Selection Day: Cricket!

I loved Aravind Adiga’s first novel, White Tiger, and so I was eager to  read Selection Day. It was just okay. Following a father and two sons in the slums of Mumbai as the father abuses them in his efforts to secure them a place on the Indian cricket team, and with that spot, a new life. I don’t care very much about cricket, and I didn’t care very much about these characters, so it was a stretch to make it to the end. I was carried along by the relationship between the youngest son, Manju, and his friend-competitor-would-be-lover, Javed. I wondered and wanted Manju to figure out what *he* wanted  for his life (I guess I want the same for my own) and struggled with the resolution to this question as it felt… disappointing. Not in a narrative way, it makes narrative good sense, but because of the lost potential. Mourning possibility and all that. In those painful moments of life where it’s abundantly clear you are making a Big Decision, how do you know you’re making the right one, until decades later when the regret has found its way to you?

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Where the Crawdads Sing: A Coles Notes and Complaints

Everyone is reading Where the Crawdads Sing. Like over a hundred person waiting list at the library so I decided to buy it kind of everyone. And I’m glad I did. It was a perfect cottage read, even with a couple of flaws that prevent it from being great or an unqualified go-read-it-now.

Set in the lagoon-swamp of the Carolina coast, the novel opens with a dead body (always an exciting hook) and then moves decades back in time to follow  Kya, or ‘Marsh Girl,’ an abandoned child who raises herself amid the wilderness. Pulling at all the appeal that comes with person-versus-nature stories, Kya, must finds ways to both maintain her physical life through trading food and scraping up materials, as well as develop some kind of emotional-social life through relationship with animals and the natural sphere, while also courting – as much as she can – connections with people in the neighbouring town. Even while she always – and deeply – fears that everyone will always leave her. The propulsion of the plot is both in rooting for Kya and some kind of resolution to her absolute loneliness, but more in the understanding of her connection to the dead body, Chase Something-Maybe-Andrews(?) and an explanation of the crime.

Where the novel does incredibly well is in the vivid description of setting and place. Kya’s lagoon and her connection to the natural world is at once detailed and lively –  the reader readily accepts  along with Kya the magic of the land and its tenuous preservation amid efforts to develop it. No surprise, perhaps, as author Delia Owens was first a non-fiction nature and science writer. It also does well in the characterization of Kya, who we come to know intimately – in  part because  we feel through the third person limited narration, paired with her total isolation, that we are the only ones to truly know her.

*MAJOR SPOILERS AHEAD* Continue reading

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Forgive me: Not a book, but a Plea

People. I have been reading. A lot! And not posting. I don’t know why. Must be something  about the summer night and just wanting to read more on the patio. Whatever the reason, I’ve read a bunch of things and I’m too overwhelmed by the backlog and I’m headed out on holiday in a couple of days, so I’m only going to read more, so the only thing to do is plea for an amnesty, and just tell you the things I’ve read/try to remember the  things I’ve read:

This Is Where I Leave You – Jonathan Tropper: I remember it was about a dysfunctional family gathered to sit shiva after their dad dies. And it was funny. And sort of silly, but mostly funny. Oh and about divorce and life falling apart. And like my life is mostly together but I could relate. Beach worthy? Maybe.

The Beautiful Things That Heaven Bears – Dinaw Mengestu: Ethiopian refugee to Washington meets a fancy white lady and her kid. There’s something like a romance, but the whole novel is weighted with the certainty that none of this is going to work out, and it’s a protracted ending and you’re like does he kill himself in the end or try again or does it matter. Super… uplifting? No.

Big Sky – Kate Atkinson: Mystery! By one of my more preferred authors. But it was only okay. Like I didn’t really care much about any of the characters, which is surprising because there’s enough detail and slowed down timelines that I should, but maybe it was  because this is one of a  series and it was my first one so I was missing the part of caring about the detective? Anyway. Just, meh,

I think there was one more. It had a red cover. But it’s lost to me and the world now. I’ll do better while I’m on holiday. Really! Maybe. Mostly forgive this terrible post. Remember those other ones where I had smart, funny things to say. Right? Maybe.

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Unsheltered: Everything is Broken; We are Doomed(?)

In two parallel narratives, one set in the very-present of Trump and climate catastrophe and the other in the 1870s-ish of  Darwin, Barbara Kingsolver’s Unsheltered takes ‘unsheltered’ literally by narrating  the crumbling homes of the protagonists in each of  these periods. From the collapsing homes the narratives spiral out to explore all the many, many ways the lives and societies of these protagonists are similarly falling apart.

In our present day we witness Wila and Iano struggle to keep up with their (unintentionally comedically) diametrical opposed twenty-something children as all try to make sense of the middle class promise of a better life for your children. The daughter, Tig, a socialist and strident environmentalist stands in for the future-present, trying – ardently trying – to convince those around her of the absolute and irreversible  change instigated by, and demanded by, the global climate crisis  (cue the parallel to the Darwinian timeline where the evolutionary scientists are trying to persuade those backwards, stubborn deniers of the obvious-ness and logic of evolution. It’s a bit on the  nose, in my opinion, particularly the force with which  the narrative drives home this parallel – repeated themes aside, there are some explicit speeches designed to make sure  we get  – really get – that  those denying the existential threat of climate change are just as ridiculous as those denying evolution.) The son, Zeke, abandons his child in pursuit of profits. It’s theme made (so) literal. What would you give up for designer clothes? Your first born. Actually. Okay, so Zeke is meant to be the foolish optimist that thinks change can be achieved from within the system, Tig wants to blow the whole thing up, and Wila and Iano try to reconcile their life-long desire for the middle class dream of a solid home and retirement plan with the reality of bankruptcy, contract labour and paying for American healthcare.

19th century narrative is… so similar. Thatcher Greenwood, science teacher and supporter of reason in convincing others of the merits of the Darwinian argument, meets his neighbour Mary Treat, a historically forgotten but totally delightful scientist exploring flora and fauna and all in between. The two try to convince their town of Darwinian thinking in literal staged debates that end in murder and outrage. His house is also – literally and figuratively – falling apart.

With all that is collapsing around them – homes, families, marriages, belief systems – Kingsolver pitches the idea that it is community and connection that will, if not restore the  bonds and rebuild the homes, then will offer ‘shelter’ amid the chaos and wreckage. So you may not have a home, a planet, a reliable belief system, but you will have friends and relationships and that will be – could be – enough. It’s a compelling argument (particularly for a Unitarian) and one I would have enjoyed a lot  more if it hadn’t been made so…  forcefully. The extensive repetition of theme through character, plot, setting, dialogue… just got to be a bit much.

All the same, if you want a book to convince you not to have (more) children, then this is the one.

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