Tag Archives: comedy

The Library at Mount Char: 3 Life Lessons from Attending a Public Sci-Fi Book Club (and then an actual book review)

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  1. You think you know the kind of people who attend an open-invitation Sci-Fi/Fantasy book club because you have ideas about the kind of people who a) read Sci-Fi/Fantasy and b) attend open-invitation book clubs. Your ideas are not charitable. And they have – for some reason – not expanded to include yourself (even though you are attending said club). Like most occasions when you confront your assumptions (about anything) you discover that there is much more variety involved and far fewer references to LoTR (though there is one).
  2. Your belief that you can power-read* a novel (in under a day) (the way you did in undergrad) is as steadfast – and as erroneous – as your belief that you can still drink the whole bottle of wine and not get a hangover. You learn that you are older than you once were, and older than you imagine yourself to be.
  3.  Open-invitation book clubs include 500% less conversation about pregnancy, childbirth and baby-rearing than all your other book clubs combined. Which is to say: none. Unless these conversations are relevant to the book. You realize these baby-less spaces are precious and that – right now in your life – you need them.**

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Filed under Fiction, Mystery

Heroes of the Frontier: Preview of Dave Eggers’ New Novel (That should have been a short story; Or scrapped)

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I am a Dave Eggers completist. I think because I really, really loved A Heartbreaking Work of Staggering Genius I keep reading everything he writes hoping to recapture the joy of that first read (why did I love AHWOSG so much? Probably because it was the first thing I’d read like it. A like every first encounter aren’t we all always trying to get back to recapture that moment of intoxicating newness?).

But with Heroes of the Frontier the fierce loyalty of fresh love has faded to embarrassment to be (seen as) still attached to the overly confident novel, unaware of its lackluster performance and reliant on the coattails of previous success. But I want to love Eggers, and so I read for kernels to warrant continued affection: Eggers writes good comedy. Josie, a former-dentist, has quasi-kidnapped her children and taken them into the wilds of Alaska so that she can find meaning. Some funny scenes ensue. Some smart writing.

But given the sole source of conflict in the novel is Josie’s uncertainty about whether her life has, or could have, or ever had, meaning (and whether children might be what we all pin our hopes on for meaning, but find never live up to those expectations), Eggers has a challenge in maintaining interest. There’s only so much hand wringing, soul searching while drinking wine and staring at the stars that one reader can tolerate. (Especially when it’s a reprieve, almost entirely, of the hand wringing of Your Fathers, Where Are They?) Which is to say the psychological conflict and drama doesn’t have enough complexity or resonance to do much but bore. Loathe as I am to suggest that short stories might have any merit at all, I have to say I think this 300 page beast of different campsites and highway driving could be suitably pared down to a couple of nights in a tent and the same realization: we make meaning in what we do and who we do it with, and it’s never going to come from money or things or external validation (alas).

The book hits shelves later in July. If you, like me, can’t resist Eggers (like you can’t resist Atwood), you know you’ll read it anyway, so go, read it, and let me know if I’ve gotten it all wrong. If you can resist the siren call, then go see the movie for A Hologram for the King and let that be your Eggers fix. Plus Tom Hanks. And let me know whether the movie is any good.

Want other Eggers reviews? See Zeitoun, the Circle,  earlier novels predate the blog.

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Filed under American literature, Fiction, Worst Books