Tag Archives: fantasy

The Knife of Never Letting Go: This is Why I Blog

      I blog because of my (absent) memory. My ability to read a book, enjoy a book and immediately forget the plot is honed and practiced. Case and point: I finished reading The Knife of Never Letting Go last week. IknowI liked it because I messaged S. who recommended it to me to say I liked it, but do you think when I sat down to write this review I could remember what I liked about it or why I enjoyed it? Nope. Zip. I couldn’t even recall the plot without turning to wikipedia for a reminder. It’s a sorry state of affairs up in my brain.

What I do remember liking – on jogging my memory by way of Wikipedia – is a plot that is neither so implausible as to be entirely fantastic nor so realistic as to be realism. The integration of fantasy elements succeeds in defamiliarizing the real in such a way as to encourage the reader to ask questions about social interactions, use of the environment and those truths we believe to be “self-evident.” The thrust of the plot has our protagonist – Todd Hewitt – drastically reconsidering all he felt to be true about his community’s history, politics and way of life. He’s made to question authority figures, familial trust and received wisdom as he repeatedly encounters evidence that those he trusted lied to him. It’s a masterful plot in paralleling what any young person must encounter as they realize that adults lie and that promises made to children (you can be anything you want to be) are in not mendacious they are at least false.

His companion, Viola, is a charmer too, and I’d like to see her narrative point of view introduced in later books to balance out her character and make her less of an accessory and more of an actor in her own right. Personal preference, maybe.

I liked the fight sense, the quest narrative and the climax. Less settled with the conclusion of the text and the requirement for later installments. I’m a firm believer that a book – even one in a series – should be a selfcontained unit.

So there you go. I’ll likely read the next in the series, but I can’t say it was a memorable read (though admittedly this is more my fault than that of the text…).

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Filed under Book I'll Forget I Read, Fiction, Young Adult Fiction

Storm of Swords: Admissions

                           I really want to like the Song of Ice and Fire series. It has a lot of great things going for it: engaging characters with complicated motivations and principles, developed plot lines and some (just some) engagement with literary devices. All the same, in this third book I’ve read in the series I’ve had enough. I’m done with the plot lines that, while rich in detail, plod along with such protracted pauses that I am left indifferent when climaxes do occur. So while I might enjoy the complicated characters Martin has crafted, I can seem to care about them when bad things happen to them (as they invariably do) because it’s taken so much plot work just to get there. When you add in the mediocre language and heavy handed symbolism and descriptions I find myself struggling to read the remaining 400 pages.

That’s right, after 600 pages of slogging I’m giving up. True to my New Year’s resolution, and with the encouragement of S. I’m just stopping. I feel some guilt thinking that if I could just give it some dedicated time I’d make it through, but really? When it comes to pleasure reading I don’t want it to feel like work and so I’m stopping. Bold, brave, and a little reckless, sure, but there it is.

Also because I have such an amazing list of books recommended! Did I mention that my amazing friends gave me a book of book recommendations? Maybe, but if I didn’t, I’m so excited to get going on the list. And so that’s what I’m going to do – so if you’re a recommender… get excited 🙂

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Filed under Worst Books

A Clash of Kings: Winter is Coming

                  Twice in ten pages George R R Martin compared slicing a throat to cutting a soft cheese. So I’m not going to tell you that the writing in the Song of Ice and Fire series is inspired, but the plot is compelling enough. Just compelling enough in this, the second book of the series. I found it slow to get going – something like 300 pages were spent recapping the events of the first book – and slower still to reach anything approximating a climax. I suppose that as the second book in a yet unfinished series you can’t have all the big events take place at once, but all the same I could have handled a little more urgency. I will blame the less then captivating plot for taking something like three weeks to read it. I also have this little thing of a cross-country move going on. I expect that took up some mental time, so it’s not all GRRM’s fault. And this isn’t a blog about Blame, so…

I’m not sure how I feel about Bran – as a character I expect we readers are meant to feel sympathy for his plight as a non-walking, non-climbing would-be knight, and then to feel triumphant for him when he discovers his wolf-ish powers, but I for one find his whining tone to be just this side of annoying. Especially in contrast to his sister Arya who has her own share of terrible shit to deal with, but does so with a certain determination and a willingness to be depressed about how EVERYTHING has gone wrong but to still Be Strong. This mantra that underpins the actions and thoughts of the Stark children – Be Strong – sometimes reads as a bit self-help, but usually reads as a sort of inspiring mantra that could bear repeating in an era of cynicism and skepticism towards anything optimistic or sincere. This reader simultaneously wanted to say ‘oh come on, get on with it,’ and to also say, ‘yeah. BE strong.’ In this sense I suppose the novel gets at this reader’s hesitancy to believe in, accept or acknowledge the virtues the Starks are meant to embody – of honesty, integrity, strength – all the while earnestly (and secretly) yearning for a return to these values. Is this what fantasy is all about? Allowing readers to indulge in a nostalgic time of sincerity while squaring that sincerity with a world that demands irony?

So I’ll keep going with the series after reading a few other things. I could use a break from the sometimes plodding pace, the unwieldy cast of characters and the bleakness of a world preparing for perpetual winter (though the winter where I am is decidedly absent) and the baseness of humanity propagated by war. I am curious to see how the magical elements are taken up in later books. And curious, too, I suppose about whether Honour is eventually rewarded with something other then betrayal, death, or magic-lady-smoke-baby-attack.

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Filed under American literature, Uncategorized

Game of Thrones: Worth the Wait

       So in the end I might have spent more time reading over the Christmas holiday then I did with my family, but happily my family loves to read, too, and so didn’t mind (or at least claimed not to mind) when I retreated to my room for several hours to get caught up in the world of George RR Martin’s A Song of Fire and Ice series. “Caught up” might be something of an understatement, as I found myself reading until 2, 3, 4am with eyes propped open rather than quitting the seductive, mysterious and utterly ruthless world of the Seven Kingdoms (and beyond).

I admit that the first six or seven chapters were something of a struggle as I tried to keep track of the scores of characters that get introduced at something of a whirlwind rate. I’d suggest for new readers to bookmark the appendix that lists the relationship of all characters, or failing that, to make their own list. I’m sure this is my own failing and not that of the text, but I do think there’s something to be said for slowing the introductory pace just a little so as to allow readers the chance to become somewhat more familiar with characters before they are jerked into another sequence.

That said, one cheery consequence of a rapid introduction is that the reader isn’t offered the chance to fall completely smitten with one character or another, and so loyalties are early divided in a text that does not follow the usual trajectory of ‘good guys’ and ‘bad guys,’ but rather suggests that loyalties (and characters!) will shift depending on characters’ actions and evolving relationships.

The usual cadre of knights, princesses, dragons, swords and sworn allegiances make for an intoxicating plot and atmosphere. But it isn’t the well paced plot that  makes Game of Thrones totally irresistible (to me) it is the characters who make catastrophic errors, who act without honour, who deceive themselves and others – in other words characters who are human rather than fantastical archetypes.

I’m promising to alternate a book from Fire and Ice with another book recommended so that I don’t find myself lost in the Seven Kingdoms until March, but it won’t be easy.

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Filed under American literature, Bestseller, Fiction