Tag Archives: boring

Playground: Meh?

I don’t know. Richard Power’s Playground is a book I *should like. It’s an interweaving of different characters that all converge at the end. It has (some) good writing (a lot of it, though, is over written and exhausting). There’s interesting (?) questions about the nature of humanity – how we might or might not be distinct from animals or machines. Certainly compelling questions about friendship and how our friends can define our lives.

But ultimately I’m here to report it’s pretty boring. End of the day, bottom line, if I had to read another description of a coral reef or game of Go I think I’d have hurled the book across the room.

Do we care that there’s an AI character? And that I am someone who is (ostensibly) interested in AI? Not really.

What about an intrepid woman scientist who explores the oceans trailblazing for other women (while suppressing her sexuality – there can only be So Much Trailblazing)? I guess that’s interesting enough, but somehow it reads as.. not very.

I don’t know. Maybe it’s my mood – it’s hot and I wish the air conditioning was on. Perhaps if you were to read this book in the winter it might be a different experience.

You tell me – have any of you enjoyed this one? What am I missing.

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Filed under Book I'll Forget I Read, Fiction, Prize Winner

The Bright Sword: It’s No Mists of Avalon

I probably read The Mists of Avalon 26 times when I was a teenager. Between it and Gone With the Wind its hard to say which I read more, but in both I found something of the epic (and the romance). (While I haven’t tried to reread The Mists of Avalon, I did attempt to read GWTW again in my twenties and was aghast at the racism and had to stop. A post for another time is the particular feeling of re-reading a book from childhood only to discover you have so changed).

So when I saw the description of Lev Grossman’s The Bright Sword as an epic to rival that of The Mists, I eagerly picked it up – undaunted or swayed by the mighty thousand pages. And I did enjoy the first 700 enough that I kept going. But eventually the slog got me. The epic quest too much for this failed knight. The weight of the journey too much to bear. Etc repeat.

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The Female Persuasion: You can be a feminist and still hate this book. I hope.

Meg Wolitzer’s The Female Persuasion is a hot book of this summer. It’s getting all kinds of press, and hits on all the right issues to get people reading: Trump, feminism, Trump, millennials, Trump, feminism. And it does a few things that make it worth talking about, but it is generally bloated and boring and an unapologetic ode to white, middle class feminism (#notthatthere’sanythingwrongwiththat).

Our protagonist, Greer, is an up and coming millennial in search of her “outdoor voice” (I cannot even begin with the over used ‘metaphor’ in this book of the outdoor voice. There are chapters titled ‘outdoor voice’ in case you missed the point that This Is A Woman Claiming Her Right to Speak and Be Heard). She meets famous second wave feminist Faith Frank and believes Faith – her mentor! her vision of power! her inspiration! – can provide her life with direction and meaning. Faith, on the other hand, is busy making compromises and doing what needs doing in order to advance equality for women. She’s a stalwart of the old guard, and also an embodiment of the limitations of idealistic politics. Which come on. Let’s be clear with one another: compromises will be made. Need to be made.

Then there’s Cory and his relationship with Greer, and his mother, and his brother. And the sort of man we want feminist men to be. And the queer best friend who takes her time finding herself, but ultimately does because she’s true to her values and has an inner core of resilience we can only hope to emulate after years of therapy. And the mega rich philanthropist who tries to redeem himself by throwing money at the problem of inequality (without *cough* actually giving up any of his privilege).

There’s enough there that it should be good. I mean it’s all Zeitgeist all the time. And yet. And yet. It’s just so… boring. I found Greer insufferable. I mean I GET IT. You need to learn to speak up for your own ideas. You need to find your way. Bleh bleh bleh. I don’t know. It’s probably me and the circles I travel in, but no one is spitting their drink across the table when I let slip that I’m a feminist. And the millennials I know (fine fine, I’m a millennial, though C. would point out that I’m not a *real* millennial because I was born in ’84 and so am on the cusp and besides I have a proper middle class job and can barely use my smartphone and I loathe collaboration) are mad and should be that they can’t find permanent jobs, or buy houses, or pay for childcare (oh wait, none of these issues come up for Greer – her issues are all about whether her fancy pants job provides *enough* life satisfaction).

Uhh.. that wasn’t my point. Coming round to it now. The book also takes aim – through the guise of ‘cutting edge blogs’ – at the feminists who aren’t progressive or radical enough, aren’t keeping up with the times. There’s a sort of half-hearted apology for not keeping pace with changes within feminism, and then a return to the resolution of plodding forward on the same path. I’m not hip enough to feminist currents. What I do know is this: I’m a feminist and I did not like this book. But more importantly, I think, I’m a reader and I did not like this book. It’s politics didn’t bother me, what bothered me was the cement-drying-paced plot, the absence of real character development, and the reliance on Hip to the Moment politics for making a splash.

So if you’re assembling your summer reading list, let me urge you to pass on this one. Or not. Your novels, your choice.

 

 

 

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Filed under Bestseller, Book I'll Forget I Read, Fiction

Outline: Sometimes you have to be bored by a novel

People seem excited about Rachel Cusk’s Outline because it’s some sort of experiment in form and characterization: the ‘novel’ follows a writer/writing instructor while she is in Greece teaching a writing seminar.  The novel narrates her conversations with those she encounters – from airplane seat mates to long time friends – over the course of her trip. There is something to be said for the way her character is revealed in relief – what she doesn’t say, how she lets the conversation be focused on the other person, by the questions she asks and the settings in which these conversations unfold (e.g. on a boat with a person she met on the plan the day before).  Continue reading

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Filed under Bestseller, Fiction, New York Times Notable