Tag Archives: music

Long Dark River

Liz Moore’s Long Dark River starts out with such promise. It opens with a captivating premise and mystery. Two sisters (Mickey and Kasey) – one a police officer and one an opioid addict working and living the same streets. Kasey goes missing, there is a serial killer on the loose, and Mickey tries to find Kasey to keep her safe (or at least that’s what we think at the start).

And this plot carries us for the first half of the book and it is wrenching to hold the two parallel lives at once in our minds (what when wrong? how did the sisters end up estranged?). At some points Mickey forces the question of what did Kasey do wrong to end up living the life she is living and not the moral one that Mickey does – and I find this point irritating, for nothing about addiction suggests choice and in the framing of the question there is (at least at first) the idea that there is some kind of moral failing on Kasey’s part. Later in the book this question is – really far too patly and again with some kind of pinning of individual blame – explained in that their mother was in the throws of her own addiction when she was pregnant with Kasey, and so Kasey was born addicted herself. The whole thing makes it as though opioid addiction is an individual failing made by individual choice. And if there’s one thing we took from the utterly brilliant Demon Copperhead it is that this mess is not the fault of the individual user.

I digress. So halfway through when some of the questions about Kasey are resolved, the book turns – instead of to a conclusion that might be complex and nuanced about the sisters and their relationship (which is, I think, what the book is best about) to instead solving the murder mystery element. Like we care who the serial killer is? I guess we’re supposed to care who the serial killer is. And so we have to work our way through the plot structure of a Law and Order episode to chase some red herrings and eventually find the killer. It was all just so bizarrely beside the point to (what this reader saw as) the heart of the story: the relationship between Kasey and Mickey.

So I’m not sure I’d recommend it. I mean I did recommend it to a bunch of people (sorry M.) when I first started reading it because I was so taken with the family dynamic and some of the writing is Not Bad. But by the end I was sort of embarrassed to have suggested it because it becomes some other kind of book. Maybe if you go into it expecting that turn you’ll enjoy it the whole way through. You let me know.

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Filed under Bestseller, Fiction, Mystery

White Tears: And then suddenly there are ghosts

Hari Kunzru’s White Tears starts out as a conventional realist novel. Uber rich Carter and scholarship kid Seth meet up in college and bond over a love of music and sound. Together they make music, buy records and come of age. Seth, our narrator, loves Carter both for the person he is and for the world he invites him in to: one where making and accessing music is possible because budget doesn’t (seem) to matter. At this point the reader thinks the book is about male friendship, income inequality and coming of age as Gen Z. A lot of spoilers follow. Continue reading

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Filed under Fiction, Prize Winner

Bel Canto: I may be tone deaf, but I know good writing.

The only thing I remember from first year English is a lecture that argued that all creative writing (whether poetry or prose) is about the urge by authors to create something which will outlast them. That every poem or story is, in the end, a valiant gesture toward immortality. And that readers should read with an eye to the way the author intentionally and accidentally imbues their work with this impulse; that is, that the discerning reader will always be able to find evidence of the author’s vanity, of their arrogance in thinking their work will endure. At the time I found the argument moving and persuasive. Since then I think back on it more as an example of excellent teaching, it was a well paced lecture with convincing examples and analysis. Which isn’t to say I now thinking writing isn’t about immortality, just that I haven’t had cause to declare an allegiance in the great What is Writing For debate of humanity.  Continue reading

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Filed under American literature, Fiction, Orange Prize

A Brief History Of Seven Killings: In which I quit reading the book

I didn’t finish Marlon James’ A Brief History of Seven Killings. I read enough of it that I’m okay writing a review, but if you find my incomplete reading problematic by all means – skip the review. (and I’m sorry M. though maybe you want to quit, too?)

So why did I stop? Continue reading

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Filed under Book I'll Forget I Read, Prize Winner