Everyone is reading Where the Crawdads Sing. Like over a hundred person waiting list at the library so I decided to buy it kind of everyone. And I’m glad I did. It was a perfect cottage read, even with a couple of flaws that prevent it from being great or an unqualified go-read-it-now.
Set in the lagoon-swamp of the Carolina coast, the novel opens with a dead body (always an exciting hook) and then moves decades back in time to follow Kya, or ‘Marsh Girl,’ an abandoned child who raises herself amid the wilderness. Pulling at all the appeal that comes with person-versus-nature stories, Kya, must finds ways to both maintain her physical life through trading food and scraping up materials, as well as develop some kind of emotional-social life through relationship with animals and the natural sphere, while also courting – as much as she can – connections with people in the neighbouring town. Even while she always – and deeply – fears that everyone will always leave her. The propulsion of the plot is both in rooting for Kya and some kind of resolution to her absolute loneliness, but more in the understanding of her connection to the dead body, Chase Something-Maybe-Andrews(?) and an explanation of the crime.
Where the novel does incredibly well is in the vivid description of setting and place. Kya’s lagoon and her connection to the natural world is at once detailed and lively – the reader readily accepts along with Kya the magic of the land and its tenuous preservation amid efforts to develop it. No surprise, perhaps, as author Delia Owens was first a non-fiction nature and science writer. It also does well in the characterization of Kya, who we come to know intimately – in part because we feel through the third person limited narration, paired with her total isolation, that we are the only ones to truly know her.
*MAJOR SPOILERS AHEAD* Continue reading