People seem excited about Rachel Cusk’s Outline because it’s some sort of experiment in form and characterization: the ‘novel’ follows a writer/writing instructor while she is in Greece teaching a writing seminar. The novel narrates her conversations with those she encounters – from airplane seat mates to long time friends – over the course of her trip. There is something to be said for the way her character is revealed in relief – what she doesn’t say, how she lets the conversation be focused on the other person, by the questions she asks and the settings in which these conversations unfold (e.g. on a boat with a person she met on the plan the day before). Continue reading
Category Archives: Prize Winner
Outline: Sometimes you have to be bored by a novel
Filed under Bestseller, Fiction, New York Times Notable
The Parcel: When a novel might be journalism
Anosh Irani’s The Parcel follows Madhu, a transgender prostitute in Bombay’s red-light district, as she delivers on an assigned responsibility to prepare a captured girl, Kinjal, for induction into the sex trade. Woven onto this plot line is a thread documenting the history and culture of the hijra – those of the third sex – in Bombay, including the complex system of governance and authority in this community including what kinds of work are permitted, what kinds of allegiances are owed and how members of this community joined or are exiled. Layered, too, is an exploration of gentrification of this particular city (but cities more broadly) and the economic and social consequences for those displaced by this gentrification (a particularly compelling thread for me as I’m writing from a city that is currently grappling with how these displaced populations are represented both figuratively and literally in the sense of their political representation). Continue reading
Filed under Canadian Literature, Fiction, Governor Generals, Prize Winner
The Sympathizer: I’m probably just bad at reading
At trivia the other night I noted how much I wasn’t enjoying Viet Thanh Nguyen’s The Sympathizer and I was advised by my teammates to quit reading. There’s too little time and too many books, went the argument. But fresh on the heels of my failure to commit with Life After Life and my subsequent realization that it was fantastic, I was nervous that The Sympathizer would also turn out to be great. So I persisted. Add to that the buckets of critical acclaim (just look at the cover!) and positive reviews from all the people. I felt compelled to love it because if I didn’t… something is wrong with me as a reader Continue reading
Filed under Bestseller, Fiction, Prize Winner
Life After Life: Why you shouldn’t quit reading the book you’re not enjoying
A few years ago I tried to read Kate Atkinson’s Life After Life. I made it 20 or 30 pages in and thought ‘meh,’ and gave up. So when my book club selected it, I was reluctant (sorry book club). And then I was chagrined because this is a terrific read. Sure you have to make it past the initial 30 pages (evidence if you’re ever looking for it that a book should be given a fair shot – whatever that might be – before quitting) and the initial conceit which takes repetition to become clear for the reader: our protagonist, Ursula, can die and be reborn in her same body/family/set of experiences. The novel explores the extent to which her actions can control or change the outcome of her life (and the limits of these choices – how and in what circumstances does she end up right back in the same troubled spot or… dead). There are a few instances where we turn our attention to how other people influence the outcome of our life, but usually this is cast in relation to how Ursula reacts and acts against the other. I did think this was a potential area of conceptual weakness as (to me anyway) it placed too much agency on the individual in relation to an other.
That said, the book does do a masterful job exploring the limits of individual agency in relation to society or community. Ursula is born in England in 1911 and so we witness through her experiences WWI and WWII, with far more attention given to WWII (which makes sense given her age and the narrative point of view). In setting her experience against these historical backdrops, the novel invites readers to play the thought experiment so often brought up in History classes of ‘what if X had changed’ (e.g. Hitler had been killed). (In the case of ‘what if Hitler had been killed the novel is less than subtle and just… plays out ‘what if Hitler had been killed’ in a manner that this reader found a bit too obvious for total enjoyment (in fact, C., at book club raised the idea that this may have been the creative entry point for the author that allowed her to imagine the life after life conceit).
Putting aside the conceptual questions of the novel, I also appreciated the quality of writing that is at once terrific and unpretentious. The exploration of gender is nuanced and provocative. I do think the novel lets questions of class slide easily by (particularly knowing that the post WWI period triggered a mass shift in class structure – the novel dodges by having our patriarch a ‘banker’ and so, presumably, immune to market fluctuation. That is another minor complaint – Hugh (the father) – also fights in WWI and comes back remarkably (okay, impossibly) unscathed in body and mind, perhaps a necessary characterization to allow him to continue to stand as an emotional cornerstone in the eyes of Ursula. But I digress).
All said, I’d encourage you to read the novel if only for the creativity of its plot and conceptual conceit. But I don’t have to leave it at that, I can also encourage you because of its great writing, character development and exploration of gender and history.
Oh and my other book club is taking up God in Ruins (Atkinson’s novel following Life After Life) next month, so stay tuned for review part the second.
Filed under Book Club, British literature, Fiction, New York Times Notable, Prize Winner
Literary Vice 