Category Archives: Fiction

Curiosities: Delightful

So you have to trust me that it’s worth getting into Anne Flemming’s Curiosities. You’re going to start it and think ‘this reading old english-style spelling is too annoying’ or ‘the narrator as archivist is a bit of a gimmick’ but then! It’s going to be so great. You’ll get to romp through the plague, and arctic exploration/starvation, and witch trials, and romance – and you’re going to be rewarded with a fantastic love story OR WAIT fantastic love stories that offer the wide range of ways people love and are loved.

Past-Erin who geeked out endlessly historical fiction surfaced throughout reading Curiosities imagining what a fun addition this could be to any seminar on the genre for its playful engagement with the making of history. Read in that genre it does the usual work of acknowledging the limits of the historical record, the ways we have to interpret scraps to piece together a full picture, the way perspective of the writer limits what and how something is told (and who gets full voice).

Celebrated among reviewers for its exploration of sexual and gender identity, I found this part of the book a welcome inclusion but as a background to other questions about care, community, and – yes- curiosity.

So please – put aside your initial irritation at having to Really Focus on the reading (cough, clearly some self-reflection here) and enjoy.

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Filed under Book Club, Canadian Literature, Fiction, Giller prize, Governor Generals, Historical Fiction, Prize Winner

Dream State: Strong start and then

I made a mistake in telling a few friends to read Eric Puchner’s Dream State when I was only a third of the way in. It’s such a strong start – evocative writing, a pulling theme (how does one major decision or one major event shape the rest of your life?), interesting characters. Set amid the present and near future of climate catastrophe to make the aging of the characters over the course of the novel vivid against what can feel in our incremental experience of time unnoticed in the sharp changes for the reader between decades for a glacier or a lake or an endangered species.

And it’s not like the writing changed – the scene on the mountain with Elias is haunting and beautiful – it’s more I lost conviction that I knew why any of the characters were making any of their decisions. I suspect it’s a form thing – with the big jumps in time (with the exception of one incredible passage where the two children age together over summers over the course of the passage and the reader feels the slipperiness of time in the verb tenses and the dialogue) happen between chapters the reader is given snapshot moments to make sense of Big character decisions, and honestly, so much happens ‘off stage’ that it’s hard to believe the impact of those decisions on the characters and how they behave next. We have to take it on the faith of third person narration that yes, indeed, Garret and Cece still love on another because that’s what a long marriage means? I guess?

So sorry to M. and K. for forcefully recommending this one before reaching the end. If you haven’t yet started it, I’d say it would be a fine beach read, but not something I’d interrupt a year of comic book reading to go out and get.

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Filed under American literature, Book I'll Forget I Read, Fiction

Hotline: A call to listen.

Dimitri Nasrallah’s Hotline does so much in a compact form. Following Muna Heddad after she immigrates with her young son to Montreal from Lebanon in the late 80s, we experience with her the frustration of not being able to find work in the field she is trained (and was promised would be of value to her immigration application) as a french teacher, the brutality of banal racism (there’s a scene with her son’s teacher that staggers) and the entirely empathetic feeling of being a mom and being sure what you are doing is not enough for your kid.

The stories she relays from working in the weight loss call center are tremendous. As much as they are also a vivid example of the kind of empathy the novel argues for: listen to people. Listen to what they’re saying and pretend for a minute that you care about their lives and imagine how what is happening in their lives might be shaping what is or isn’t possible for them to do. And, of course, what the novel is itself an exercise in – a story of a woman who repeatedly points out how white people ignore her, don’t see her, don’t listen to her. So read the book and listen to the story.

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Filed under Canadian Literature, Fiction

Wild Dark Shore: Eco-parenting-elegy

I’m trying to remember the name of the book I reviewed here that was about the near future, climate catastrophe, parenting, and some biblical themes. I really liked it. The bible part is what did it: A Children’s Bible.

Why am I trying to remember that one? Because Charlotte McConaghy’s Wild Dark Shore reminded me of it – similar theme of how to parent amid the climate collapse, of how to not only explain to our children the destruction and loss, but to prepare them for the present and future of suffering and inequality and grief.

Wild Dark Shore manages to keep you reading what might otherwise be too overwhelming an indictment of our inaction and paralysis of the scale of the problem by placing the themes amid a gentle mystery and a (albeit somewhat implausible) romance.

The mystery: a woman washes up on the shores of Shearwater island – a remote island where there is one family who are there to protect Earth’s last seed banks until the seeds can be moved to a safer location (the sea levels are rising, permafrost melting and the seed bank is no longer safe) (if such a location even exists). As she recovers and we learn why she is there, she begins to uncover suspicious things and witness strange behaviours from the family. What, the reader wonders along with her, happened here.

From there plenty of implausible plot points follow – and I enjoyed and liked the book too much to take much issue with them – but there is a host of things that just… didn’t seem likely (at all), but I allowed because the writing was beautiful and, perhaps, because I wanted them to be possible (the romance not the least of them).

But what the book does best (at least, I think) is make palpable the choices that climate catastrophe have forced on those parts of the world already most impacted and will – are – forcing on the privileged like me through the pressing decisions around the seeds, but also – and most evocatively – in the choices about what to do with/for/by our children. What sacrifices ought we have made already or should we be making to the future (and no, this isn’t an argument for effective altruism, more a practical question of what can one generation reasonably do to better the outcomes for the next).

The climactic scene – while perhaps too on the nose and overly layered with Symbol – brings this question to a head and the reader is left mourning not just the particular loss for the family, but through this synecdoche our greater loss as a planet.

Anyway. It’s not a perfect book by any stretch, but it will make you feel something about our planet and our connection to it – and that is no small feat.

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Filed under Fiction