Category Archives: Fiction

The Only Cafe: Confusing, but (maybe) good (And more missing parents)

What’s with all the novels about dead/missing parents? Linden MacIntyre’s latest novel, The Only Cafe, adds to the recent spate of missing-parent novels I’ve read (see Manhattan Beach and Last Snow, First Light). I’m sure there’s a Master’s thesis to be had examining the relationship between the search for absent parents and our current cultural/political moment which we might imagine as one of absent political authority and a desperate search to understand where and how this authority has been abdicated… Continue reading

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Filed under Canadian Literature, Fiction, Mystery, Prize Winner

Cat’s Eye: Margaret Atwood, #metoo, feminist-not-feminist-bad-feminist, and… a 1988 novel

Margaret Atwood is (back) in the news. With the adaptation for television of The Handmaid’s Tale (1985) and Alias Grace (1996), readers are returning to these earlier works in droves, with both novels (once again) atop the bestseller lists in Canada and the United States. With the renewed interest in these publications comes the reminder-of-what-we-always-knew (or thought we knew) about Atwood and feminism: she’s never been all that keen to call herself a feminist (see this great explainer from vox). She’s more interested in the women-are-‘human’-and-we-should-all-like-to-be-human approach to feminism. (She and JT probably both liked the recent ‘peoplekind‘ flap). Continue reading

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Big Little Lies: If You Love Your InstantPot…

I was never very good at navigating school yard politics. In fact, I was so bad at being popular (better put – I was aces at being unpopular) that I took to volunteering in the kindergarten room because it meant I wouldn’t have to go outside and could, instead, wash paint cups. To this day when I go for a walk around the time that school lets out and I see all the parents there to pick up their kids – huddled in groups and sipping from travel mugs while wearing more of their kids – I get nervous. I’m convinced before they see me – on my benign, unrelated walk – that they won’t like me. No doubt, I have issues with cliques and playgrounds.* Continue reading

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Brother: You don’t win prizes for bad writing. (Most of the time)

David Chariandry’s Brother follows two brothers – Michael and Francis – and their experiences growing up in Toronto as young, black men. The story weaves two time lines: the present in which Michael and his mother grieve the death of Francis, and the years and then weeks leading up to his death. The effect of the woven time is to have the reader at once certain of the outcome and effect, and unsure about the cause. That’s not true. The cause of Francis’s death is as much about context and systematic racism (through education, housing, transit and policing) as it is about the single act that kills him. The reader feels certain – well before knowing what exactly killed him – that if Francis was born white he wouldn’t have died.

It’s an exquisitely written novel. Quotidian scenes speak for whole years; individual examples gesture to shared experiences. With precise language and sharp detail, the writing evokes setting and atmosphere without straying into distracting description or belabored scene-setting.

While it is a novel principally interested in masculinity, in its characterization of their mother the story proves capacious in its exploration of the intersection of gender and class and race.

I’ve made it sound like a bleak read. And in some ways it is, and that’s a good reason to read it, too. But through the distress and grief and anger there are also scenes and moments of connection, community and great care. And other alliterative ‘c’ words. Not that a story needs to balance sadness with hope. Just that this novel does. And I hope you read it.

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Filed under Canadian Literature, Fiction, Giller prize, Prize Winner