People seem excited about Rachel Cusk’s Outline because it’s some sort of experiment in form and characterization: the ‘novel’ follows a writer/writing instructor while she is in Greece teaching a writing seminar. The novel narrates her conversations with those she encounters – from airplane seat mates to long time friends – over the course of her trip. There is something to be said for the way her character is revealed in relief – what she doesn’t say, how she lets the conversation be focused on the other person, by the questions she asks and the settings in which these conversations unfold (e.g. on a boat with a person she met on the plan the day before). Continue reading
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