Delightful

So you have to trust me that it’s worth getting into Anne Flemming’s Curiosities. You’re going to start it and think ‘this reading old english-style spelling is too annoying’ or ‘the narrator as archivist is a bit of a gimmick’ but then! It’s going to be so great. You’ll get to romp through the plague, and arctic exploration/starvation, and witch trials, and romance – and you’re going to be rewarded with a fantastic love story OR WAIT fantastic love stories that offer the wide range of ways people love and are loved.

Past-Erin who geeked out endlessly historical fiction surfaced throughout reading Curiosities imagining what a fun addition this could be to any seminar on the genre for its playful engagement with the making of history. Read in that genre it does the usual work of acknowledging the limits of the historical record, the ways we have to interpret scraps to piece together a full picture, the way perspective of the writer limits what and how something is told (and who gets full voice).

Celebrated among reviewers for its exploration of sexual and gender identity, I found this part of the book a welcome inclusion but as a background to other questions about care, community, and – yes- curiosity.

So please – put aside your initial irritation at having to Really Focus on the reading (cough, clearly some self-reflection here) and enjoy.

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Filed under Book Club, Canadian Literature, Fiction, Giller prize, Governor Generals, Historical Fiction, Prize Winner

That Summer: When the bathtub is the beach

If beach reads are those you tote with you to the beach (though let’s be clear, my beach days are all toting toddlers, and why is it ‘tote’ for the beach – like you never just carry something from your car to the sand, it has to be ‘toted’ I DIGRESS) what is the name for books you read in the dead of winter? For me it would be deep-bathtub-to-soak-the-cold-from-my-bones reads. I have this memory of reading The Kindly Ones almost exclusively in the bath in the winter of 2010 – memorable because it was close to 1000 pages and my bath was then (and now) Not Big – and probably because reading it was a purposeful diversion from the thesis writing I was meant to be doing.

[spoilers and sexual violence]

Now the diversion is from equally existential threats – will my floor ever not be covered in yogurt? (ha ha – we all know the threats are… much more substantive, but really, the menace of yogurt) – and the desire to sink in to anything else is high. And it’s So Cold. So we find ourselves with our bathtub read: That Summer by Jennifer Weiner – famous for beach reads. And it is one you can sink into with little effort and find yourself immersed (how far can I take this) in a decently plotted and reasonably thoughtful consideration of the long, irrevocable change wrought by a rape.

It follows Daisy and Diana and how their lives cross and the ways single events ricochet throughout the rest of their lives. It purposefully explores the privilege of class and gender – most clearly the threat of violence that underwrites too many sexual experiences and explicitly grapples with how #metoo upturned what many women took for granted as the way things were and had to be, and the safety of some men in imagining they could carry on being and doing horrendous things.

All while offering lush descriptions of Cape Code and picturesque cottages with bleached wood frames and outdoor showers. And too many descriptions of a pan fried steak. (for the record: one description of a pan fried steak is too many).

Where it doesn’t attempt any commentary and just takes for granted the assumed is in the whiteness of the book. And maybe that is fine, no book has to be all things or do all things. It just read as remarkably… focused on the particular threat for young white women running along a beach. Maybe more perplexing given the effort in the book to see the woman reading it – frustrated with a partner, irritated by a tween, struggling with Purpose and Meaning – and to myopically miss the possibility of additional complexity.

Anyway – probably all beach reads are marketed to rich white women (anyone written a Masters thesis on that?). But yes, this particular rich white woman needs another thing to read in the bath, so send me your suggestions.

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Fleishman is in Trouble: Super. Funny. Smart. And other adjectives.

Since Emily Bazelon first suggested reading Fleishman is in Trouble on the Slate Political Gabfest (one of my favourite podcasts ever), I have been excited to read it. I both like Emily and the general premise: divorce unfolds and man learns about emotional labour. Explaining emotional labour is emotional labour, so I’ll just let you read about it if you’re not super familiar. Continue reading

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Filed under Bestseller, Fiction, Prize Winner

Pachinko: What Kale is to Reading

So remember when kale was like a Big Deal and it was in your cereal and your smoothies and your muffins and you were like ‘stop talking about kale!  I don’t like it!’ (Or if you’re my mum, you were like ‘Kale?! I don’t even eat lettuce!’)? That’s how I felt about Pachinko. I was like, stop recommending this book to me, world. I get that it’s ‘good’ and ‘great’ and ‘life changing’ but it just looks dull and maybe over-hyped and probably there’s no way it can be anything other than a little chewy.

This is where the analogy falls apart. Because kale really is over-hyped and  (as M. would observe) doesn’t need to be in anything because it’s really not that good. Min Jin Lee’s Pachinko, on the other hand, is worth every single page of its  400+ brilliance (when did  page count start to matter? In a meeting recently debating how many pages young people are willing/able to read (and our book club has the same talk) and I wanted to have a stomp and yell, because a novel should be exactly as long as it needs to be, and if it’s too long it’s too long because it didn’t need to be that long. I probably felt differently reading Infinite Jest but I DIGRESS).

Right, so Pachinko has the feel of a book that you’re going to read  because it’s ‘important’ and ‘recommended’ (aka: full of brain vitamins) but then… it’s just… great. Like as a story you want to read and not put down. While also – and incidentally! that part is important! –  being  good for your literary life because it’s so well crafted. And in my case good  for my political/historical life because I didn’t know *anything* about the history of  Koreans in  Japan, which… is what the book is about.

Reluctant to tell you the broad strokes of the plot because  you’re likely to be like… Kale. Boring. And it’s not! Anyway, it’s about a few generations of this Korean family living in/being Japanese, but not being Japanese because of bananas rules about Koreans-in-Japan and citizenship. Opening just before WWII we follow threads of gender, class, citizenship and nationality, along  with all sorts of ideas of identity/belonging/passing and family. All layered around romance. Oh and  religion! It really does have it all (haven’t you heard? Kale also makes your farts smell good).

So yeah. Be a better person and read  Pachinko. And I promise this won’t be like interval training or CBD or coconut water [insert other ridiculous fad]. This one be the real deal.

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Filed under Fiction, New York Times Notable, Prize Winner